ma-cortes
This colorful picture is set in the North wildness , in the Canadian mountains, , and specifically at the treacherous jungle of ice plenty of wild wolf attack , wild avalanche and a fight for life against fury of claws and fangs . A man called Jules Vincent (Stewart Granger) and an Indian woman (Cyd Charysse) hide from the world and join their love in the heart of the wilderness . There takes place a killing and Jules escapes being pursued by a merciless mounted police officer . As the trapper goes on the run accused of a crime and is pursued by a rugged and determined lawman . Both of whom will take on death struggle with a pack of wolves , thundering terror of the avalanche , wild rapids and many other things .This exciting film deals with a Wild Love Story in the Wild North and contains adventures , thrills , an enjoyable romance and colorful outdoors well filmed by cameraman Robert Surtees who photographs splendidly the snowbound scenarios . It is nonetheless a little failed , being necessary a right remastering . Plenty of a Hollywood all-star cast as Stewart Granger, Cyd Charysse , and Wendell Corey ; however ordinary script complications muddle the tale . It was also Stewart Granger's first western , the fore-runner of many in the later stages of his career such as ¨Gun Glory¨ ¨North to Alaska¨ , ¨ The last hunt¨and ¨Old Surehand¨ saga . Cold and ills affected the crew and actors but they surprised for her resistance . Interesting though sometimes boring screenplay by Frank Fenton , an expert Western screenwriter who wrote successes such as ¨Ride Vaquero¨, ¨Escape from Fort Bravo¨ , ¨River of no return¨, ¨Garden of evil¨ and ¨The Jayhawkers¨. Special mention to musical score by the classical Bronislau Kaper , a great composer expert on impressive atmosphere in Noir cinema and epic films . Filmed on location in exciting color , all grandeur of the wilderness captured in breathtaking Ansco color ; in fact , this was MGM's first movie in Ansco color , a brilliant process which they developed themselves . The new technical coped specifically well with the impressive scenery filmed on location in Jenny Lake, Grand Teton National Park, Moose, Wyoming, and Idaho , USA .The motion picture was professionally directed by Andrew Marton , though with no originality and some moments result to be a little tiring . The Budapest-born Marton came to Hollywood with the great Ernest Lubitsch in 1923 . Director Andrew Marton likes lots of big , noisy explosions , when he doesn't know what else to do . Andrew was noted for the quality of his action images in such films as ¨King Salomon's mines¨, a noteworthy movie in several respects . Marton was a specialist on Wartime movies as : ¨The thin red line¨ , ¨The longest day ¨and adventure movies as ¨African Texas style¨, ¨Around the world under the sea¨, ¨Clarence , the cross-eyed lion¨, ¨Green fire¨ a film hardly distinguished on itself , and ¨King Salomon's mines¨(1950) co-directed by Compton Bennett and Andrew Marton directed the second unit , he then was tasked with replacing Compton Bennett as director after the latter had been taken ill . One of his more prestigious assignments came about by chance to lay in some excellent work as second-unit director , notably in charge of the chariot race for William Wyler's ¨Ben-Hur¨ (1959), as well as of the Normandy invasion sequences for the World War II . After his contract with MGM expired in 1954, Marton founded his own production company in conjunction with fellow Hungarian émigrés Ivan Tors and Laslo Benedek . He later concentrated on TV adventure series, helming the pilots, respectively for "Daktari" (1966) and "Cowboy in Africa" .
skytop111
I enjoyed both Corey and Granger performance. However, I especially liked Corey's strong character performance in "The Wild North". Corey's understated character contrasts well with the mountain man persona of Granger. In later years, Corey always was cast in submissive, retiring roles which really did not suit him. Corey projects a strong 'quiet' type of presence and with a high level of integrity. Cinema photography and accuracy is especially fabulous in this movie. No fake Hollywood sets for this movie.The story builds as the character development becomes apparent. Viewers begin to identify and feel for the characters making the story even more vivid and realistic. The best compliment I can pay this movie is that it allowed me to feel like I was up North with them during the trek!
Jonathon Dabell
In 1952, many "outdoors" adventure films would be shot on the studio back-lot, with fake-looking backgrounds and interior sets masquerading as exteriors. The Wild North benefits greatly from the fact that much of it was shot on authentic locations (the American state of Idaho standing in for northern Canada). The film also benefits from a clutch of strong leading performances from Stewart Granger and Wendell Corey, plus the ravishing Cyd Charisse (cast – some might say miscast – as a native Indian). The whole film is smartly presented by Andrew Marton, whose last film prior to this was another outdoor adventure with Stewart Granger, the 1950 version of King Solomon's Mines.Wise, handsome and resourceful fur-trapper Jules Vincent (Stewart Granger) is accused of a killing, and an inexperienced Mountie named Pedley (Wendell Corey) is the man who must bring him in. Vincent knows the rugged wilderness like the back of his hand, so he heads off into the snowy wastelands to hide from his pursuer. Pedley is determined to prove that he is suited to the dangerous Mountie's work for which he has signed up, so he chases his quarry into the frozen wilds regardless of the risk to his life. After a long and arduous chase, Pedley finds himself lost in the middle of nowhere, totally exhausted and half-mad after his hair-raising journey. As winter closes in, it looks like the Mountie is facing certain death… but during their cat-and-mouse chase Vincent has grown to respect his pursuer. As a mark of this respect, Vincent helps Pedley to survive the winter, after which the mismatched pair make their way towards civilisation.MGM used to be able to knock out these stirring adventure flicks in their sleep, and this one is a pretty entertaining example of their output. Granger and Corey share a good on-screen chemistry, while director Marton successfully makes the scenery against which their adventures occur look suitably wild and beautiful. Within its 97 minute running time, the film is very fast-paced and crammed with incident. Amongst the more thrilling segments, Granger and Corey find themselves in one sequence attacked by a marauding wolf pack. Looking at the film nowadays, it has an old-fashioned style about it that viewers of a certain age and taste might not appreciate. And there have been so many films set in barren, far-flung corners of the world that some of us might no longer find the icy plains of Canada as fascinating as we once did. But, on the whole, The Wild North is a highly enjoyable chase adventure, worth watching for its nostalgic pleasures and its strong performances. As a wise man once said, they don't make 'em like this any more….
