banana_flowers My impression of Turn Left, Turn Right was that it was light comedy without much substance. That being said, although the story is too "romanticised" to be realistic and the plot lacks depth, the movie still provided light and amusing humour. Laugh out loud moments can be found within this film, but if you come expecting too much from this movie, you'll leave severely disappointed. My views may differ from the views of whom this movie is targeted towards, as i am unfamiliar to the Asian movie scene and discovered this movie by chance. Though i have to say for myself that i enjoyed myself whilst watching this film, as at times mindless fluff can be very entertaining if you're in the mood.

ichocolat Heung joh chow heung yau chow (Turn Left, Turn Right) is a heart-warming love story. There I said it. o0o0ps I gotta write a minimum of 10 lines? Alright, here goes.It's a story of two person, who met in school & then lost contact, then met some few years after, only to lost contact again. Weird, but fascinating! They only know each other by their school identification number, they don't know other info i.e whereabouts, much less their favorite food, color, etc..etc.. Even the phone number they exchanged got lost.Little did they know that they were destined to be together! They don't even know that they were very close to each other wherever they went. Say, when she was standing in a train, he was sitting down while reading a newspaper. Such a coincidence! Watch as they 'worked' hard to find each other. They did the same thing, i.e the way they talk, the way they they think, even their interests are the same too! The ending is too unbelievable but an original, nonetheless! I don't think audiences can figure out the ending!

yan_widjaya I very like this movie, Turn Left Turn Right. The genre romantic movie about boy meet girl, boy love girl, separated and meet again. But this Hong Kong movie is different and unique. Before, my favorite romantic movie ever is Serendipity (2001, directed by Peter Chelsom, starring John Cussack and Kate Beckinsale), see how funny when they seeking each other, from New York to Los Angeles. But now my salute to Johnny To (the director of Turn Left Turn Right)and Takeshi Kaneshiro-Gigi Leung (of course two leading player for this movie). See the desperately about Takeshi and Gigi when they only two time meet in 13 years! The fate, the meeting, and the love, are written from Sky. Remember, Jesus Christ says, when two people want something, anything, and pray together, so the Lord will blessed them! Amen.

Karfoo I am normally a fan of Johnnie To and Wai Ka-Fai, though lately I have found they forays outside of macho, all-male films a bit distressing. Stylized though films such as Chung Fo and PTU were, films such as Running on Karma and Turn Left Turn Right can not but make me wonder about if they have any sort of talent outside of the genre made great by the likes of John Woo.The film, based on a story by Jimmy, a comic book writer of a gloomy variety from Taiwan, takes the premise that two people who, having met once when they were small, are fated to take on lives which parallel each other's. Without giving too much away, it follows the typical boy meets girl, boy loses girl, boy finds girl routine. Fair and well. But the good things I have to say end here.<Chip on shoulder warning>It is difficult to take a film seriously when it attempts to portray a violinist who is supposed to be good enough to be hired from Taiwan to work for an orchestra in Vienna, when the actor himself can not be bothered to learn to hold a violin properly, let alone bowing properly to the music he was supposed to be playing. Equally, it is difficult to root for a girl who get scared translating German horror novels into Chinese, when her very job was translation of such texts. Perhaps the use of the Polish poet, and her poem, served some dramatic purpose which eludes me, though I suspect its only purpose was to show how "classy" and "refined" our heroin was. But the Chinese translation she kept mumbling on about was so badly done, so hard on the ears, so devoid of literary artistry that it only served to alienate me, the audience, rather than giving me the sense of fate and romance that it was supposed to. In short, two rather lacking actors playing two unconvincing and rather lacking characters. Apt, perhaps. Interesting? No.Then there was the supporting cast. I fail to understand what the script writer and the director thought throwing two comical supporting characters into what should have been a gloomy film, shot all in a grey tone, would achieve. The moment I laid eyes on them, in the midst of what would otherwise have been a delicate and sensitive story about fate and unrequited love, I wanted to reach into the screen and slap them silly.Though the premise was interesting, the film grew tiring very quickly when every scene has to be repeated, almost verbatim, once, by the other leading character. That was simply a clumsy and sloppy way of showing how their lives parallel each other, and was very trying on the audience's patience. Effectively, the film could well have been cut into 50 minutes and be done with.Perhaps I should say that the script writer and director should be lauded for their ability to take a perfectly interesting idea and making it uninteresting, and taking a cast for whom we would potentially have sympathy for and making them formulaic and laughable.