lgf-01733 This one was a strange film. As far as films' ending go it went nowhere. It not only went nowhere they do not offer a rhyme or reason for it not going anywhere. With that said, the beginning and middle were not good either. The 'girl' looked like a boy and I was waiting for the other show to drop and 'she' reveals herself as a he. Then she took her clothes off and it was revealed that she was indeed a she. Still, as mention, the story has no payoff.

Tokyo55 I do not believe this contains any spoilers, just a brief description of one important scene to me, but don't want to risk getting blacklisted, hence the overly cautious warning. I've seen Lost In Translation more than 20 times, and it was my favorite, non action film. Even favorites can get old, but Tokyo Fiancée is so magnifique, that if I were watching both for the first time, I would likely say that Tokyo Fiancée is my favorite, non action film! I discovered it by fortune, saying "Tokyo" into my remote, and it popped up on Netflix, which fortunately, I subscribe to. What makes Tokyo Fiancée so extra special to me, besides the charming story, adorable/likable characters and actors, plus the shocking ending, is the cinematography and so much time given to the heavenly sites of Japan, both city & nature. It portrays the real Japan, the way I know it. Oddly, there is one scene, the only scene, in which Japanese game-show like hearts appear, and Amélie dances & sings, poorly, but from the heart, overlooking the most beautiful city in the world, with the view of my dreams, from my dream apartment, and I cry tears of joy, longing & sadness at that point, every-time! I've only seen it three times so far, and am still catching new surprises, especially because of the subtitles, so I miss some scenery & some dialogue. I have yet to catch the editing goofs, like I know so well about Lost In Translation. The song at the end, Big in Japan Performed by Ane Brun, is wonderful!

ksf-2 SPOILERSAmelie (Pauline Etienne) returns to Japan after many years of being away. Everyone speaks very fast! Such energy. Amelie even speaks of the energy and happiness she feels. Right off, I notice the neat, organized gardens, even at the houses near the train tracks. She starts teaching French to a rich Japanese boy "Rinri", played by Taichi Inoue. Although he seems to know just as much francais as she does. My first thought was: rich kid hires a tutor to find a girlfriend. Was kind of fun to hear the mix of Japanese and French, as they meet up with Rinri's friends. We also see all the fun Japanese gadgets, and the dekotora. Funny scene of the old man singing over the transit trains... where no-one will be disturbed. They could have left out the scene where Amelie sings her corny "happy" song. Beautiful scenes of the Japanese countryside when she goes hiking. The whole length of the film, we are wondering, as Amelie is wondering, "Where is this going?" It got a bit confusing. At first, the flashes into her mind are amusing, but sometimes its difficult to know what is real and what she is thinking in her mind. Fine performances by Etienne and Inoue. This was the first and only film for Inoue so far, but Etienne has done many. Directed by Stefan Liberski, who has worked in films for many years. Story by Amélie Nothomb... note that this is also the name of our lead. Wonder if this is also her story. Sad ending. Clearly the relationship went the way that the author wanted (or experienced in real life) or she could have taken steps to keep the relationship alive. This received such (un-deserved) low ratings on netflix. It's not bad. Pretty good.

Auritachan Amélie (Pauline Etienne) was born in Kansai but she is Belgian, unfortunate twist of fate as she stubbornly wants to become « a venerable Japanese writer ». So at the age of 20 Amelie leaves Belgium for Japan to realize her dream. There, to earn her living, she teaches french to Rinri (Taichi Inoue), a young Japanese french culture enthusiast, as sweet and charming as he is sometimes impenetrable… From the ryokans on Sado Island to the streets of Shinjuku, in the intimacy of a cozy room on a rainy and bathing in the hot water of onsens, Amélie and Rinri take a great delight in being together, like enamored kids exploring the pleasures of love, between complicity, fondness and sensuality. But in the mist of discovery and fantasy, it is sometimes difficult to answer the most important : who am I, what do I want ?Through breast-taking shots of Japanese city, suburbs, rivers and mountains, Stefan Liberski offers a coming-of-age film in the form of a playful comedy, funny, light but not always as light as it seems, brought to life by a remarkable pair of actors."Delicious, yes, that's the word."