normledgin If Pacific Islanders can be considered a race, and in some questionnaires they seem to be, then The Tuttles of Tahiti may be considered a pioneering (for its time) film representation of a racially integrated family. But there's not a bit of preaching to shove race mixing down anyone's throat. The Tuttles are naive and incompetent in their attempts to maintain financial solvency. They are also materialistic and fun-loving. The clan's females are impressively hip-swinging in dance, and the males offer seemingly authentic Polynesian grunts to the music. Charles Laughton is, of course, an acting genius as the doltish elder on whom dozens of family members depend for leadership. His spectacular failures are the stuff of which this charming comedy is made. I first saw this film when it was released in 1942, when I was 14 and too young to appreciate its subtle qualities. (After all, Lost Horizon author James Hilton was one of the writers.) But seeing it again at age 89 was a fulfilling experience. Nobody makes movies like this anymore, so we've got a special gem here.

morrison-dylan-fan With the 1939 adaptation of The Hunchback of Notre Dame being one of my favourite films,I keep a look out for lesser-known Charles Laughton movies appearing on TV. Checking what films were about to be taken off BBC iPlayer,I was delighted to find an obscure Laughton title,which led to me getting set to meet the Tuttles.The plot:Returning home from the high seas Chester Tuttle finds that his family has not changed one bit,with his dad Jonas still borrowing money from Dr. Blondin. Wanting help his family out,Chester gets a fighting chicken to take part in rooster fights. Believing that Tulltles are onto a winner, businessman Jensen gets Blondin to transfer the debt,which leads to Jensen writing a mortgage for the family,and putting all his savings on them winning. Going to the fight confident,the Tuttles are taken aback when the bird flies off from the match,and takes the roof above their heads with it.View on the film:Joining Chester on his return to the family,director Charles Vidor & cinematographer Nicholas Musuraca melt light Comedy with an Adventure atmosphere baked in scorching hot light beaming down on each of the Tuttles get rich quick adventures. Disappointingly making a $170,000 loss, Vidor elegantly displays the lavish treats of the Tuttles,with Vidor wisely trimming the most negative aspects (such as the rooster fighting) down.Landing from the pages of Charles Nordhoff and James Norman Hall's book No More Gas,the screenplay by Lewis Meltzer/Robert Carson and James Hilton smoothly make the Tuttles rush for cash one that heightens the Adventure mood,via each attempt to pay Blondin leading to a new "adventure." Despite the threat of homelessness being something that most folk would take seriously,the writers impressively find paths to keep the easy-going Comedy breezy,by giving the exchanges between the Tuttles a Screwball Comedy zest. Made when Hollywood was a lot less racial/culturally sensitive, Charles Laughton gives a great performance as Jonas,thanks to Laughton giving Jonas a hilarious gruffness,as the people of Tahiti welcome another member of the Tuttles in.

MartinHafer Here in the 21st century, it's very hard to imagine a mainstream family movie whose plot involves cock fighting! But, very oddly, this is a major plot element in "The Tuttles of Tahiti"--a very strange film from 1942. Times sure have changed and I am pretty sure PETA-types won't appreciate this movie.The casting of "The Tuttles of Tahiti" is quite strange--though in the 1940s, such odd casting was not unusual. While you might expect French-speaking (or at least French-accented) actors since the islands are French, there are none. While you might expect Polynesian-looking actors, many are just white guys who are painted a bit dark to look kinda Tahitian! As I said, this was the norm in the good 'ol days. So, don't be too surprised when you see Charles Laughton in this inappropriate role.The story is about the Tuttles--sort of like the Waltons set in Polynesia. The patriarch of the family (Laughton) seemed like a bit of a schemer and lazy guy. After all, gambling everything he has on a cock fight! And, throughout the course of the film it gets worse--but you'll have to see to that yourself. All I know is that I had a hard time liking or connecting with any of them. And so, when he gets himself into serious trouble, I just didn't care. However, I noticed the other reviewers did like the film--so maybe you will, too. Well made but the script just didn't wow me at all.

oscar-35 I wanted to see this film because my grandfather acted in it. His name is James Spencer. I found this nostalgic look at the "Island Life" to be very satisfying. It clearly showed the very important polynesian element of "Family". Watching these many and talented actors work in their scenes was like watching real life. Quite a pleasure!