radmanart True Stories is thee best rock and roll movie I have ever seen. My wife actually loves this movie too and that is rare for her to like music themed movies. In fact I was so intrigued by it I thought about moving to Texas; when I rented it, when it first came out in 1986. The army moved us here, so I thought I would check Texas out by staying hear and we have been here in McKinney Texas ever since. We are still here for many reasons other than I like it here, but I do like it here. This is not the same town it was in the early 80's but I still like it.

loganholley Here's an everyday scenario: popular musician tries to make a movie, the movie either sucks or is about one of their various tours. Justin Bieber, Vanilla Ice, and the list goes on. The point is, musicians, as talented as they may be in the fields of music, don't typically make for good filmmakers, actors, or camera material in general. Now enter David Byrne. A good majority of strange 80s' pop can be considered to be by David Byrne or inspired by his works in some ways. Talking Heads may be not for everyone, but there's no denying their music often has a strange and upbeat charm to it. This leads me to Byrne's feature film, True Stories.Words cannot truly describe this film. I don't know if I can really call it a film because it has no real plot structure to it, but whatever it is, it sure is something. If I had one word to truly describe what this movie is in a nutshell, it's surreal. Not a whole lot makes sense, the monologues are beautiful in just how nonsensical they can get, and yet there's no denying that it's well done. The performances, for as absurd as they can get, do great at portraying the types of wacky characters that inhabit this piece. The cinematography, itself, is not awful nor is it amazing. For a film made by someone who has had their main career in music, Byrne's directorial debut is fairly solid.As with the music by Talking Heads, True Stories is a light, but enjoyable, experience. There's nothing too pretentious here (although I typically hate that term and every dudebro that uses it to exhaustion), and it's charming in just how unusual it is. I mean this in the most sincere of ways, True Stories is definitely up there with some of the more absurd films I've ever seen. Although it won't be everyone's slice of pie, it's worth seeing just to see how far they'll go. In other words, it's brilliant.

His_Dudeness74 When rock's 'renaissance man' (as he was once heralded by Time magazine ..) David Byrne got the go-ahead to direct and co-write his debut feature film, fans of the quirky Talking Heads front man were naturally curious as to what oddness Mr. Byrne would produce ... With True Stories, Byrne delivered the kind of ambiguous messages and intellectual stimulate fans had come to associate from his musical offerings - a simple enough tale, centering on fictional Texan town Virgil's quirky inhabitants and their preparations for it's 'Sesquecentenial celebration of special-ness' ... a nice backdrop for some kooky comedy, but is Byrne laughing with, or at Virgil's southern population - is he poking gentle fun at the new-age frontiersmen that constitute the towns occupants, or mercilessly taking the p*ss out of the Virgilians and their barren, pre-fab factory dotted landscape ? Some of the characters on display are fools, yet harmless-enough; 'the Lying Woman' with her outrageously tall tales, 'the Cute Woman' with her love of all things pink, 'the Lazy Woman', so rich that she never *needs* to leave her bed (Byrne : 'Well, wouldn't you ?") and fashion-concussed 'Dancing Fool' Louis Fine, who serves as the movie's main character (sympathetically handled by an amiable John Goodman ). Other characters are slightly edgier, conspiracy theorist/Preacher character, Pops Staples mystical love doctor, and the late Spalding Gray's wonderful town patriach ... Overall the films light feel leads one to believe Byrne's intentions were harmless enough - in fact his character in the film, an out-of-towner narrator dressed in ill-judged cowboy suits, is a nice metaphor for Byrne himself; an odd outsider (Byrne was a Scottish immigrant to the USA as a child) observing an even odder, new environment - the narration itself is often amusing but less often illuminating as to the Byrne's own opinions on what he sees...Great set-pieces like the ghastly Mall fashion show, Byrne's rather surreal dinner appointment at businessman Mr. Culver's family home, a wonderful detour to a gospel church and the assorted whacky acts performed by Virgil's finest during the parade and evening performance make the film easy to watch, as does the cinematography that successfully captures the vast isolated state of Texas and it's people's often kitsch attempts to tame it. Byrne and his band Talking Heads successfully weave musical numbers throughout the film naturally, without contrivance - the actors sing most of the tunes, Byrne only saves the last number, over the closing credits, for himself... Strangely David Byrne has never directed another film. I believe that if this film had been made 10 years after its initial release, it and Byrne would have been swept up in Indie movie fever; True Stories was a slightly odd film when it first screened, and it's ambiguity puzzled some. A bit like David Byrne himself ... Well worth re-visiting if you've seen it before too ...

monkmellon15 The film itself is rich in it's look and content. True stories is Set in A fictional small town in Texas, celebrating the 150th anniversary of the state in it's own small way. Byrne points out how many small American towns shape themselves politically and culturally from the inside. The scenes of the vast Texas landscape reflect the isolation of little Virgil. Byrne drives past a row of brand new houses with four car garages and asks "who do you think lives here?", much like he does in some of his TH songs such as "Big Country" and "Dont Worry About the Government". When we do meet who lives there we are greeted by a quite eclectic bunch; the world's laziest woman, Louis the desperate bachelor, Ramon, the voodoo priest. Often when we visit small unassuming towns, we are surprised by what we find. Byrne's character obviously had some assumptions about Virgil, Texas. He walks around town in a stetson hat and cowboy shirts and wonders why everyone else doesn't dress the same way. The songs are terrific in the film. I was well familiar with the TH album of the same name before I saw the film, but many of the renditions are on par with the unofficial soundtrack, particularly "papa legba" and Goodman's "people like us". The movie is an homage to Byrne's fascination to small town America and folk art. Byrne's commentary over a series of photo montages are great too, like when he gives the history of Texas in about 3 minutes noting that "the Spaniards offered the indians a chance to become slaves. The indians thought about this, decided it was not a good idea, and killed the Spaniards" Those that really dislike this movie are, on some level, just not getting it.