Alyssa Black (Aly200) Throughout history many have preferred to forget the atrocities of the Holocaust during World War II. However Hollywood has helped to keep this important event alive thanks to films like "Life is Beautiful", "Schindler's List" and "The Boy in the Striped Pajamas", but sometimes there are stories that go unrecognized or forgotten. Director Robert M. Young decided to take the lesser known story of Holocaust survivor Salamo Arouch and bring it to the masses.Salamo and his family (heritage of Jewish Greeks) are first seen living their lives happily just before the Nazis invade their village and ship the Jewish citizens off to concentration camps, specifically the dreaded Auschwitz. The film follows the Arouch family's struggle to struggle, specifically showing the male members of the family and also the perspectives of Allegra, Salamo's fiancée, and her sister on the women's side of Auschwitz. In the pivotal role of Salamo is an underrated performance by A-list star Willem Dafoe. Portraying a strong-willed survivor, but also a man who loses nearly every person he loves, the emotion of Dafoe's performance is raw and heartbreaking. Going from a carefree man with the world in the palm of his hand to a prisoner fighting (literally) to survive the harsh environment of Auschwitz. Dafoe's costar chemistry is in top form from a touchingly sweet affection for Wendy Gazelle as Allegra, a believable son to Robert Loggia who plays his father and a tenuous friendship with Edward James Olmos as Gypsy, the officer who aids Salamo by giving him a chance to use his boxing talents as well as a better (using the term loosely) job within the camp due to Salamo's consistent winning streak. Dafoe is an adept fighter, with a naturally thin frame and limber muscle, the actor demonstrates adept skill in the boxing arena. However as things grow from bad to worse for Salamo, Dafoe portrays the right amount of emotion that expresses the character's inner pain such as the horrible losses of his brother (shot for refusing to work in the crematorium) and father (executed in the gas chamber due to his age and no longer useful for labor to the officers of the camp), and fear at never seeing his beloved Allegra again. By the film's close we are as exhausted as Salamo and hope for a happy ending after so much horror.The film's narrative is quite dark and depressing due to the subject of the Holocaust and its atrocious violence. Prisoners were forced to march for hours on end, beaten if they tried to seek additional food or refusal to cooperate, many were shot and gassed if their usefulness had ended and there is the violence of the boxing ring when we watch our protagonist fight. It gets bloody and exhausting as we hope that things can't get worse for the characters, but knowing the history of what occurred during the Holocaust we know it is far from over until the Allied Powers finally liberated the camp in 1944.See this film as soon as you can, but keep some tissues on standby cause this is gonna make you cry.

Michael Neumann The true story of Greek boxer and Holocaust survivor Salamo Arouch mercifully avoids the Rocky-goes-to-Auschwitz game, but it does make the tactical error of turning life in a Nazi death camp into little more than a tear-jerking melodrama. The against-the-odds implications of the title (a clever inversion of Leni Riefenstahl's 'Triumph of the Will') are also misleading, since outside of a few token bouts for the entertainment of German officers the ironies of the fight-to-survive boxing scenario are all but ignored.The film's principle distinction is that was shot on location at Auschwitz-Birkenau, unhappily so, because the disturbing authenticity of the setting only emphasizes the superficiality of the story. No amount of watered down histrionics could ever communicate the true horror of the Holocaust, and in real life there was no stirring, Dolby-stereo music score to accompany the prisoners into the gas chambers, and no tactful cutting away to the next scene at the last moment. Sincere intentions only make it a bogus David vs. Goliath fable, set (and photographed) in Hell.Note: see 'The Boxer and Death' (1963, Czechoslovakia) for a more honest, ambiguous, and compelling treatment of essentially the same story.

mailbob The events depicted in the movie are well documented in historical accounts of the concentration camp experience, and according to these accounts they are not overstated in this film. Director Robert M. Young's background in making documentaries makes this docu-drama all that much more devastating. This is the holocaust, without frills, humor, or preaching. It is what it is. I wonder about other comments criticizing the film because it is too depressing. Gee, sorry if the holocaust ruined your evening. If you don't think you can take the raw experience, don't watch the film. Of course it is depressing, more than that. However, having watched it, I can say I can better understand and appreciate the creation of the state of Israel after the war. Mr. Young did an excellent job of film making on an extremely sensitive topic. Incidentally, he was co-writer on one of my all time favorite films, a 1964 low budget black and white gem, "Nothing But a Man." Also a sleeper which received extensive critical praise but not much exposure, I believe it to be hands down the best film depicting the black experience in America, particularly southern blacks in early 1960's at the apex of the civil rights movement. See my review on this site. Don't miss it.

helpless_dancer After being taken with his family to a Nazi death camp, a man is forced to box his fellow inmates for the entertainment of the camp officials. In constant fear for his life, as well as that of his family, he must endure a living hell just to survive. This tale of the concentration camp has been done and re-done, but this was a fresh look at that time in history. Well worth seeing.