Uriah43
This movie begins with an outlaw gang known as "the Cowboys" riding into a Mexican village where a wedding is being conducted. After killing several police officers attending the wedding, the outlaws then rape the new bride and subsequently murder the local priest in the process. The scene then shifts to Tucson where "Wyatt Earp" (Kurt Russell) meets up with his brothers "Virgil" (Sam Elliott) and "Morgan" (Bill Paxton) en route to Tombstone. As luck would have it, upon arriving they meet up with "Doc Holliday" (Val Kilmer) who intervenes in the nick of time to prevent them from being ambushed by a man Wyatt had completely humiliated just an hour before. Unknown to them, their fortunes are about to change when the Cowboys decide to ride in and take ownership of Tombstone. Now rather than reveal any more I will just say that this was an entertaining film from start to finish. I especially liked the acting of Val Kilmer and Dana Delaney who brightened each scene they were in. On the flip side, however, I didn't quite care for the manner in which Wyatt Earp was characterized as historically he was just as much of a scoundrel as any of the other people depicted in this film. So to have him in the role of as one of "the good guys" seems a bit of a stretch. But that's Hollywood for you. Regardless, as stated earlier, I enjoyed this movie and because of that I have rated it accordingly. Above average.
romanorum1
The opening narration by Robert Mitchum is told among scenes from several early silent features: "The Great Train Robbery" (1903) and "The Bank Robbery" (1908). The narrator further states that the discovery of silver created the boom-town of Tombstone (1879). A large gang of ruthless outlaws, led by psychopaths Curly Bill Brocius (Powers Boothe) and Johnny Ringo (Michael Biehn), ride hard at a Mexican wedding party and thoroughly destroy it. An incensed priest warns them about the ominous signs of the apocalypse: vengeful men riding on horseback. He is abruptly gunned down by Ringo. Only a few months after rowdy Tombstone's founding, three Earp Brothers (Wyatt = Kurt Russell, Virgil = Sam Elliott, and Morgan = Bill Paxton) arrive with their three wives (Mattie, Allie, Louisa) to settle down and make money. We do not hear about brothers James or Warren, even though they were there in the 1880s; James was a saloon-keeper not involved in the politics. Tombstone is typically western in that saloons and gambling establishments thrive. Confidence men check out the Earps as they disembark from wagons. County Sheriff Behan (Jon Tenney) introduces himself; the Earps also meet town marshal Fred White (Harry Carey, Jr.). After that, Wyatt enters the Oriental to confront bully Johnny Tyler (Billy Bob Thorton), who had seized the gaming table. By disposing of the coward, Wyatt obtains 25% of the faro take. Doc Holliday (Val Kilmer), an old friend who has pneumonia, turns up to renew his old acquaintances. Entering town by stagecoach is actress Josephine Marcus (Dana Delaney) and her small acting troupe. Over time Josephine will replace laudanum-drinking Mattie as Wyatt's wife. At the Oriental gaming table, Wyatt and Doc make the acquaintance of Curly Bill, Johnny Ringo, and Ike Clanton (Stephan Lang). Ike warns Wyatt that the Cowboys dislike lawmen; Wyatt, though, is "retired"; he had been a noted peace officer in Dodge City, Kansas. Curly Bill wins $500 and walks away happy, although Doc and Ringo eye each other. Leaving an opium den, Curly Bill is of unsound mind and fires his weapons against town regulations; eventually he murders Marshal Fred White while corrupt Sheriff Behan does nothing. The mayor wants Wyatt to be town marshal but he initially refuses. Later Wyatt becomes a lawman, along with his two brothers. Meanwhile some outlaw cowboys pull into town armed. The Earps deploy to disarm the cowboys, an action that sets up the famous shootout at the OK Corral (26 Oct 1881). When the smoke clears, two McLaury Brothers and Billy Clanton (Thomas Haden Church) are dead; Virgil, Morgan, and Doc are wounded. Billy Clairborne (Wyatt Earp III) and Ike Clanton have run away. Actually Ike did not shoot at the Earps from Fly's studio; he simply ran towards the stables. Unsuccessfully, Behan tries to arrest the Earps. "Tombstone" is unique in that it covers six months after the OK Corral gunfight. Because of the shootout, the cowboys commence cowardly acts of vengeance. They hold a funeral for their dead comrades, carrying a sign that reads "Murdered on the Streets of Tombstone." On a subsequent stormy night, Virgil is ambushed by some cowboys; resulting in a buckshot-shattered left arm. After (actually three months later), Morgan is shot in the back while playing pool; he lives only a few minutes before expiring. Wyatt decides it is time to send Virgil, Allie, and Louisa to California. Curly Bill sends Frank Stillwell (Tomas Arana) to the train station to wipe out the remaining Earps. Stillwell, however, is shot to death by Wyatt, who now becomes a renegade for his vengeful action. The rest of the movie focuses on the Earp Vendetta (1882). This was a federal posse that included "Texas Jack" John Vermillion (Peter Sherayko), "Turkey Creek" Jack Johnson (Buck Taylor), Sherman McMasters (Michael Rooker), Warren Earp (although Warren was not in the movie), and Wyatt. These are the men of the apocalypse, the earlier warning of the priest. Cowboys are shot to death on site, whether on the plains, in the woods, at an opium den, or in a barber shop. It's not easy, though. Once, Wyatt's band is trapped in a crossfire by Curly Bill and some cohorts at Iron Springs. Wyatt bravely extricates himself and runs towards the cowboys, blazing away, and killing Curly Bill. Doc says Wyatt walks on water. (It is an historical fact that Wyatt was never wounded in any of his gun battles.)Although Sheriff Behan forms a posse (that included outlaw cowboys) to arrest Wyatt, he never locates him. Wyatt's band rests at the ranch of sympathetic Henry Hooker (Charlton Heston). Ringo sends a message challenging Earp to come to the Oak Grove (Silver Springs), but Doc Holliday arrives first and challenges Ringo, who is slain. The remaining gang-members are systematically wiped out. Ike survives (only to be killed later while rustling cattle). After the vendetta is over, a dying Doc has checked himself into a Colorado sanitarium. On his deathbed he has converted to the Roman Catholic faith. (Doc actually lived longer, until 1888.)In snowy Colorado, Wyatt visits Josephine and proposes, even though he owns nothing. Josephine says she comes from a rich family. The narrator tells us that they lived together for 47 years; Wyatt died in 1929. Two of his funeral pall bearers were silent screen cowboys William S. Hart and Tom Mix. Credits appear at movie's end. Director George P. Cosmatos has created a vastly underrated western. The photography magnificently pictures the grandeur of the West, like its sunsets. Notice the interior of the telegraph office at the beginning, the ornate bar of the Oriental, or the candle-lighting around the actors' stage. The sets are authentic, even finer details like clothing, wallpaper, saddles, and pistols of the 1880s. The exception is the red sashes, which appear solely for Cowboy identification. There are 85 speaking parts and characters are well-developed. This might have been the best western since the 1970s.
sharky_55
Supposedly the original script of Tombstone had fully fleshed out lives and motives for even the smallest of secondary characters but which had to be cut for budgetary and time constraints. But in Fraker's dusty, deep focus shots of the bustling western town we get an inkling of this ideal anyway. The church sits in centre background like it did in My Darling Clementine, but here it is not a redemptive, restorative symbol and instead something to be burnt down and cursed. Townsfolk mill about in the distance, on foot and on horseback, and shootings erupt and cease fire like they are an everyday occurrence. There are those classical wide shots of posses riding furiously across the everlong plains, and those sunset silhouettes of caravan travel (that usual motif of the death of the west, the steam engine, not yet appearing). And who knows how long the crew had to wait to capture those shots of the red scarf billowing in the wind of the lightning storm in that frightful ambush? What better to play over the closing credits then the best sequence of the film, where the four 'tall drink of waters' approach the Gunfight at the O.K. Corral. They are dressed in black, and stride so confidently like the role of bringers of death that they have taken up, like undertakers ready to their duty (the thespian's description is rather apt). We know from their moustaches their history easily; Sam Elliot's iconic weathered one, grey with age and experience and good intentions (we react exactly as he does to a mother's scar). Paxton's thinner, younger one, who is most obviously the only of the brothers to not have killed a man. And Russell's whose is thick and in its prime, but reluctant and looking for a new life. Cosmatos (in reality Russell) takes his cues from Leone in the climatic build-up to the shoot-out. But the best performance undoubtedly belongs to Val Kilmer's Doc Holliday, who is electric as the long-time friend of Wyatt Earp. His tuberculosis does not hinder him; it in fact makes his sweaty face and his steady drawl even more menacing along with his eyes that seem alive in contrast. His gaze is steely and his wit unmatched - we cheer along with the bar's patrons when he mocks Ringo's quick-fast skills with the pistol with his drinking cup. And we know exactly where his loyalties and intentions lie when he fiercely objects to Wyatt's claim that he has no business here: he has not many friends, but once gaining that title it is for life. There's a curious element that goes mostly unexplored here. These men are more concerned with gambling and money and guns than they are with the arts - Cowboys shooting at a stage performance manages to be comedic and frightening at the same time. And in a symbolic blow, Mr Fabian falls later to more fatal shots, but Josephine is hurriedly moves on to the next arc of her life. Not even the gorgeous Dana Delany and her little shake of the head as she proclaims upon seeing Wyatt for the first time "I want one" can really save this subplot from veering into Hollywood cliché; it seems a little too coincidental for them to bump into each for a flirtatious horse ride and picnic, and the ending is too cheesy on the backdrop of such dramatic events (the director's cut ties up some loose ends, including the fates of Big Nose Kate and Mattie Blaylock). And some of the action sequence are a little sloppy and rushed - the river's end for Curly Bill, and the montages of the posse finishing off the Cowboys. But of course right on cue, the credits remind us how good it is at its best.
