The Thirteenth Floor

1999 "Question reality."
7| 1h41m| R| en| More Info
Released: 16 April 1999 Released
Producted By: Columbia Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

In Los Angeles, a wealthy man, known as Mr. Fuller, discovers a shocking secret about the world he lives in. Fearing for his life, he leaves a desperate message for a friend of his in the most unexpected place.

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Reviews

sargento30 This is a gem.! Undoubtedly underrated, this argument is just mind-blowing, acting is well kept and even the FX that you'll think it's the weakest point, it's not!
saraccan Its super weird how Matrix, Existenz and this movie all came out in 1999. If you enjoyed those 2, you'll probably like this one as well. I did have one problem with it tho. The adr was terrible and it constantly put me off. Other than that, it was a good sci-fi/crime.Its about a guy who is a partner in a company which is experimenting with augmented reality simulations. His boss gets murdered and he is the prime suspect. He is trying to make sense of whats going on.
jacklyn_lo "The Thirteenth Floor" is a mix of sci-fi, mystery, spiritual, romance and action. My review is mostly about a spiritual side of the plot.There are 3 main spiritual ideas in the movie: 1. Transfer of consciousness 2. Creation of virtually programmed world 3. Multi-layered realityGlued together these thrilling ideas are working entertaining, but not answering the main question: How the developers of the virtual world created a consciousness?This question is not only non-answered, but it's totally ignored and leading to the number of other doubts: 1. Where the consciousness of the virtual people disappears when an upper-level entities-hosts enter their bodies? 2. How a virtual person remembers what his host has been doing in his body?And so on…We have to remember that creation of consciousness is a sacral magic with access by only ONE- our Spiritual Father. The gang of three from 1990 could build a virtual world, but could NOT create a consciousness, which means they COULD NOT move their own consciousness into the virtual world.The love represented in the plot is hastily done too: a woman from the upper layer is cheating her husband with a virtual character. Her explanation of that - the virtual character is nice, that why she falls in love with him.The movie is ended abruptly without providing any explanation what actually this multilayered "matryoshka" means.There are randomly dropped spiritually fancy words and phrases in the plot such as déjà vu, "not in this life", soul, etc. However, they are not corresponding any further explanations.I have to admit that the "vinaigrette" content has been packaged in entertaining way and probably gained a commercial success, HOWEVER, we have to be aware that trash movies could be far more dangerous than trash loans with more unpredictable and dangerous consequences for humankind. What is a learning message? I guess nobody knows. I m generously rating this movie by 2 stars for entertaining fantasy ONLY.
Python Hyena The Thirteenth Floor (1999): Dir: Josfe Rusack / Cast: Craig Bierko, Gretchen Mol, Vincent D'Onofrio, Armin Mueller-Stahl, Dennis Haysbert: While the title clichés its numeral, the film itself is clever with wonderful production values. A computer researcher transports himself through the mind back to 1937. He gives an envelope to a bartender, makes a phone call, then proceeds outside where he is murdered. Craig Bierko plays his partner who is framed for the murder. He encounters Gretchen Mol who was cut from her father's will only days before his murder. Effective art direction displays 1930's galore with director Josfe Rusack having fun with the constant plot twists. Unfortunately the film also becomes confusing at points but relies on effective casting. Bierko displays confusion and determination as to whether or not he is guilty of murder and whether the cards deal him well in the end. Mol is the key victim who discovers information about herself. Here again is another tragedy that is questionable in its dealings. Vincent D'Onofrio plays a bartender who factors in with ill results. Armin Mueller-Stahl is only seen in the opening before the murder but his role transpires throughout. Dennis Haysbert plays a detective investigating this bizarre case. Its virtual reality is not well explained but it plays on suspense as oppose to mindless action. Score: 6 / 10