richspenc Not quite up to snuff with Judy's upcoming films, but she's still very good actress as a young girl living in a boarding house with horse jockeys. The main character in this film is actually Ronald Sinclair's as an English boy who has sailed ship to America with his family and his horse, Pooka. Ronald first sees Mickey at the race tracks and immediately admires him for his excellent racing abilities. He then goes over to the boarding house where Mickey and the other jockies and Judy stay. At first, Mickey and the other jockies really don't like him, ridicule him, and Mickey punches him in the eye. He only ends up trying to straighten out his attitude towards Ronald, with Judy's persuance, due to Ronald's grandfather giving Mickey his prized horse stick. They start to become friends. Ronald really wants Mickey to ride Pooka in his next race. I won't say any more so not to spoil the plot. But there is tragedy in this film, some quirky moments, Judy starts to fall for Ronald. One scene with Judy talking to a negro stable worker may be taken as her talking to him in a rude and racist way, but he is also rude and unhelpful to her right from the start. But she still shouldn't have called him "boy". There is one very embarrassing scene, actually two. A very suggestive vision when Mickey and Ronald are riding the horse together, which I found quite disturbing and not funny. It just didn't fit in with the family style type of film this was. Judy showed some more of her brilliance in this film with her singing "Got a pair of new shoes". That I liked because Judy's great in all of her films with her wonderful acting and singing from the late 1930s all the way through to 1950.

mark.waltz A year after playing a jockey over at Warner Brothers in "Down the Stretch", his home studio of MGM cast him in a similar role where he shamelessly overacts. The story actually focuses on a young British boy (Ronald Sinclair) who wants Rooney to ride his horse in an upcoming race, and top-bills Judy Garland as a "Little Miss Fix It" who is at first a thorn in their side but ends up being their biggest champion. Rooney is manipulated by his con-man father into throwing a race which, like in "Down the Stretch", gets him banished as a jockey. Sinclair takes over as jockey on his own horse after his beloved grandfather (the always lovable C. Aubrey Smith) passes away and leaves only the horse to him. Of course, in typical MGM fashion, everything is resolved in the nick of time.People will mainly watch this to see the 15 year old Judy Garland who was rising as a young radio star who had made a couple of films and was yet two years away from film immortality as Dorothy in "The Wizard of Oz". Judy, of course, has more talent in her little finger than MGM had stars, so she is deserving of being the legend she is today. She especially shines while singing, and her song, "Gotta Pair of New Shoes", is right for her talents, although it appears in the film four times. The best performance of it is when she interrupts Mickey massaging the wounded Sinclair. It is comical to watch Rooney continuously pull down Sinclair's pants every time Judy tries to get into the room. This is an unintentional bit of humor that censors probably didn't catch, as is another scene with Rooney and Sinclair riding the same horse. Judy also is amusing in a scene where she "emotes" for her new pal, Sinclair.As for the wonderful Sophie Tucker, it's great to see her in one of her few screen roles, and she works well with Judy. She has many funny lines, but her character is never fully developed. Her retort to an usher in a private box at the race track is priceless. The first half of the film is comical, while the second half is strictly dramatic. The scene where Judy searches through a crowded city for Rooney just seems absurd, but it's obvious that when Judy has her mind made up, she will accomplish what she has set out to do. Her fans will adore this movie to see her develop her screen style, but as a typical MGM programmer, it is simply passable. Rooney did better acting in "Down the Stretch", but Sinclair is very good. As a screen team, Mickey and Judy really didn't pick up steam until their follow-up picture, "Love Finds Andy Hardy", so this must count as their weakest teaming.

CitizenCaine Mickey Rooney was already a seasoned performer when he starred in this film about a young English friend and his horse. Rooney plays an egotistical jockey with all the cockiness and fireball energy of a young James Cagney. Ronald Sinclair, the child actor who later worked behind the scenes, is the young English chap. However, the irrepressible Rooney easily outshines the young Sinclair. The film also features a young girl by the name of Judy Garland. Judy repeats a similar role she had in The Broadway Melody of 1938 as the young charge of boardinghouse mama, Sophie Tucker. The blustery Tucker, who surprisingly does not sing in the film, easily steals every scene she is in. It's always good to see old stalwart C. Aubrey Smith add an air of dignity to the proceedings. Mickey and Judy are foes as well as friends in their debut film together. Judy sings a little, but the film is not a musical. It's almost as if MGM was giving the juvenile star movie format a trial run here. It's pretty much a predictable, formulaic movie, but, as is frequently the case with movies from the 30's, 40's, and 50's, the stars make it entertaining by their sheer presence and energy. **1/2 of 4 stars.

Ron Oliver Left insolvent in America by the death of his grandfather, a young English lad learns that THOROUGHBREDS DON'T CRY. Now it's time for his new buddies, an irrepressible girl & an excitable jockey, to help him make his race horse a winner.This little film, with a horse race plot both contrived & convoluted, is mere entertainment fluff. Its real significance is that it was the first movie to co-star Mickey Rooney & Judy Garland. Rooney is hyper-energetic & Garland exhibits her wide-eyed exuberance; together they hint at much better films to come in the future. Ronald Sinclair receives equal billing with them, and he does a good job with his role, but up against the Dynamic Duo he never really stood a chance. His celebrity would prove to be rather transitory.Forrester Harvey does fine in a small performance as a jolly horse trainer. Wonderful old Sir C. Aubrey Smith lends a touch of class to his role as an English gentleman. But it is the inimitable Sophie Tucker who steals the film as Garland's mother, a big sharp-tongued woman you wouldn't want to trifle with. For some unfathomable reason, the script gives her no chance to sing. Unbelievable! At the very least, a Tucker/Garland duet could have made the film truly memorable.Movie mavens will recognize Lionel Belmore as a butler & Elisha Cook, Jr. as a jockey, both unbilled.A `pookah', by the way, is an Irish ghost horse.