The Unholy Three

1930 "Lon Chaney talks!"
6.7| 1h12m| en| More Info
Released: 12 July 1930 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

A trio of former sideshow performers double as the "Unholy Three" in a scam to nab some shiny rocks.

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wes-connors This is most notable as MGM superstar Lon Chaney's last feature film - and only "talkie" - he succumbed to cancer at age 47, as it was being released. "The Unholy Three" (1925) was one of Mr. Chaney's greatest silent triumphs, and this version is an inferior re-make. However, Chaney is revealed to be in fine voice. He was ranked the #1 male "Box Office Star" 1928-29, according to the industry standard "Quigley Poll"; and, would have certainly continued to be successful. Chaney's illness doesn't seem to hurt his performance; and, he enhances his earlier characterization; note, for example, how Chaney's "Grandma" testifies for Elliott Nugent (as Hector McDonald).While Chaney is fine, the film suffers in other areas. Most obviously, Harry Earles (repeating his role as Tweedledee) has not yet mastered the English language, and is often very difficult to understand (when he should be understood). And, the "Gorilla climax" sequence doesn't play as well in this version. In the original, as directed by Tod Browning, the gorilla was menacing; here, it's more humorous. Also, Chaney's treatment of Lila Lee (as Rosie O'Grady) seems too violent with sound. Watch him slap Ms. Lee so hard you can see the impression (make-up) on her left cheek. "I'll even take that from you, Echo," she replies.Chaney's last words: "I'll send you a postal card." ******* The Unholy Three (7/3/30) Jack Conway ~ Lon Chaney, Lila Lee, Harry Earles, Elliott Nugent
Spent Bullets Indeed, Lon Chaney was the man of a thousand faces, a make-up genius so ahead of his time that "three quarters of a century later" well accomplished professionals are still to be awed at the visual effects he compassed. Sadly, for most, he will always be remembered as Erick, the Phantom and Quasimodo. However, Chaney was much than just a horror actor and a pioneer of many stage make-up techniques; he was a gifted actor, as well as, a matchless performer and person. He was an incredibly skilled actor and, thankfully, The Unholy Three (1930) let's us actually see that.In this film, Chaney did five voices; those of a parrot, an old woman, a girl, a ventriloquist, and the ventriloquist's dummy. His voice work was such that he had to sign a notarized statement largely as a publicity stunt, attesting to his versatile voice work in The Unholy Three. While the film is notable as a vehicle for the actor's vocal gymnastics, the story of this talkie version of the 1925 version is pretty much identical to the silent, but with a few exceptions: As a talkie, The Unholy Three is a bit less gripping by the sounds becoming explicit, as well as, lacking much of the macabre horror the silent version featured. Mae Busch is replaced by the far better Lila Lee, who was not only better as the roll of Rosie but much prettier as well. However, Victor Mclagen who played Hercules in the silent version was much better than his replacement, Ivan Linow. As far as, Harry Earles is concerned, his voice is completely incomprehensible. Not to mention, the man sitting behind the chair is no longer Tod Browning, but in fact, Jack Conway. Also, at the climax (differing much from the silent version), Mrs. O'Grady appears in court to testify on Hector's behalf. Under the strain of the cross-examination, Echo's voice cracks, and the prosecuting attorney pulls off his wig. Echo's subsequent confession clears Hector, but Echo is sent to prison. In the tearfully painful final scene, Hector and Rosie wave goodbye as Echo is sent off to prison by train.The question that will forever remain, is if Chaney had lived, what else would he have accomplished? My guess is he would've easily conquered the movement in Hollywood toward more complicated make-up techniques, making any such effects icon look rather amateurish. Perhaps several nominations, maybe even an Oscar winner! He certainly would've played Count Dracula, Frankenstein's Monster, The Mummy, and Dr. Jekyll and Mr. Hyde. If that were the case, what would ever come of such actors like Fredric March, Bela Lugosi, and Boris Karloff who became famous from playing their landmark Monster roll? He undoubtedly could've played anything and been anyone he wanted. His abilities were far beyond any actor of his or any other era. Unfortunately, out of 150+ films Chaney appeared in, less than 50 survived, and all we really have left of this brilliant, phenom of a talent are the monster movies that made him famous. Chaney was known for much more, for comedy and drama. In fact, he was also a highly skilled dancer, director, writer, singer, and comedian. And yet it was cancer that took him from film just as he proved he could successfully speak within the new realm of sound.Lon Chaney could have been, perhaps, the greatest actor of all time, though, with much of his work missing, it's still justifiable that he is and beyond all the thousands of faces, there was one true Chaney: an incredibly gifted artist. Too bad we don't get to see it more often.
MisterMickey Every great performer deserves a wonderful finish to their careers, and Lon Chaney got one with this remake of his 1925 classic. As a matter of fact, he topped the original, due to the fact that with sound, he was able to show his vocal versatility in addition to being The Man of a Thousand Faces. For each character he portrayed, he had differing voices, something he was (of course) unable to do in the silent era.People have wondered what he could have done with Dracula, although it's been proved there was never any such proof Chaney was sought for the part. (Chaney was under contract to MGM, Dracula was made by Universal, and MGM wasn't about to loan out one of their top stars.) Still, MGM had some great films lined up for him, and more's the pity they never got made. No one's replaced him, nor will they.
murking Two things I like about this film, nevermind it's historic significance. It's just plain mean! A classic example of on screen bitchiness among the whole cast. Harry The midget pinches Lila Lee not out of lasciviousness, but with utter contempt. Echo loves her, but is really mean as well.And the fact that Lila Lee is smokin' hot, and does an incredible stunt, tumbling down an embankment then running out into the road crying for help,. Wow!