bkoganbing After the first Billy Jack movie where he went to prison for five years for involuntary manslaughter the freedom school that Delores Taylor was building on the Indian reservation has expanded quite nicely. There are a whole lot of young people of all kinds now living there and attending school and absorbing the radical ideas as the locals see it of the school.And the school has done one thing more. They have a pirate radio station on the reservation and are doing all kinds of exposes that some of the powerful locals aren't crazy about. The maddest of the lot is Riley Hill who is the brother of Bert Freed who was the owner of the local Ponderosa in the first Billy Jack movie. Freed moved away after the death of his son, but Hill is the local banker and that position gives him leverage on a lot of the locals.Poor Taylor whose passive non-violence is being put to some stressful tests in this film as it was in the last film is caught in the middle. And Tom Laughlin is off on a vision quest not be disturbed. That gives the bad guys a chance to do their worst. Which leads to a horrible Kent State like confrontation at the school on the reservation.This film could easily have told the story in a third to half of its running time. But I suppose producers Laughlin and Taylor couldn't bear to cut a single frame. It really dilutes the story and blunts the impact of the climax.Still Billy Jack's fans should like The Trial Of Billy Jack.

harleykids I tried to sit through this movie when it was released in 1974. It was bad then, but it actually gets worse with time. So many "causes" and so many pure "untruths" that make this movie just a pathetic piece of liberal hogwash. I can't see how Tom and Delores can be any way proud of this work as time goes by. While watching, this reviewer want to get up and shake the actors and yell "wake up". It is obvious that the actors have had little if any training in their craft and most of the dialog is about as predictable as it gets. When Billy is released from prison and saves the day, the viewer has no doubt that another sequel is in the works. The Trial of Billy Jack is a perfect example of the idealism of many in the 1970's, and how naive many of us were at the time

willbrax There's no point in going into detail -- it would take too long -- as EVERYTHING in this thing stinks. I loved The Born Losers, and even Billy Jack had its moments, but The Trial of Billy Jack is just too painful to endure. It was almost as if they made a conscious decision when making this film: "Okay, let's ramp up the hokeyness TENFOLD, and have Delores Taylor's character be sad, and cry through what seems like the entire film. We'll even have our daughter's character get all sad and cry a bunch, just like her Mother does!" You would think one would learn something about film-making after your first two films, but apparently Tom Laughlin and Delores Taylor were more interested in making a personal statement based upon their views of the condition of society in America at that time, than in making a quality film, and for that I respect them, and give them the "power salute." And thanks for giving more screen time to Lynn Baker in this one, even if much of that time SHE was crying too. She was kind of earthy and appealing in Billy Jack, but wasn't on screen enough to suit me. Check out the Billy Jack Collection, as it includes The Born Losers, and features 2 different commentaries by Tom Laughlin and Delores for each film! The second one for The Born Losers is very interesting and informative, as that was their first film.

Hancock_the_Superb Billy Jack (Tom Laughlin) spends four years in prison for his killing of a sheriff's deputy. During that time, the Freedom School, a hippie commune led by Billy's lover Jean (Delores Taylor) begins to prosper, releasing newspapers and TV that stick it to the man, caring for underprivileged and abused children, and no doubt doing lots of drugs (oh, I'm sorry - drug use is against the rules there). Billy helps the Indians and the Freedom School stick up to the crooked landowner Posner (Riley Hill), who ultimately calls out the police and National Guard, with tragic (I guess) results."The Trial of Billy Jack" is an atrocious film that has to be seen to be believed. On the other hand, that may be too high of a price. While it maintains some of the camp value of its predecessors, any enjoyment, unintentional or otherwise, is done in by the fact that the movie is THREE FRICKING HOURS LONG!!! The movie's pretentious, overwrought and hilariously un-ironic political and social content isn't the problem here; it's the length, and boy does it drag.The first Billy Jack had a certain purity of form. Clocking in at about two hours, it was a reasonably entertaining film which managed to be watchable, with the camp cheesiness and overwrought hippie world-view only enhancing the experience. The movie could never reconcile its pleas for pacifism with the appeal of Billy Jack's martial arts heroics, but it hardly mattered. The overlong guerrilla theater routines by Howard Hesseman and the interminable music numbers were the biggest flaws, but Laughlin managed to keep himself in check.No such luck here, as Trial of Billy Jack drips with a potent strain of narcissism. Laughlin's film is filled to the brim of self-indulgence, padding the film's running time with self-indulgence and smug posturing. At least a third of the movie is lengthy, droning performances of atrocious excuses for "music", by people with no talent (most egregiously, Laughlin's daughter Teresa). Billy Jack is continually celebrated throughout as a paragon of virtue, albeit a somewhat flawed one, sung about and worshiped by the freedom school kids - yeah, nice humility, Tom. And of course, Laughlin's smug self-assurance that we'll agree with our heroes and their noxious political viewpoint is rather off-putting as well, but he gets around that problem - sort of.The politics are by their nature laughable, accepting and endorsing every bit of radical, leftist conspiracy jargon as concrete fact. But the way Laughlin paints the issues is what makes it truly offensive. He juxtaposes the film's climactic massacre with real life school shootings like Kent State, portraying them as premeditated acts of mass murder by the National Guard. The villains are bigoted, greedy, harrumphing straw-men, not even convincing as caricatures. Laughlin and Co. seem convinced that they're so important that they're being investigated by the FBI, CIA, and the US government at large for their "scorching exposes" (Laughlin would, in real-life, use this excuse for the failure of his later Billy Jack Goes to Washington). The journalist interviewing Jean repeats leftist conspiracy propaganda as known fact. The final massacre is so over-the-top, it's simultaneously appalling and laughable; the idea that someone would actually hold this viewpoint, however, is what's truly appalling here (although, not as laughable as believing that thousands of rounds fired by trained Guardsmen could only result in three deaths in a huge crowd).This is offensive, not because of the politics, but because of the dishonesty; it's easy to paint everyone opposed to you as a brutal, vicious Fascist, and thus (in theory, anyway) renders any possible argument against the film moot. Like, you can't dislike this movie unless you're a paid shill, Man. It's a childish argument, and it says a lot about Laughlin that it's his primary defense against criticism. And we STILL have the problem that Billy Jack is kicking ass is pretty much antithetical to the peace and love message we're supposed to be getting.Okay, the movie has some camp value. The lengthy Indian vision scenes - where Billy Jack confronts his "spirit double" and a cave full of demons - are pretty darn funny, in a trippy sort of way. A lot of the dialogue and acting is pathetically bad (I love the scene where a hippie suggests that the Freedom School "BOMB THE HELL OUT OF THEM!"). But is so pompously self-important throughout - and so LONG - that it isn't even enjoyable. Two hours in, you'll be pining for the original film, with the "epic" karate fight in the lawn, Howard Hesseman's rambling improv comedy, and, yes, Coven's camp classic "One Tin Soldier" - and you'll realize that there's still an hour to go! But overall, this is a film that even the biggest bad movie buff should be leery of approaching.0/10