film_riot The rising numbers of violent acts amongst teenagers are a big problem today. Especially young people should have the chance to develop their own identity, without having to deal with threats from fellow students or violence in their family. "Knallhart", a movie by director Detlev Buck and screenwriters Gregor Tessnow and Zoran Drvenkar, is good, because it is very realistic. We see that there is not much chance, that one doesn't get a victim or criminal in the place they are growing up. Our main character Michael has to decide whether he wants to stay a victim the rest of his days or if he wants to do something against it. Parts of today's youth just feel that there is no prospect for the future. Rising Unemployment and the gap between rich and poor getting bigger and bigger may be reasons for that. David Kross does an excellent job in playing Michael, but what makes "Knallhart" a really great movie, is that also all characters aside our hero have their moments. Everyone has a family, a past, problems that they are dealing with.

Pascal Zinken (LazySod) When a young mother and her 15 year old son have to move from the posh end of town to the run down end of town things aren't going to get better anytime soon. Used to living on the up-side getting used to the down-side is a little hard after all. With mom not being the absolute best role model available it is clear that the son can't be that either. And so the story rolls.Knallhart, also known as Tough Enough, is thus a drama film and a fairly good one at that. The realism factor is very high and it is hard not to feel a certain amount of pity for the characters as they evolve through the film. Musical background is fitting for a modern film and feels right, acting isn't half bad. Overall an enjoyable watch, if a little depressing to see yet another one bite the dust.8 out of 10 broken futures

Ilina I caught Knallhart at the 2006 Chicago International Film Festival, where it drew massive applause as the credits rolled.Intense, realistic coming-of-age story set in the poor, predominantly Turkish suburb Neukoeln in Berlin. David Kross is spot-on as precocious, soft-spoken, world-weary 15 year old Michael, struggling to survive in the new world he's been thrust into after his mother's wealthy boyfriend shoves them out on the street. He seems unfazed through his constant violent run-ins with a local gang, as well as increasingly dodgy messenger assignments he gets through a friendship with the local drug lord, holding his stoic gaze until the escalating events eventually break him, and yet show his true strength and character. The movie is extremely gripping, gritty, and real; the camera is intimate with its characters, letting the audience marinate in the heaviness of a situation. The Soundtrack is notably powerful, weighty, and fitting, as is often with quality German films (Head On, Run Lola Run, Princess and the Warrior). Definitely recommended.

Tony This film really got to me, probably because it was almost perfectly realistic. The characters are brilliantly drawn - no simplistic goodies or baddies. The setting, in the not-so-wealthy suburbs of Berlin, is very believable.Full marks for the acting and directing. There are some gutwrenching scenes in this film. I won't go into the details because I don't want to spoil a thing, but both physical and emotional violence are portrayed with an alarming conviction. I wish more film makers could achieve this instead of resorting to comic book fights or glossing over the brutal reality.I sincerely hope that this film is released internationally, and that it escapes the censors' scissors. It would be a shame if only German-speaking audiences could see it.