darcymoore When I first saw this film, several years ago, I realised after the first 10 minutes that I was in for something special: a single person's growing awareness of the horror and nature of the plague. We watch as it transforms the human landscape - physical, social and emotional - calling into question people's humanity itself as individuals and communities try to deal with something they can't understand. In the time it is set they have very inadequate tools, religion being the worst of them with medicine (this was the bloodletting era) not far behind. The atmosphere festers with foreboding. One after another, human tragedies unfold as Hanna journeys from her children and their isolated rural (and walled) hamlet to meet her husband (Ulf's) ship on its return from the crusades. After 4 lonely years Hanna, feeling her youth and beauty are behind her, has mixed emotions about the reunion. This is, naturally, compounded by the surreal landscape and the crazed communities she passes through. Watch this film and decide for yourself whether it's boring or disappointing. For my part I saw it again recently. For the second time I was moved, held in thrall, and entertained.

Wolf von Witting Maybe one has to be Swedish to fully appreciate Tre Solar. Understanding the words is not enough. In the making of this film one could have chosen between fantasy and realism. Apparently writer and director Richard Hobert went for realism. The sets, the cast, the acting and the costumes are all convincing enough. But then his heroine Hanna (Endre) acts like a serious anachronism. She is a modern day Swedish woman with none of the taboo or restrain that medieval patriarchate put on women. While the story runs from AD to BC, modern Swedish film-making often deems it necessary to be vulgar and offensive to make a point. Though Hoberts script is mild in this respect (from Swedish point of view), its arrogance may still be enough to cause contempt. To paraphrase a Swedish idiom; "At least two of the three suns come down like pancake." In script and in ambition. There are many really poor films being made. This is not one of them. This one is medieval and plain mediocre... Though we have to acknowledge its potential.

thrix "Tre Solar" could have been the top Swedish movie of the year, instead it is rather the low-point for the last five years. It's surprising why - we have the current Swedish actor elites, nice filming and authentic outfits and environments. Yet, tre solar doesn't pull much off - due to the really lame script. For minutes barely ANYTHING happens. Woman walks in, sees man, talks to him, he answers in absent words, tragic discover. Next scene. Repeats again. I have absolutely no idea what went wrong during the production, but it seems very strange to me that actors with such experience as these, making all the top roles in recent movies, wouldn't see this coming. Perhaps "Tre Solar" is the perfect example of the majority of Swedish films - some wish-to-be-made movie is granted financial support not because it is something people want to see on the big screen, but rather because it seems like an interesting aim to some people (namely the academy granting money to support Swedish film-making). Much as it pains me, but Tre Solar cannot earn more than 2/10 by me.

kissekatt Alot of the negative criticism this movie has gotten seems to concentrate on the wigs. Personally I don't think that's got anything to do with why the movie isn't good. The wigs didn't bother me at all actually. Overall I thought the whole production seemed quite serious and it looked good to me and didnt detract from the movie.The thing that puts this movie down is the script and directing. It's absolutely terrible. And I'm not kidding here. It seems like something I wrote back in fourth grade. And the way they try to put humour into it. It's pretty hilarious, not due to the jokes, but due to it being so utterly ridiculous.And it's not particularly true to that age either. I mean people didn't call the plague "the plague" back then. They called it the "big death". Also they had no idea that the rats were the ones spreading the disease either so there's no reason for the characters of the movie to fear the rats so much. I dont really know what this movie wants. It seems like half of the time they're trying to have a history lesson and the other they're trying to be funny. And inbetween they're just riding on horses. There's no red line connecting it at all. I'll admit it gave me a few laughs but that was mostly due to the horses having so short legs making them look ridiculous when they galloped. But all in all this isn't a movie to see if your not a moviebuff like myself.3/10