dpdevoll-32607 Agree that simply watching the miscast old stars is far more interesting than the story. This however invokes reading much more about those actors and the backstory. That's where the fun begins.

Martin Bradley Ernest Hemingway's novel of 'the lost generation' swaning around Europe in the Twenties became this big, prestige production from Darryl F Zanuck and directed by Henry King who was something of a dab hand at turning out big, prestige productions like this. If it's a tad on the turgid side and if the cast were a trifle too old for their roles it's still immensely entertaining and King's direction is often outstanding. It also has old-fashioned star quality of the kind we associate with a much earlier age. Tyrone Power may be miscast as Jake Barnes, Hemingway's 'existential' hero and Mel Ferrer was his usual wooden self but Ava Gardner is surprisingly good as Brett and both Eddie Albert and especially Errol Flynn, (it's probably his best performance), are excellent while Juliette Greco steals her every scene.Despite all the money that was poured into the picture it wasn't really a success; maybe had it been made 20 years earlier things might have been different but by 1957 a new realism had taken over and epic dramas like this one were seen as dinosaurs. Today it feels like a throwback to a time when Hollywood was king and big, bold movies like this were ten a penny. It's certainly no masterpiece but it's no dog either.

drhersh Any book, novel, movie, narrative, consists of a protagonist, opposition and a desire line that drives it forward. Along the way, there will be a climax and a revelation that changes the main character in unexpected ways. The stakes should be high for the main character, and their challenge significant. Here we have no plot whatsoever for about 1.5 hours and then a tepid "fight" of three men for one woman. There is no tension, and no real struggle forward. Some wonderful acting by Errol Flynn and Eddie Albert. Prolonged scenes of bullfights might have been novel in the 1950's but are plodding and dull additions to a dud of a film. The rotten tomatoes review of 37% is generous.

bkoganbing Two insurmountable problems keep The Sun Also Rises from being a great film classic. The first was the ever present Code which prevented the frank discussion of impotency and secondly the fact that the cast was 15 to 20 years older than the roles they were portraying. Maybe had the film been identified as 1932 instead of plainly set in 1922 Tyrone Power, Errol Flynn, and Ava Gardner and the rest could have gotten away with those performances. The pity is that they all try very hard under an impossible burden of age. They would have been a dream cast around 1946. Ironically this cast is a lost generation unto itself.Tyrone Power is in the lead as Jake Barnes, the hero modeled after author Ernest Hemingway himself. Barnes received a war wound below decks just as Hemingway did in World War I. The close brush with impotence himself no doubt inspired Hemingway to write The Sun Also Rises. That fact has kept him from resuming a relationship with the love of his life, Lady Brett Ashley as played by Ava Gardner. As a jaded sophisticate Gardner is great, but Hemingway again wrote about a lusty young woman with all her sexual appetites intact and unfulfilled. All Power can do is watch how she collects the men around her.And they do flock be it, exiled Count Gregory Ratoff, dissolute British army veteran Errol Flynn, self conscious Jew Mel Ferrer, and eager young bullfighter Robert Evans. None of them measure up to Power, but Power can't give the lady what she most needs.The location cinematography is great from Paris to Mexico which substituted Spain for the famous bull fighting scenes and the annual running of the bulls in Pamplona. I'm guessing that Henry King did not film in Spain because the Franco dictatorship did not want a film that glorified the days before his dictatorship even under the monarchy which Franco swore to restore. Ernest Hemingway being a veteran for the Republic was also not an author looked kindly on by the Caudillo.Ernest Hemingway has had accusations of anti-Semitism hurled at him and no doubt because of the way Mel Ferrer's character of Robert Cohn is written. Cohn has sustained a lot of prejudice in his life, he became a boxer in college to help deal with it. He's also a bumptious sort, Power tolerates him even likes him on a certain level. The others in the group make it plain every way they don't want him around. But he's under Gardner's spell and there's no talking to him. In many ways Mel Ferrer does the best acting job in the film.The Sun Also Rise marks Power's farewell film at the studio which carefully nurtured his stardom, 20th Century Fox. It also was his ninth and last film with director Henry King. It was at Fox where Power got his breakthrough role in Lloyd's Of London, also directed by Henry King. They had quite a screen partnership themselves and are rarely discussed as a director/actor team.This is one film that could stand a remake, but where could you get a cast as classy as this one today even if they are a generation behind to be making The Sun Also Rises.