jjnxn-1 Competent but not extraordinary thriller is interesting for several elements. First it gives Pat Boone a chance to play a slightly less savory character than his candy coated image usually allowed. I'm not much of a fan of the actor but he does a good job as the initially self involved singer who is a neglectful husband and father but basically decent man who gets an unexpected wake-up call when his infant son is kidnapped. The script also presents a few instances for him to sing without disturbing the flow of the story.Barbara Eden, quite the knockout, was still a couple of years away from I Dream of Jeannie and working her way up the leading lady chain. Her role doesn't offer much opportunity outside frantic anguish but she handles the requirements well. Also on hand, though given little to do, is Jack Klugman as the police inspector on the case adding another solid portrayal to the film.As for the general story while it has several plot holes that stretch believability it is overall an enjoyably put together nail-biter. A real benefit comes from the effective and evocative musical score provided by Kenyon Hopkins. It adds a great deal of tension and snap to scenes that could have otherwise been flat.Not a long lost classic but an under-known worthwhile entertainment. Hard to find but if you happen upon it take the time to give it a chance.

jotix100 Despite the five favorable commentaries submitted to this forum, "The Yellow Canary", the 1963 film that showed up on cable recently, it is not a good film. Evidently, it is a piece of nostalgia to those viewers that rated it so highly.It is surprising that someone of the stature of Rod Serling could produce such paper thin premise as the one used in the narrative. It is too obvious who the kidnapper is from the start, so it comes as a no-brainer how this person could fool Andy Paxton, the man at the center of the story, as well as the police that are called to help solve the case.The film shows a bland Pat Boone trying a dramatic role. Mr. Boone was a singer that had his popularity in the late 1950s, and early 1960s. As an actor, he was wise not to leave his daytime job. The direction of Buzz Kulik, a man that worked extensively on television, does not do anything out of the ordinary to stage the film in a different fashion that might have made a better movie. Barbara Eden's Lissa does not make much sense either. Steve Forrest is about the one that fares best. Others in supporting roles include the great Jesse White, Jack Klugman, and Harold Gould.The best thing is the crisp black and white photography by Floyd Crosby of the Los Angeles of that era. The jazzy musical score is by Kenyon Hopkins.

xanadumichael Though it has been well over 40 years since I saw "The Yellow Canary," my recollection is that it was a very good movie. What I specifically remember is a stand out performance by Pat Boone. So much so, I did not remember Barbara Eden's part in it. Boone spent most of his movie career in singing roles (e.g, State Fair) and/or more-or-less simplistic teen movies (e.g., "April Love," "Bernadine"). In this film, however, he provided a more than passable effort as a serious actor. It seems unfortunate he did not pursue more such roles, though he may have suffered from management that stifled his potential, much like happened to Elvis and Colonel Tom Parker's control of his career. It would be interesting to see the film today, and find out if the years have enhanced my memory or if, in fact, it's as good as I remember.

johnboy1 It's a shame that this film gets trashed all the time by critics, when it's really a fine Rod Serling movie. Boone, Eden, and Forrest give nice performances in this little mystery. I sure wish that I could find a copy of it on VHS, but I don't think it's ever been released on video. Maybe someday.