Eternality A Golden Bear nominee of the Berlin International Film Festival, The Song Of Sparrows is Majid Majidi's first entry into a film festival of such prestige. The Iranian director of critically-acclaimed films such as The Children Of Heaven (1997) and The Color Of Paradise (1999) directs another praiseworthy picture, though I regard this as a less than stellar effort as compared to his best works.Majidi directs Mohammed Amir Naji to a Best Actor win and deservedly so because his portrayal of the lead character, Karim, is remarkably and convincingly natural. He plays the father of a relatively poor family who loses his job as a worker in an ostrich farm. He has a deaf daughter whose hearing aid is damaged after she dropped it in a water storage tank. Struggling to make ends meet as well as promising her daughter a new hearing aid to help her to cope with the coming exams, Karim goes out into the city to find temporary jobs in his old but dependable motorcycle.The Song Of Sparrows centers on Karim and uses him as a lens to reveal the two different ways of life inherent in Iran's increasingly urbanized setting – the tight-knitted rural community and the fragmented urban society. In the latter, the pace is fast and at times unsettling. Everyone is in a rush and this forces Karim to adopt a more pragmatic approach to earn a living – offering rides to anyone to anywhere in the city and allow them to pay him any amount they like.Occasionally, he does the odd job of delivering goods. In one instance, he loses his way and is forced to bring home a small refrigerator for the night. This 'expensive foreign object' causes excitement in the household because they have never seen anything like it before. Majidi, once again, highlights the urbanization, or more precisely, the dawn of urbanization which may change the rural way of life within the next decade or so in Iran.The conservative and overly protective Karim suffers a serious injury which renders him immobile for quite some time. This frees his children, especially his driven son to chase his own dreams – to rear fishes in the water storage tank and sell them to become a millionaire. Reality says that his dream is improbable because the construct of Iran's society is such that it is impossibly difficult to succeed with a low-class background.In a brilliant metaphor which describes the harshness of this reality, Majidi directs a scene which shows Karim's son and his friends frantically carrying a heavily leaking barrel containing many live fishes to safety only to trip and fall and see their 'dream' spill away onto the pavement. The Song Of Sparrows features a beautiful score by Hossien Alizadeh, and some impressive cinematography juxtaposing the quiet isolation of rural life and the hustle and bustle of urbanity. It is at times heartwarming, but for a Majidi film, it slightly lacks in emotion and the climax is not as powerful as intended. Nevertheless, The Song Of Sparrows is a decent showcase of the richness of Iranian cinema.SCORE: 7.5/10 (www.filmnomenon.blogspot.com) All rights reserved!

superlo This is the story of Karim, the rural Iranian father of a deaf teen-aged daughter and two younger children. When, at the same time, he loses his job on an Ostrich ranch and his daughter loses her hearing aid right before important school exams, he heads to Tehran on his motorbike to look for work. By accident, he becomes a motorbike taxi driver and begins to make more money than he ever dreamed of. But he also begins to change as his desire for things and his ethics collide. Having promised his wife that the first priority would be to replace their daughter's hearing aid, he finds himself tempted by the material life he now has access to. Several heart breaking incidents cause him to examine what he has become. While the story/parable may be familiar, what is special is the way Majidi presents it. The dialogue is minimal letting the non-verbal actions of the characters speak for themselves as well as the great cinematography. Unlike many (not all)American films, it does not insult your intelligence with shallow dialogue and unnecessary action. Majidi really develops the characters into believable human beings. Reza Naji is great as Karim and the children in the film are so delightful and photogenic. And if you enjoy learning about and experiencing other cultures, it is a great window into Iranian culture, in this case, both rural and urban. With most of us only getting the sound bites about Iran we hear on radio or TV, this will give an insight into the real people and culture.

elsinefilo Majid Majidi's favorite man,Reza Naji who played the construction overseer Memar in Baran (2001),the father of the blind boy Ali in Bacheha-Ye aseman (1997),and Mortaza the hospital mate of Youssef (Parviz Parastui)in Beed-e majnoon (2005)plays Karim this time. Karim works in an ostrich farm.He doesn't make much but he seems to be contented with what he has with his simple family. One day he gets the ax when one of the ostriches runs away.On his way back home, he finds out that her daughter has dropped her hearing aid in the sludge of the local storage. Soon after, he travels to Tehran to have the hearing aid fixed.When he is mistaken for a cabbie with his motorbike he starts making his living in Tehran.Through heavy traffic he carries goods like- even-a refrigerator and many sorts of people.Through the bustling city life we witness Karim's sustained efforts trying to preserve his unadulterated self. Karim,even as an understanding husband and father is still part of a patriarchal society. He believes in his own truth. For instance, one day when he is coming back from the city,he sees his kids selling flowers on the roadside and the first reaction he gives is:" Don't I provide for you enough?" However the only dream his son Hussein (Hamed Aghazi), has is to clean up the storage,buy some fish to let them reproduce there and to become a millionaire by selling more and more fish:)No matter how brusque he looks like Karim is a good-hearted guy like any other major Majidi character. Deeply and genuinely concerned with faith,bad men don't seem to be taking much of a space in Majidi's movies. Unlike other Iranian directors like Abbas Kiarostami he seems to have undertaken a mission of creating simple but sweet movies. Last but not least,IMDb's language information may sometimes be not fully correct. Majidi uses more and more the Turkish language in his movies. Song of Sparrows include more Turkish words than his previous movies maybe because of the fact that Karim and the local people around him speak a Persian mixed with Azerbaijani Turkish. The song Karim sings at the back of the truck and the song he sings to his wife are in Turkish. The songs to which they listen on the truck's tape recorder are also in Turkish. It may be just me but I guess Song of Sparrows is also a more hopeful and less dark movie than the previous Majidi flicks. As someone who have seen his movies like Baran and The Colour of Paradise, this one is easier to watch without tears. All in all, it is a purely humanitarian,an overwhelmingly sweet movie that you will just like!

druid333-2 Majid Majidi has gone and done it again. He has crafted a simple story of a loving family man (although not without some minor flaws)who has several humbling experiences in life. Karim (played very well by Majidi regular,Mohammad Amir Naji,here known as Reza Naji)has a cushy job working at an ostrich farm,keeping watch over the king sized birds. Trouble erupts when one of the birds escapes from the pen,resulting in Karim losing his job. Good fortune happens to drop in Karim's lap when he ends up becoming a taxi driver in downtown Tehran. Other plot elements are dropped into the mix in the form of his eldest daughter,Haniyeh (Shabnam Aklaghi)who is partially deaf,loses her hearing aid,because of her younger brother,Hussein (Hamed Aghazi),who wants to start a goldfish hatchery in an unused well,who loses the hearing aid in the well/muck hole that it is. Toss in an understanding & loving wife,caring neighbors,and others,and you have yourself a loving film that is a treat for the eye & other senses. Majid Majidi directs from a screenplay written by Majidi & Mehran Kashani. The cinematography by Tooraj Mansouri successfully manages to capture the rugged Iranian landscape,with momentary bursts of colour (check out the scene of Naji carrying a blue door across the bleak desert-like landscape of the Iranian countryside,as well as some other breath taking scenes that are a treat for the eye). Rated PG by the MPAA for some brief,rude language,but contains nothing else to offend.