zardoz-13 The Internet Movie Database lists three directors for the 1972 version of "Treasure Island: Andrea Bianchi of "Strip Nude for Your Killer," John Hough of "The Watcher in the Woods," and Antonio Margheriti of "Seven Dead in the Cat's Eye." Out of all three, only Margheriti helped to pen the screenplay. I don't think that there is any way to distinguish precisely who did what, but this cinematic adaptation of Robert Louis Stevenson's classic adventure novel is extremely faithful to its source material. Orson Well es steps into the role immortalized by Robert Newton, but Welles doesn't chew the scenery with the same gusto as Newton did in the Disney version. Instead, Welles plays Long John Silver as a realistic but cunning dastard. The remainder of the cast doesn't fit their roles like a glove, but Spaghetti western star Rik Battaglia makes a reasonable facsimile of Captain Smollett who has the helm of the ship. Reasonably successful, too, are Lionel Stander as Billy Bones and Walter Slezak as Squire Trelawney. Clearly, several other cast members have been dubbed, and the film was lensed in Carboneras, Almería, Andalucía, Spain as well as Monte Gelato Falls, Treja River, Lazio, Italy. Prolific cinematographer Cecilio Paniagua of "100 Rifles" did a splendid job of photographing this sea-going saga and camera operator Silvano Mancini pulls some fantastic zooms. There are moments of memorable beauty when Paniagua's cinematography is captures a scene whether aboard ship or on land. One of the best things about this version is its apparent realism. Miniatures were eschewed in favor of the genuine article, particularly the ship. Despite its physical authenticity and some good performances, "Treasure Island" follows most of what Stevenson wrote, but the filmmakers have changed a few things. First, after our heroes flee from the ship, Jim Hawkins made his way back aboard the ship and runs it aground. This scene is missing, while some of the secondary villains don't stand out as much as they did in the novel. Second, Captain Smollett doesn't get wounded during the stockade stand-off. Otherwise, on the whole, this rendition of "Treasure Island" is worth watching.

Tony Rome I agree this film is slow paced, however it has some redeeming points. Lionel Stander gives a great performance as Billy Bones. Stander was gruff looking and perfectly cast. Jim Hawkins, played by Kim Burfield, does remind one of young Jackie Cooper, in the Wallace Berry version. Walter Slezak is good as the squire, but he does not get many scenes to play out his role. Orson Welles plays Long John Silver very well, his mumbling may at times be unintelligible, however this appears to have been done so that the audience gets a good picture, or a rough, tough, sea faring man who has seen a lot in his years as a pirate. The relation ship between Jim and LJS is almost like a father son relationship. I enjoyed this version, the cinematography, and costume design are superb. A++++

dvandevi At first glance, Orson Welles did indeed seem to be woefully mis-cast in this bastardized [French, Italian, Spanish, British, West German and who knows what else] version of the Stevenson classic. Fortunately, by the second or third viewing you start to focus less on Welles articulation and more on the film itself. It is a menacing version. From the moment ships' cook Silver opens the galley window with his crutch and demands 'Three cheers for Cap'n Smollett!' this version is dripping with evil. And Welles is just the actor [and his mumbling delivery is deliberately utilized] to bring that evil into sharp focus. Kim Burfield is superb as Jim Hawkins [a kid alternately scared-to-death and naively cocky] , and even when Silver asserts that 'I thinks gold-dust of this here boy!' you know the kid's in trouble. That international crew of pirates brings an air of realism to the production [even if their lips aren't always moving in synchronization with the spoken dialogue] which an all-English crew wouldn't have imparted, and Jean Lefebvre's somewhat dazed Ben Gunn is in fine contrast to Geoffrey Wilkinson's loopy Disney version. Natale Massara's score is wonderful, though apparently there never was a soundtrack ['and more's the pity'], and the cinematography is magnificent. My only two criticisms are that Lionel Stander is badly mis-cast as Billy Bones [the guy still sounded like exactly what he was: a tough-guy from the Bronx], and the pirates' treasure-hunting seems much-too-much like they're out for a leisurely Sunday after-dinner stroll. It definitely lacks urgency. This said, I would rank this version almost on a par with the Disney/Newton version, and well worth owning and watching again and again.

PeterB2422 I saw this film as a child and the only things I remember were that it was very slow paced and that Orson Welles was completely unintelligible. He makes James Dean look like a linguist. A sad misstep for an often brilliant actor.