DKosty123 This is an RKO "B" picture that could have been better, but definitely shows it was made on the cheap. Richard Dix, the lead is a B actor who really had a dismal career. Lucille Ball is the most well known of the script but she really is just in the back ground for most of this movie.We have a reporter trying to chase down some gangsters in one night. Of course the technology is ancient but the old press room is here. The reporter gets into trouble along the way.The script is pretty bad here, and no where is it more obvious than in the times that people are hovering around in scenes jut watching with nothing to say or do. Lucille Ball really did not deserve a role like this one and the entire film is quite forgettable.If you really want to check out a young Lucy, she is very much the only reason to look at this one. There's lots going on, but the viewer path through this film is lacking.

GUENOT PHILIPPE I won't add much to the other comments about this little crime programmer. Like many others of this era, it mixes up comedy, romance and thriller. I am not very fond of all this, but a Lew Landers film is for me always Worth seeing, at least for my Library. I watched it for the second time and the thing that amazed me the most - you will laugh - is the hired killer sequences. The bull - ram - truck driver paid to kill some potential witnesses. The some sequences with him, such as this one, be called at home, when he is among his family, a poor family, is exquisite. Short but pleasant and so surprising. It seems very weird for me to focus on such details, but I am like this. Forget the scenes with Dix and all the gals, you certainly will forget them. The final action scenes are quite good for this kind of production.

MartinHafer While I have always liked Richard Dix, I must admit that this is one of the more ordinary films he made. Dix stars as a newspaper man--one that is frankly too glib and clever to be real. When a coworker is killed, Dix thinks a gangster is responsible and soon steals $80,000 from the crook. Much of the rest of the film is spent with the crook and Dix talking...a lot. Their tough banter seemed stagy and the film went no where for a very long period. By the end, I frankly didn't care who killed who--I was just bored and looking forward to another film.Dull writing, clichéd characters and a complete waste of Lucille Ball in a supporting role (she could have just as well been played by a ball of lint--the part was dull and shallow). While it's not a bad film, it's also not particularly good and seemed to be just another B-movie from RKO.

chris-48 Twelve Crowded Hours is a tidy, swift and enjoyable little "crime comedy". Richard Dix, who seemed much more at ease in these programmers than in "A" features, is good as the newspaper reporter trying to bring the mobster responsible for his editor's death to justice. He manages to temper the character's innate cockiness and make him likeable. Lucille Ball enthusiasts may be disappointed with her role here; even though she has a few funny lines, her Paula Sanders is drab. Coming off much better are Donald MacBride as the sour detective and Cy Kendall as the burly mob boss. (The type of higher-profile role he should have had more often.) A nice, breezy 64 minutes.