Equinox23 Like Gordon or rather Peter says: "There was only one fiend after all." - and it's almost too late when he discovers the truth. In retrospect it feels like she's been setting this up from the very first moment she meets him and executes it with cold precision. Definitely a wonderful little thriller even with some satirical barbs against teetotalers.

robert-temple-1 This film stars Lex Barker, who in 1949 became Tarzan in succession to Johnny Weissmuller and made a succession of Tarzan films. He was very tall, handsome, and impressive, and was in constant demand as a leading man in B films (he appeared in 81 films). He died at the age of only 54 of a heart attack in the street in Manhattan. He does very well in the lead role in this film, though the acting laurels go to Lisa Gastoni as 'Marny'. I have recently praised her as an underrated actress in my review of WRONG NUMBER (1959, see my review). Carole Mathews and Nora Swinburne do very well in their creepy roles also. As someone who likes amnesia films and tries to see all of them, I was disappointed that this one was so corny. Lex Barker lives between Nice and Cannes. He is attacked and knocked unconscious by a thief whom he picked up as a hitchhiker, and he suffers total amnesia. This is made worse by the fact that he has no identification on him as a result of the robbery. A doctor at the hospital says he knows who he is, and he takes him to a huge villa for private nursing. But this is all a scam, for Barker's amnesia is convenient in enabling the household of women there, together with the dishonest doctor, to persuade him that he is the head of their family. The motive is to pretend that he is that person in order to complete the process of inheriting a large amount of money and property. Then they would get rid of him. Barker slowly begins to realize that something is wrong, and the plot thickens. It is a pity that the film is not at all convincing, and is just a run of the mill low budget 'product' directed without a trace of inspiration by Montgomery Tully, who did a much better job the year before in directing THE HYPNOTIST (1957, see my review). In the 1950s, Tully was directing as many as ten films a year! No wonder they were not all good, as he had become a mere factory hand. He must have sleepwalked through THE STRANGE AWAKENING, without himself waking up. And I bet he had total amnesia for half the films he had made the year before. We can perhaps be forgiven for not knowing much about most of them.

filmalamosa A British B or quota movie. Some of these are not too bad but this one rates a Z rather than a B.The acting was atrocious it was wordy there were holes every where in the plot. Production values couldn't have been cheaper except for the burning house at the end which was kind of neat.A man with amnesia is spirited out of hospital with fake casts to take the place of an alcoholic playboy so 3 women can inherit a share of their teetotaler father's 2 million dollars.I can't think of any thing good about this thing... but as another reviewer stated it wasn't bad enough to be funny it was just boring dull and irritating. Combine bad acting and talkiness and you've got a real lemon.DO NOT RECOMMEND

Robin Moss I saw this movie when it first came out and I was still a boy. As the IMDb has no information about the movie's plot or quality, I am appending a few thoughts although I remember very little about this film.A man (Lex Barker) is driving a glamorous car in the south of France, and gives a lift to a stranger. When the stranger gets out, he does not close the car door and so the driver has to lean over to pull the door shut himself. As he does so, the hitchhiker clubs him with a cosh (or some such implement).The man wakes up in a luxurious bed within a luxurious bedroom. A very good-looking girl (Lisa Gastoni) walks in and kisses him. He responds as any red-blooded man would but the girl pulls away, saying "That's no way to kiss your sister!" (or words to that effect). The man realises that he has lost his memory. He soon finds that he has an equally good-looking wife (Carole Matthews) and is the son of a rich man.Although fifty years later I recall these scenes clearly, they are the only scenes I do remember about this movie, so "The Strange Awakening" is both memorable and forgettable! (I apologise for the inadequacy of this review. If any other IMDb contributor submits a fuller appreciation, I will of course withdraw mine.)