Spikeopath The Spikes Gang is directed by Richard Fleischer and adapted to screenplay by Irving Ravetch and Harriet Frank Jr. from the novel The Bank Robber written by Giles Tippette. It stars Lee Marvin, Gary Grimes, Ron Howard and Charles Martin Smith. Music is by Fred Karlin and cinematography by Brian West. Happening upon an injured man, three boys nurse him back to health and learn that he is bank robber Harry Spikes (Marvin). Enchanted by his tales and way of life, the boys decide to form their own gang and eventually linking up with Spikes who then teaches them the tricks of his trade. However, the outlaw life is not as romantic as the boys first envisaged... It's filmed in DeLuxe Color and the location photography is out of Tabernas, Almería, Andalucía in Spain. Yet the colours and landscape contours are not vivid, they are deliberately pared back so as to not give the impression this is a vibrant yeehaw tale of young spunkers on the lam. The Spikes Gang is ripe with a foreboding atmosphere about the innocence of youth corrupted by stretching too far for romanticism. The boys home life out there on the frontier is painted as sad, even grim, with bad or absent parents featuring strongly, it's not hard to buy into the fact these impressionable young men in waiting yearn for adventure. Once out there striding for fortune and notorious glory, the lads find the harsh realities of outlaw life. No money means no food, and to rob people you have to be prepared to use violence, and to then take the consequences of those actions, be it emotionally or by having a price then put on your own young heads. Hooking up with Spikes seems the cool thing to do, he becomes a surrogate father and he at least gives them skills to survive a basic outlaw way of life. There's hope dangled, even much humour inserted into the narrative, but there's always an air of disillusionment lurking around the corner as this character study unscrews the myths of the West. Which leads to what? A moral lesson? Perhaps? Well what we do know is that it builds gently, with Fleischer adroitly forming his characters and garnering superb performances from his cast (one of Marvin's best turns actually) in the process. Once the finale plays its hand, it's of such sadness to leave an indelible impression that anyone of sound heart will find hard to shake from the memory bank. Western legends Arthur Hunnicutt and Noah Beery pop in to the picture to add some weight, the former quite excellent with a pitiful characterisation that really kick- starts the emotional wattage, while the contributions of Karlin and West are faultless in terms of screenplay alliance. Judged harshly by the jaded critics of the time and mostly ignored at the box office, The Spikes Gang may just be one of the most under valued Westerns of the 70s. Whether it was bad timing due to the direction the Western genre was taking at the time of release I'm not sure, but this is an elegiac treat waiting to be rediscovered by the Western lover. 8/10

dbdumonteil This is probably Richard Fleischer's last good movie;it's considered polite to say that all he did after "solyent green" is worthless.Richard Fleischer made lots and lots of great movies from " follow me quietly" to " the narrow margin" ,from "20,0000 leagues under the sea" to "The Vikings "and from "Barabbas" to "the Boston strangler" to the stunning (and perhaps his masterpiece) "10 Rillington Place" After "Solyent green" which featured the extremely moving scene of the death of Edward G.Robinson (who eventually died some months after),only "Spikes gang" shows something of the unqualified brilliance that accompanies Fleischer in his career through "Solyent green" .It is a western which has nothing to do with the epics of Ford,Daves or Walsh or Mann.It has also (fortunately) nothing to do with Peckinpah.Filmed in Spain,its spirit is actually close to that of Arthur Penn,particularly "Bonnie and Clyde".When Grimes is daydreaming and sees his father tell him :"you're no longer my son;you're dead" ,it recalls that scene when Bonnie meets her mom for a picnic and the old lady says "you're already dead ,Bonnie Parker" .The three lads are in search of a father ,which is very Pennesque ,notably in "the left handed gun" .even in a non-western film such as "the miracle worker" Ann Sullivan was Helen Keller's second mom. Grimes' father was a religious man ,perhaps not far from being a fanatic (his part is too underwritten).Remember that scene in the bank where the ticking of the clock merges into the memories of the whip coming down .Lee Marvin is their new father and I go as far as to write that Grimes is some kind of father to his two mates too when he is absent.The three lads are amateurs and cannot free them of the concept of right and wrong ,coming from a religion which does not give any answer;when they're eating hosts and drinking sacred wine,one of the youngest speaks of blasphemy but their leader tells them so "Christ would give them to us if He were here" .Lee Marvin's character is extremely interesting.Lee Marvin never overplays and the discovery that he was once married to an educated wife ,a teacher who spoke several languages and played the piano comes aside as a shock.This memory is necessary ;without it,the ending would not make any sense.An inferior director would have made "men" of the three teenagers ;but they can't :their dreams ,their remorse,the letter one of them sends to his mom,the trust they put in Marvin,all indicates that when they die they will still be big children.Like this?try this....."Run for cover" Nicholas Ray 1955

Naturalessence I saw this movie when I was up late. I was bored one night. It was one of the only interesting-looking thing on. I absolutely love this movie! I wish this was the "must watch" for the wanna be gangsta rappers, the way Scarface is.Even though basically they end the same, there is an underlined sense of repentance in this movie's end that is completely absent from movie themes today. It was real. Getting half way in something (especially crime) and then wishing you hadn't started it is a real factor. This is something rare to see in these movies. Instead of leaving the movie thinking "I could do that, I just won't make those mistakes," the way other gangsta flicks make people feel, you leave thinking "maybe this isn't at all what I thought or want."

cm981226 A gem of a movie.Very realistic and exciting.A good combination of an established actor (Marvin) combined with up & coming actors (Grimes,Smith & Howard).It portrays the american west in a realistic manner (like most westerns from the late 60's & early 70's)