sb-29 As one who enjoys a good documentary and also passionate about the fact that we're heading for eco-disaster, I was kind of looking forward to watching this movie.Unfortunately, the only thing I got out of it was that Austin seems like a nice place to visit or live (thus attracting more people and more development), and that the Springs in question were very attractive, and worth preserving.But the movie just goes on for hours about a subject which could be summed up in a 15 minute news article.Also, this stuff is what we should have been watching in the 80's. Its too late for this now. We have more important stuff to worry about, like where the refugees from the frozen, scorched, and flooded parts of the world are going to live. And what we're gonna eat when we have 10 billion people.Geez, its human survival we're fighting for, not just a pretty hot spring !!! Perspective please !! I wanna see James Cameron or Roland Emmerich making something about how, just before the world was about to end, everyone got off their asses and did something, and we all lived happily ever after.-------------- The above was written after about the first half of the movie when I was wondering if I was alone in thinking the movie sucked. Now I've completed the movie, my opinion has degraded further. There was a small improvement, but the ending was just bizarre !Ending on the developer going out of business ?? What point is the film trying to make?And then more touching music and poetry. Give me a break. I would not recommend this movie to anyone. Just read these reviews then watch Inconvenient Truth, Al Gore's latest talk on TED, A Crude Awakening, 11th Hour etc. etc. oh and "The Day After Tomorrow" !!

John Peters For six months last year I worked in Austin, Texas. There were many things I didn't understand about the place. It has a vibrant live music scene and a semi-official slogan of "Keep Austin Weird" but I found it packed with freeways, office parks, and housing developments with no more than occasional patches of trees and grass. Many of the local people were very nice but, when you got to know them, defensive and depressed. Seeing The Unforeseen helps me to understand why.The first part of the movie shows an initially successful community effort to stop a large upscale housing development that would destroy Barton Springs, an aquifer and natural pool. There are beautiful shots of it from the 1980s and 90s, combined with documentary footage of meetings and hearings about development permits. Unlike the villains in Michael Moore movies, developers and purchasers of the suburban homes are allowed to speak for themselves. They emerge as sympathetic people caught in a trap that makes a fetish of growth and home ownership regardless of their consequences.Things change in Austin when George Bush becomes governor of Texas in 1995. His predecessor, Ann Richards, vetoed a pro-development measure that would have overridden environmental decisions made by the Austin City Council. Bush approves the bill with his now familiar smirk. The state legislature makes community action irrelevant and in a few years Barton Springs becomes a polluted ditch.What's best about the film is its refusal to provide easy answers. Austin, like Dallas and Houston, has become a boom town, especially for makers of computer software. People come to Austin from all over the world and many of them make good money. They want to buy houses. Their employers want office space. It's inevitable that aggressive entrepreneurs will recognize opportunities and do everything they can to promote development. A question that the movie implicitly asks but does not directly answer is exactly what, under these circumstances, should be done.Perhaps the answers remain unstated because they are hard for participants in a consumer society to accept. They may require a standard of living that places fewer conveniences at our fingertips, dwelling in apartment buildings rather than single-family homes, and riding municipal buses rather than cool cars. Most of all, social stability and preservation of the natural environment would need to be given higher priorities than economic opportunity and growth.The biggest problem with The Unforeseen is its multiplicity of themes. First and foremost is the conflict between preservation of the natural environment and economic growth. Pictures of beautiful nature support this theme and are well executed. However, footage of a white-coated physician talking about blood capillaries and cancer cells results more in confusing similes than compelling metaphors. The recitation of a Wendell Berry poem about unforeseen consequences is nicely spoken but hardly relevant – what happened to Barton Springs was foreseen. A shorter, simpler film might have better made its points.

ed-georganna Riveting narrative of a classic confrontation between land developers and the environmental community in Austin, Texas. At issue is the economic development of land in close proximity to Barton Springs, a naturally spring-fed body of water that has been a treasure in the Austin community for generations dating back to the 18th century. Land developer, Gary Bradley, argues for his right to pursue the American dream at the expense of degrading Barton Springs which has inestimable value to the community. Individual property rights are in conflict with community rights to an invaluable natural asset. Dunn presents a balanced view on both sides of this debate with uncommon sensitivity to the people, the community and the natural environment. The pageantry of this narrative is displayed with breathtaking cinematography and motion graphics that highlight Dunn's unique contribution to the world of documentary film.

enviromac I saw this film previewed on PBS' NOW. It is just wonderful that someone has done a film about this issue. I love that the director took the time to learn about alternative views. This type of film making has the possibility of bringing people together to work on consensus.In an interview with the Austinist, Laura Dunn states:Unfortunately, the "American Dream" has become owning a house with a yard and a fence around it. And these days, unfortunately, that house has to be 2300 square feet, and you have to have a green lawn, and there are all these connotations and associations that are built into the American Dream that--given where we are in terms of our environment...are totally at odds with a sustainable future.We desperately need to have this film screened in Sacramento, California. The pressures we face from development are enormous. Does anyone know who I can contact about this?