videorama-759-859391 Here's a unsuccessful comedy, you feel really tries, but still manages to be really entertaining, mainly thanks to Yune, a natural comic performer,and it's story and characters. Although really, does he look like Bruce Lee, "I think not". Parts of his face, around the eyes, yes, but really. He becomes a drug muel for a mafia organization he works for. He really isn't the sharpest tool in the box, but it's great watching him make his famous spaghetti- the best in the world, or make a vase magically break, by executing a karate strike, while standing nowhere near it, or too, eating chicken with numb chucks. His sidekick on his drug round, Freddy, is very likable, who, unlike his partner, knows what's really in those sacks, beside flour. The film's music score is the best thing about this lively, colorful film, that hosts some beautiful woman, none more than that sexy CIA agent, Bruce falls for, sort of. He's a really mislead lovable sort. This isn't a badly made film, but as I said, it really tries hard, where Yune is the film's star saving grace. This very talented guy should of done much more, film wise. Hemmingway is very good as a feminine fatale.

JSutton780 Where to begin?When I was fourteen I got this movie as a gift from a relative that I had met twice in my entire life. It is, in every sense of the word, a B-Movie but a decent one. It's entertaining, that much I can give it, but it won't be winning any awards.The film centers around a Chinese man, aptly called "Bruce" who gets mixed up with the mob and so forth and so forth. The plot, or lack there of, isn't that important. It's enjoyable and funny at times with some martial arts action mixed in. You'll chuckle, probably not full on laugh, but chuckle. It's a good film to turn on to fill the silence.I can see some appeal in this film if you're an avid fan of classic martial arts film, particularly Bruce Lee films. If you ever come across this film I'd recommend giving it a view if you're a fan of these kind of movies.

guy_lazarus This is one of the most inept films in terms of craft I've ever seen. It is so poorly filmed that it makes an Ed Wood, Jr. movie or one of Oscar Micheaux's later films that are plagued by continuity problems seem masterpieces of craft in comparison. "They Call Me Bruce?" makes Wood's GLEN OR GLENDA? seem like Eisenstein's POTEMKIN. The acting was atrocious, yet the film was strangely compelling -- as compelling as watching a car crash. I'm not joking. It takes some kind of negative panache to pull off a film that is so GODAWFUL. I just kept watching and watching, appalled yet fascinated. The scene in the Hair Styling salon, where Johnny Yune is wearing a blonde wig and a mumu and is posing as a mannikin (a mafia torpedo, looking for Yune's character in the shop, keeps stabbing the mannikin next to which Yune stands, never once noticing that Yune keeps moving to reposition himself down the line of mannikins to avoid getting stabbed himself; the torpedo's partner, holding a pistol to the shopkeeper's head, never notices the moving "mannikin" either, distracted as they are by the shouting of the clever shopkeeper) is just unbelievable. Talk about suspension of disbelief! The scene that preceded this one, where a group of African Americans hold Yune and his partner at knife point and Yune speaks to them by using a HOW TO TALK JIVE dictionary, is also simply unbelievable. Yune's wooing of the African American "gang-members" with jive, who comport themselves with much eye-rolling, "jive-talking" and "soulful" body movements (imitated by Yune's character) that make the late Stepin Fetchit's shtick seem to ne as dignified as Paul Robeson in comparison, is one of the landmark moments of the cinema in the sense that it likely would wind up in some TV documentary about racism if this movie wasn't so damn obscure! If there ever is a TV doc about Asian-African American racism, this could be exhibit #1!

wombat_1 To answer the implied question about Australians in an earlier comment, I saw the film for what it was: a spoof comedy. I thoroughly enjoyed it as such. I didn't look for errors of continuity or consistency; that seemed rather pointless; or for any hidden meanings. I simply took the gags at face value and enjoyed them.I would not draw any conclusions about "real" Asians from this movie; any more than you would say draw conclusions about any other nationalities from comedy movies. I guess that Woody Allen comedies would be a perfect example of how that would not work. As for the best line, in my opinion it is:"...and then I got run over by a Toyota. Oh, what a feeling".