joeparkson Next to "Yankee Doodle Dandy", this has Cagney's best dancing. It also has some fine dancing and singing from Virginia Mayo, Doris Day, Gordon MacRae & Gene Nelson. They all do very well, along with an early funny performance by Alan Hale Jr.Shot in Technicolor, with better songs and more plausible story, this could have been another "The Bandwagon".Cagney's role is similar to his role in the earlier musical 'Footloght Parade'. As in "Footlight", at one point, one of the dancers is unable to go on and Cagney's character fills in for him. Virginia Mayo plays the same sort of wise-cracking sexy blonde that Joan Blondell played in "Footlight".The main main plot is Cagney being pressured into joining West Point to help them put on a musical. Adding to that implausibility is a cadet (Gordon MacRae) with a magnificent voice preferring to make a career in the Army, even after falling in love with a famous singing star (Doris Day basically playing herself).The romance between Cagney and Mayo isn't so far fetched when you look at the movies Fred Astaire made with Leslie Caron, Audrey Hepburn and others. Virginia Mayo displays a fine dancing talent and lovely singing voice, and Doris Day shows she could dance as well as sing. I wish they'd left out the long patriotic number with Gordon MacRae and let him sing a ballad or duet with Doris. Gene Nelson is totally wasted here; they really didn't let him have a big dance number like his Kansas City number in "Oklahoma!" The movie would have been improved had there been an estrangement between Mayo and Cagney with perhaps a dalliance between Mayo and Nelson sparking jealousy in Cagney.Even though Cagney is noticeably heavier here than in "Yankee Doodle Dandy", he still dances very well and delivers a comic performance complete with facial mugging and explosive tantrums. Those tantrums with lots of hopping up and down like a Warner Bros. cartoon character couldn't have been good for Cagney's 50 year old knees! Alan Hale Jr. was quite funny especially when his huge bulk is next to the short statured Cagney. Warner's should have made some sort of police comedy buddy movie with Hale and Cagney.I enjoyed seeing Cagney and Mayo once again playing totally different parts. They play off each other very well as do Cagney and Day. It's obvious that MacRae and Day look so cute together that they just had to make more movies together with better songs. Cagney was sufficiently impressed with Doris Day that he pushed for her to get the Ruth Etting part in "Love Me Or Leave Me".

marcslope He spits out lame dialog like it was Shakespeare, he talk-sings with a verve that could give Rex Harrison or Robert Preston lessons, he stomps up and down, he uppercuts, he dances up a storm. There's plenty of A-list talent in this uninspired Warners musical, but a 51-year-old Cagney is pretty much the whole show, and he appears to believe in the hole-filled plot so much that you buy it, too, despite the many lapses of logic. I find his teaming with Virginia Mayo a little distasteful--he's plainly too old for her--but she lends a lot of enthusiasm, too, as does Doris Day, given some middling Jule Styne-Sammy Cahn ballads to warble (and some very unattractive gowns to model), and Gene Nelson, tapping exuberantly, and Gordon MacRae, with his fine natural baritone. Cagney felt he did his best dancing in this film, and it's worth sitting through the dated, hit-you-on-the-head patriotism and weird plot mechanics to get to his virtuosic numbers--he even taps a bit with Day, who started out as a dancer and keeps up brilliantly with him. It's not a good movie, exactly, but I'd trade a lot of neater, better-crafted musicals for this one's dumb liveliness, and for Cagney's genius. I mentioned Robert Preston above; Cagney was, in fact, considered for Professor Harold Hill before Preston was hired. I think he'd have been terrific.

edwagreen Average musical where James Cagney goes to West Point to get graduating senior Gordon MacRae out of the military so that he can pursue a show business career.Virginia Mayo and Doris Day are 2 ladies or cohorts in this scheme and go know that Day falls for MacRae causing many complications.As always, the musical productions are nicely staged as Cagney dances away 8 years after his Oscar-winning turn in "Yankee Doodle Dandy."There is some uneven moments as Cagney is castigated for being out and then is promptly honored. In fact, he gets "honored" several times in the film and it can be annoying.The songs Military Polka and the ending Brooklyn are memorable.Mayo and Cagney proved that they could dance up a storm here. When Day gets excited with Cagney, would she ever think that 5 years later the two of them would be in probably the best picture of their respective careers-"Love Me or Leave Me."Due to the weak plot, some may have wanted to leave West Point prematurely.

moonspinner55 In a blatant attempt to recapture the spirit of James Cagney's 1942 hit "Yankee Doodle Dandy" (the trailer even promises this to be "the dandiest Yankee Doodle of them all!") comes a highly-concocted story from Irving Wallace about a down-and-out-showman staging a musical revue at a military academy. Corny in the extreme, but hoofing Cagney's still got the goods; his dance routines liven up the pace of this puff-piece, though they don't exactly make it a memorable vehicle for any of the stars. Virginia Mayo and Doris Day are the gals on hand, and Day's fans will surely be disappointed by her weak musical material and the fact she gets the short shrift in favor of Mayo (who has the better role and yet still projects all the personality of a fashionable mannequin). ** from ****