The Steamroller and the Violin

1962
The Steamroller and the Violin
7.4| 0h46m| PG| en| More Info
Released: 18 August 1962 Released
Producted By: Mosfilm
Country: Soviet Union
Budget: 0
Revenue: 0
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Synopsis

Seven year old Sasha practices violin every day to satisfy the ambition of his parents. Already withdrawn as a result of his routines, Sasha quickly regains confidence when he accidentally meets and befriends worker Sergei, who works on a steamroller in their upscale Moscow neighborhood.

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manendra-lodhi I liked this short film because of the reason that from the middle till the end, it is absolute perfection. The story is about a kid who is a music student and who befriends a Man who rides a Roller. The part worth concentrating is the developing of friendship between the two. PROS:The kid looked apt in his part. The way that he starts to take interest in the work of the man and which led to the development of their friendship is good. The story also ends properly. The introduction of some characters in the starting was also good. They helped in moving forward the film and made the base for the character of the kid.MESSAGE: "Friendship is a beautiful aspect of life."VERDICT: "A recommended watch."
mfnmbessert-224-279128 'The Steamroller And The Violin' is a strange and bizarre film. Indeed, while I was watching it, I kept in mind the state of the world at that time when the film appeared, and the thing that I found most fascinating was being able to get a glimpse of every day Russian life during that time period. The filmmaking techniques are notable and the camera shots are very well-done.However, I was mostly just puzzled while watching 'The Steamroller And The Violin', mostly because nothing much really happens throughout the film. It is the story of an unlikely friendship between a young boy and a worker who he meets on the streets. The final shot of the film is of the little boy chasing the steamroller and jumping on back as they slowly trudge off into the sunset. There isn't really any moral value to this film in much respect. There is a little bit of anti-bullying material here, but other times the film just feels like a bunch of well photographed scenes of bizarreness a la films like Alejandro Jodorowsky's 'The Holy Mountain' from 1973. At times the film made me think of other oddities like 'Koyaanisqatsi', which also wouldn't appear until another twenty years, but 'The Steamroller And The Violin' is a much more linear tale than films like those two.Overall, a well-made, strange, and bizarre piece of obscure Russian cinema yet again stands the test of time.THE STEAMROLLER AND THE VIOLIN -----8/10.
Benoît A. Racine (benoit-3) I am not a Tarkovsky fan and I feel rather proud that I've not spent the boring hours needed to take in his whole oeuvre. But I like this little film for itself, without reference to his later works. To me, it is full of the sounds, sights, terrors and illuminations of the days of childhood. While on some political level, the little violinist's situation may be a metaphor for the artist in Soviet society who is both persecuted and envied, to me it simply expresses the reality of childhood bullying. The child's encounters with his violin teacher, with a little girl, with a roadway worker and with his mother are all realistic and plausible. I love the realism of the situation of a fatherless child striving for male bonding and constrained by the feminine and orderly influences in his life to renounce it. And I can also see the extremely well-crafted photography, lighting and composition, the interplay of rain and sunlight and the almost ethereal primary colours of the film as the basic components of a lonely seven-year-old's day as transcended by imagination and poetry. Anyone who has spent his childhood in a moderately ancient and relatively unpolluted urban landscape, who has been singled out from his peers because of a special talent or status and who has on occasion taken refuge in daydreams can identify with this film.
Bryan Hargrave I consider myself fortunate that this was my first venture into Soviet cinema. The fact that this was director Tarkovsky's graduate student film makes it all the more remarkable.With a minimalist approach to dialog, Tarkovsky relies on imagery to communicate emotions and feelings, and he does so well. It's still a period piece, with obvious salutes to the "Worker's Paradise" but this is not propaganda. Rather, it is a beautiful tale of a brief friendship. Two people from different worlds are borough together, and are torn apart due to circumstances beyond their control, but you get the impression that they'll be wealthier for the experience. Highly recommended! 10/10