Bene Cumb Social and religious contradictions, gay/lesbian secrecy, and all this in an Islamic/Arab country - plenty of intriguing stuff to issue from and complete with. True, it is difficult to fit it all in a film less than 1.5 hours, and that is probably the reason why the film seemed a lightweight walk over the issues, with the director's apparent desire of being brave and progressive, but not too provoking in showing love and affection (Mehdi Ben Attia comes from Tunisia where the film is shot). The second half or so is less interesting and even more perfunctory, and the ending is rather odd, characteristic to Bollywood films rather than French creations.The aged Claudia Cardinale has somehow lost her charm, and all other performers did not impress me much; I did not fix them in my memory, and their accomplishments did not make me look for films with their presence...Thus, just an average film to me, 1-2 additional points for boldness and pleasant Tunesian scenes - not often shown in films widely available in the Western world. As for gay films, you might want to see respective German and Scandinavian films with meaty approach.

esjara97 The film was all right, but the soundtrack was so horrible that it ruined so many scenes. The whole string thing didn't make much sense, they could have skipped it, although it did show the progress that the character made throughout the movie. I thought that Malik's father's appearances were very odd at times, for example when he was talking to Malik's mother about his (Malik's) homosexuality. The ending was also very odd, since Malik and Bilal were together and Siryne and Leila were together, it didn't make much sense that Malik and Siryne got married. It would have made much more sense had they just been parents together, but nothing more. It wasn't like they were hiding their homosexuality, so the marriage didn't have any obvious reason.The acting was terrific, though. I loved Malik's mother, she was a wonderful character and Claudia Cardinale portrayed her wonderfully. I loved Malik and Bilal's relationship but, again, I don't understand why Malik had to get married. I also loved Siryne and Leila's relationship, it wasn't the most typical relationship, and I liked that. Siryne's father, even though he merely appeared in one small scene, was wonderful and very well portrayed.

ksf-2 Our hero returns home to his mother's house and must face issues that he was able to avoid by spending time away. Antonin Stahly-Vishwanadan is Malik, a gay man, who keeps running into Mom's servant Bilal, played by Salim Kechiouche. My complaint here is the music. It frequently doesn't reflect the correct mood of what's taking place in the scene. They use eerie violin music in much of the film, even when people are happy, or just driving down the country road. It might be helpful to match the music to the mood of the action or scene. Also, the bit about the string got annoying after a while, even if it IS the title and theme of the film. Don't want to give away spoilers here… we'll just say it all hits the fan, and there are secrets and family members to be faced, in an Islamic country yet. Written, directed, and even a minor role by Mehdi Ben Attia. Attia had only directed a short film prior to this, in 2000. Enjoyable film. Good story, excellent acting. Mostly good subtitles in the TLA version….even if they did skip some bits of the conversation here & there. It's a shame that they did not translate more of what is said in the church... would have been interesting to hear what was said.

steven-222 When handsome young Malik returns home to Tunisia from France to take up work as an architect, he moves back in with his widowed mom, and why not? She's Claudia Cardinale! And her house is fabulous. (The shaded pavilion with a view of the sea is my favorite part of the estate, but the garden with the huge palm trees and orange hammock is pretty nice, too...and so is Malik's bathroom with the amazing tile...this is world-class real estate.)Unknown to mom, Malik is gay; mostly he seems attracted to the rough trade guys who hang out in a certain part of town just waiting to service rich boys like Malik, but there's this achingly cute young handyman (even cuter than Malik) living in Mom's servant quarters who keeps catching his eye, Bilal. It turns out there is more to Bilal than meets the eye, but you won't find that out until later.Meanwhile, to satisfy mom and give the kid a father, Malik is planning to marry his work partner, a coupled lesbian who's having a baby by artificial insemination. The lesbian's father is unbelievably cool with all this. I want to be as cool as that old guy some day.Where is all this heading? To another tragic gay movie where somebody dies? I don't think I require a spoiler alert to tell you that "The String" is not that sort of movie. This is a loving, wise, subtle, witty, sophisticated, erotic, almost Utopian vision of how life should be, a tonic to all those well-made but often dreary movies about gay life outside the urban gay Meccas of the West.The acting is terrific (Malik's face tells many stories), the sense of humor is spot-on, Cardinale is simultaneously the scariest and best mother a gay boy could ever hope for, and the whole movie is beautifully directed, especially the scene where Bilal comes to Malik and humbly asks to borrow his shoes, because his own outfit isn't classy enough to get him into a trendy club. So much happens in this scene, it's like a little movie in itself. It sets in motion everything that comes afterward.(PS: I just found out that the movie won the Best Feature audience award at the San Francisco Frameline film fest, where I saw it. Well deserved.)