Mandemus
This short film has haunted my memory all these years since I first saw it back in the late 1970s. I finally had the chance to see it again and was surprised to find not only how well I remembered this film, but how well it stood up to my expectations.The concept is solid, and is based on one of Isaac Asimov's best-remembered short stories. The Ugly Little Boy plays out much like an episode of any of the Twilight Zone series or Outer Limits, and would have been preserved better had it belonged to one of those programs. As it is, this is a rare film with a good SF concept, quality acting, and a touching story that moves one's conscience. Asimov was an influential writer, but so little of his work has been committed to film, or done so well as this caring short story of a nurse's concern for a Neanderthal child wrested from his time into the future.Also of note is this rarity among Canadian science fiction. In the 1970s, Canada had produced the much-maligned (but occasionally solid) science fiction series The Starlost (1973), and The Shape of Things to Come (1979). None of these are stellar productions. All of them, interestingly enough, starred Anglo-Canadian actor Barry Morse (The Fugitive, Space: 1999). Starlost fans will also notice the cameo by William Osler as Prof. Adamnevsky (protecting his ancient rock specimen!). Osler played the computer interface on Earthship Ark in The Starlost (1973).Hopefully, this will be re-released some day and made available to a wider audience.
morse_code1
I saw this movie some time ago, but it stuck with me for this long. I was especially taken by the little boy, and possibly would have done the same as the lady in the show did. It's unique because of the type of character Barry plays again. A cold-hearted scientist. Anyone who knows him also knows HE likely would have done the same as the woman...
Brian Leonard
A fairly good, pretty faithful adaptation of one of Isaac Asimov's best stories. Unfortunately, it has that "academic gloss" factor that undermines so many PBS and/or classroom productions. Please read the story first.