Horst in Translation ([email protected]) "Im Banne des Unheimlichen" or "The Zombie Walks" or "The hand of Power" is a German color movie from 1968, so not too long anymore until this film has its 50th birthday. If you read the name of the director Alfred Vohrer, the name of writer Ladislas Fodor and the name of lead actor Joachim Fuchsberger, you will realize immediately that this is another West German movie adaptation of the Edgar Wallace crime novels. This trio worked on many of these. There is one unusual thing about this one here and that is the title. Usually, it includes the name of the main antagonist, mostly a non-human creature (that is in fact a human dressing up), so this film also could have been called "The Laughing Corpse", but it is not. The rest of it is the usual though. It runs for under 90 minutes, there are several unrealistic plot twists, unsuccessful attempts at humor (especially at the very ending for example the sound effect when she injects herself the deadly poison) and of course many characters with whom you can never be sure who's the good guy and who is the bad guy. And the women are also always the same in these films in the way they were written, which is pretty tough as they are really just vehicles to the story or to make the police detective look good. No strong characters here in terms of females. As a whole, I thought this was a pretty mediocre watch, like basically almost all the other Wallace films. Kinda disappointing looking at how America and the UK dished out one good Bond film after the other during that era. I give "Im Banne des Unheimlichen" a thumbs-down.

christopher-underwood This is pretty poor. I started well and being in colour and made in 1968 had high-ish hopes. The thing here is that there were just too many people involved and the tale far too ridiculous and uninteresting. It needs more than a few colourful sets and humour. Actually the humorous element was okay but then the seriousness of the tangled tale then becomes undermined and more difficult to watch. The only reason this gets any points at all from me is the 'zombie'. An absolute object lesson to all low budget film makers. A black cloak, a wide brimmed hat and a skull face mask with beautifully working jaw and great lighting. It is increasingly such a joy when the killer 'zombie' arrives to relieve us from our boredom that we are immediately on the wrong side.

The_Void You can say what you want about crime writer Edgar Wallace, but one thing you can never fault is his imagination - and here, once again, director Alfred Vohrer has created a brilliantly entertaining film from one of Wallace's over the top novels. This film features all the things that make the Krimi genre great; from the refined atmosphere all the way down to the bizarre plot line. The film's most striking element is undoubtedly the murderer, who wears a skeleton costume and a bowler hat; echoing the lead character in Umberto Lenzi's cool comic book crime flick Kriminal. The plot focuses on the death of a man named Sir Oliver. There is a disruption at his funeral when there are reports of the corpse laughing; and soon after his brother Sir Cecil (apparently quite a noble family) begins to believe that Sir Oliver has come back from the dead and it's not long before several people are being picked off by a skeleton costume-wearing killer with a bizarre murder weapon! Naturally, Scotland Yard looks into the deaths...The thing I like most about this genre is the style, and director Alfred Vohrer has once again ensured that his film is memorable. The atmosphere on display in this film is simply stunning; the vibrant colour scheme is striking while the lighting is very well used. The plotting, as ever, is slightly confusing; although there is not as many subplots in this film as there have been in other Edgar Wallace outings. The killer is a real masterpiece creation; the suit does look slightly silly, but the way that the killer silently creeps around and the way that the mouth moves on the costume are really great. The murder weapon is another original idea; instead of using a gun or a knife like other murderers, this one uses a ring with a scorpion's tail that delivers the victim with a dose of deadly (and undetectable!) poison. The film plods along nicely for most of its running time and we eventually boil down to the ending; which is completely confusing to say the least. Still, while this is not the best of the genre; it's still a very effective little film and I'm sure Krimi fans will enjoy it!

unbrokenmetal At the burial of Sir Oliver, witnesses hear a terrible laughter, and quickly the rumour spreads that Sir Oliver returned from the dead - as a walking skeleton. His brother Cecil (Wolfgang Kieling) soon suffers from persecution mania, because everybody he knows seems to be the target of an (attempted or successful) assassination. Inspector Higgins (Joachim Fuchsberger) has no clue why, but reporter Peggy Ward (Siw Mattson) pushes the investigation a bit with her reckless curiosity.The cast also includes Hubert von Meyerinck as Sir Arthur, clearly trying to make a difference from his predecessor Schürenberg with little human touches such as his musical interests, Pinkas Braun in a typical twisted role as a man who could be a bad guy as well as a good guy, and Lil Lindfors who gets to sing a great song whose lines ("I wanna feel my heart beat") seem quite ironic if you consider it's all about a "zombie". The undead may look a bit silly on still photos, but believe me, it's scary enough in the film. It inspired the title character of the comedy "Der Wixxer" (2004). Something that didn't work was the make-up for Ramiro: he looks green like a Martian, not olive like a Creole. Nonetheless, tremendous entertainment!