tedg About a 2D viewing.This is very clearly produced under Party sponsorship to celebrate the soldiers who won the country. The contrast with US WWII films is striking. We require tough heroes, where here there is something more noble. Two remarkable things... The film has an odd framing device that one can only imagine was dreamed up by a Party official. A modern Chinese youngster is off to Silicon Valley as a sort of genius. He watches on an iPhone an old movie of this event, apparently staged by the Peking Opera. In between, we have this film. At the end, we discover that he owes his existence to this and by implication his education and opportunity. The time is set right after the collapse of the Japanese occupation. Warlords have seized the armaments and sustenance and for the People's Republic to succeed, ragtag groups must prevail. (No mention of the official government.)The strange thing is that though produced by Chinese, it is thoroughly Japanese. Kurosawan to be precise. The filmmaker remarks on this in a fun way: the movie is over, having presented the 'real' story. Then our young modern kid imagines an alternative ending, and it is thoroughly Indiana Jones. Incidentally, the stunts and effects are pretty ordinary except for a sequence with a tiger. This was amazing. Had to be real.

tiffanyyongwt At the first glance (at the movie poster), this is definitely not the usual film that many people would catch. However, before the film was aired in Singapore, I've seen many positive review circulating online. Thanks to Clover Films, I got to watch this film directed by Tsui Hark, the director who filmed most of my favourite childhood Wong Fei Hong films starring Vincent Zhao and Jet Li.While this film was adapted from a 1957 novel, a famous opera, as well as a real life story, I thought the story was a tad too dramatic, not that I didn't like it, Lin Gengxin was almost a Captain America in the film with his leadership quality, and Chen Xiao (the recent Yang Guo in the New Condor Hero) as one of the be-spectacled Harry Potter-lookalike Gao Bo was like Bucky Barnes, Steve Roger's best friend.What I like about this film was how they made use of many popular actors and dressed them up in a such a way where they were almost not recognizable, unless you are their super fans. Chen Xiao and Tony Leung as Lord Hawk was one of the many examples.While fans of these famous opera will love this adaptation, people who do not know about it might find the film over the top, with tanks, bombs and jet planes hidden in the Tiger Mountain. I had to admit that I enjoyed the 3D action, the excellent acting from...Read more: http://tiffanyyong.com/2015/01/07/taking-tiger-mountain-movie-review/

lasttimeisaw Every December, in the China mainland, is the protective month for Chinese productions in local multiplexes, practically all the foreign tent-poles are pushed back and it is also the most profitable period for this vastly booming market. This year, the two main contenders are GONE WITH THE BULLETS (2014), Wen Jiang's much-hyped follow-up to the massively successful LET THE BULLETS FLY (2010, 8/10) and this Hark Tsui's latest offer of a 3D spectacle retelling a legendary battle during the period of Chinese Civil war. Nevertheless the former receives some unexpected backlash from critics and audience, which prompts me to pick the latter, plus I am bringing my parents, who will feel more related to the story since they know the original tale very well. Much exceeding my expectation, this is by far the most amazing 3D Chinese film I have ever watched in the theater, breathtakingly sets out the vast North East snowfield where the story unfolds, without compromising the luminance of the screen. Despite that the film starts with a modern-day prologue in New York, which inconveniently enforces a weird sense of incongruity with the main event, the first impression is pretty awesome, however, this subplot will continue to distract viewers out of the picture every so often and largely banks on heart-throb Gen Han's presence. The story takes place in 1947, a Communist detachment named 203 lead by Jianbo (Kenny Lin) fights against the bandit chieftain Cinereous Vulture (Leung), who takes over the Tiger Mountain with his eight warriors and thousands of bandits, plus heavy arms left by Japanese after the Anti-Japanese War (1937-1945), including artilleries, cannons and a tank. Hogging the vantage point, they constantly attacks the villages nearby and becomes a major threat in the turf. Whereas the detachment has only 30 soldiers altogether with much lighter weaponry. There is only one way to win this battle against heavy odds, to circumvent the head-on confrontation and outwit the enemy by an audacious sneak attack. So Zirong Yang (Hanyu Zhang), a singular soldier, proposes an undercover scheme, he volunteers to infiltrate into the gang and look for a weak link in their defense system, so they can capture them all at one swoop. The mission is an adventurous one full of pitfalls and any small slip will cost Yang's life, Hanyu Zhang embodies this lone hero bravura with enthralling excitement and poise, confidently delivers bandit's cant and liberates his masculine charisma as a military man. Hong Kong veteran Tony Ka Fai Leung, almost unrecognizable here as the villain, easily stands out with his flashy and distinctive outfits, so is his eight warriors, all have been upgraded with eye-popping apparel and apparatuses. By contrast, the Communist soldiers are far more plain and conventional. Kenny Lin outstrips his youthful greenness, strenuously leaves an impression of being mature and serious. With six screenwriters credited, they enrich the film with adequate suspense, sporadic humor, the routine sacrifice and female presence (e.g. Nan Yu owns her dramatic outburst in a crudely sketched characterization). Hark Tsui has ventured into 3D technology since two DETECTIVE DEE films and the dismaying FLYING SWORDS OF DRAGON GATE (2011, 3/10), so finally he reaches the benchmark with this one, along with the dashing bullets and grenades slo-motion, he also schemes a prolonged alternative ending after the credits, just to show that now the industrial special effects craftsmanship is no interior compared with the Hollywood criterion. One can grudge about the final coup de main is way too easy to accomplish, but for anyone who is familiar with the current status of Chinese cinema, it is a good relief we can dish up such an entertaining blockbuster independently, and its box-office prospect is quite promising too, a sure-fire to reach a career-high for the maestro Hark after 35 years in the line.

wdhtmyx There used to have a very pop nostalgia song, named: where the \flowers\ GONE?IT'S to describe the girls ever took some good or bad past of the boy's love,and love..at the first place.But IN China, the NATION's name CHONG HUA(Beauty flowers) upon to describe the HEROES OF THE LAND. who ever lived. Fight.Smile.Blood.Die...IS IT beautiful ?I think so..Whatever Those /heroes/ fight for,die for..Come back to this Director XU's new stunt Movie, IT'S GOOD.IT'S a movie can hold your attention all the two hours. it's quite hard to do that now days. Especially for a Chinese movie..THAT'S ALL. for a movie. And for C.LEO's Review.