Rich Wright Four interconnecting stories: The main one being a woman argues with her elderly, busybody mum about a possible move to Australia for her and her son after the untimely death of her hubby. Meanwhile, said teen has his first sexual experience with a girl who's been stalking him for months. Also on the agenda are two boys adventures while playing truant from school, and a couple of old friends taking a coach ride to attend a funeral. All this is set in the template of a very wintry Scotland, where even the sea has frozen over.A slow burning meditation on life among different generations, it manages to be quietly moving without having to resort to overdramatising. All of these people FEEL real, and their segments are each satisfying in their own way, even interlinking at certain points. As a demonstration in acting its a masterclass, with special honours reserved for Phyllida Law as the overbearing, interfering mother from Hell. Probably not a classic, but gratifying enough. And the beautiful white landscape is a star all by itself.. 6/10

secondtake The Winter Guest (1997)This has the depth and studious pace and multi-pronged construction of a good play. Which it once was. And like many plays turned to cinema, this carries along some first rate dramatic acting, namely by Emma Thompson and her real life mother, Phyllida Law, playing mother and daughter. As a small twist, the playwright, Sharman Macdonald, is mother to someone else we know, actress Keira Knightley.The scene is a forlorn village in the dead of winter on a Scottish coast. We are shown the first turn of innocent love, a pair of boys playing with the edges of right and wrong, a pair of old woman touching on what death looks like if not felt, and the mother daughter pair who deal with a little of everything. Including photography, which serves as a classic artist's release, a way to take you out of your head and into what is out there in front of you.Don't expect action, or even any great surprising turn of events. At first I went along with the slow, beautiful pace thinking it was all building to something. And I suppose it was, after all, but nothing that will shock you. It's better than that, and more real, and more touching. The movie and play are both quite good, lacking the finesse and originality of the most amazing works around us, drawing even from Ibsen or Chekhov in the realism and power of very ordinary people in faraway places. The acting is tremendous within the cool dry restraints of the plot, and in fact might make more the the play than is there. If you like a bit of reality without sensation, but just tenderness and meaning, this will work.

Marie-62 I loved the cinematography in this movie! The story, however, is utterly boring. There's no catalyst, no actual order of events. Emma Thompson is one of the sexiest, most brilliant stars of her time. Her real life mother, Phyllida Law, was also incredible. Overall, however, there was no drive in the film. Will she go to Australia or not? Do we honestly care? No. Even great actors can't save badly written scripts. There wasn't anything really here... Sorry Alan... Sorry Emma... Sorry cast. You're all beautiful and incredible but you need something to do. Life or death. That makes a good movie. And a decent resolution would've been nice.

massagequeen Like any great film, this is close to the essence of life. In four poetic,hearthwarming scenes, different generations of characters are entangled in alonging for protection and affection. Two woman wait at a bus stop for a day out to a funeral, but behind their apparent, casual view on death lies a hidden fear for their own end. A new girl in town chases after a local boy, both searchthrough their mutual attraction towards each other. Two schoolboys are playing near the frozen sea and talk about their future. And all this is bound by the main story of a mother-daughter relationship. From the first flight over the seascape, to the final scene with one of the boys walking into the mist, everything is filmed and directed with the same sense for intense images and esthetic realism. And when on the tones of Liz Fraser, lovingly singing the end-credits, the filmends.....and there's a certain sadness that one already has to leave this beautiful universe behind. "The Winter guest" is again (if their ever was doubt) the prove how superior European cinema is compared to the Hollywood-counterpart. I rest my case.