blanche-2 THE SOLITAIRE MAN from 1933 is a B picture, but because it was made at MGM, it's really a B+. The studio used these Bs as a training ground for their up and coming young stars and even more established character actors. Herbert Marshall is Oliver, who heads up a family of con artists, except they're not related. His "son" steals a necklace that Oliver attempts to return because he knows the young man would be the first person they would suspect.While he is in the home, a burglar enters, and a policeman sees him. The second burglar kills the policeman, and Oliver is a witness. However, he can't see the murderer. Realizing things will get mighty hot, he and his crew try to leave the country by plane. During the flight, much is revealed. Mary Boland and May Robson also appear in this film, and they're great. Boland plays a mouthy, wealthy American, and May Robson, as a cultured society woman. matches her excellence. Herbert Marshall's elegant type of leading man has gone out of style, but he handled his role very well.See it for Boland and Robson.

MikeMagi "The Solitaire Man" is a slick, stylish,sophisticated thriller, a throwback to an era when spinning a good yarn was more important than bloating the budget or running up the running time. When we first meet Herbert Marshall as Oliver Lane, he has a small problem. A Paris-based master criminal, he's about to retire to Devonshire, marry Elizabeth Allen as his fetching accomplice and turn from safecracking to milking cows. But a drugged-out henchman has committed a robbery that could get them both sent to the slammer -- and Lane has no choice but to reluctantly return the loot. How that leads to a plane bound for London, a battle of wits with Lionel Atwill as a mysterious Scotland Yard inspector and the contribution of an American socialite played with mirthful glee by Mary Boland takes up much of the movie. The result is tight, taut, cleverly directed by Jack Conway and a lot more modern -- in style, dialogue and devilish humor -- than most of the movies made back in 1933. Or a good many made since.

vincentlynch-moonoi While it has its moments, I'm on the negative side of things with this film.It's another of a sub-genre of films I've always disliked. The primary genre was very common in the early to mid 1930s -- how the upper class lived. I always found the emphasis on that to be rather a bore. The sub-genre I like even less -- jewel thieves stealing from the upper class.Having said that, I will give the film a few points for casting...and few subtractions for casting. First, there are two actors in the film that I always enjoy, and here is no exception. Herbert Marshall was a fine actor, and here he plays a jewel thief desiring to get out of the racket and marry. I also always find May Robson a welcome addition to almost any film. Elizabeth Allan does well enough here as the romantic interest. Mary Boland is a hoot as the loud-mouthed American on the plane. On the negative side -- Ralph Forbes, the third of the thieves. Wow, could that man act! Well, no, not really...at least not in this film. But he certainly could overact! More than a third of the way through the film, Lionel Atwill comes on-board (literally on a plane)...but is none to impressive here.In terms of the story, like any number of early-1930s films, this script has some holes in it, including sudden plot changes that don't quite make sense. At one point, Atwill even calls Herbert Marshall by the name of Atwill's own character (how did that get by Hollywood's most prestigious studio?). Frankly, once on the plane, the writers tried to get rather clever with the story line, but ended up making the film rather inane at points.So my advice? Well, if you have a specific reason for wanting to watch the film (as I did, being a bit of a fan of Herbert Marshall), do so. Otherwise, pass it by...there's lots better from the early 1930s.

klarkash This is one of those little MGM quickies that is unfairly overlooked by both film fans and historians. Without giving anything away, the plot involves a jewel theft and murder, with the suspects aboard a plane flying from France to England. There are several plot twists before and after the plane lands. It may not be hard to guess who the villain really is, but the film maintains a good level of suspense and is well acted. It's not without a major goof, at one point in the film Lionel Atwill calls Herbert Marshall "Wallace", the name of Atwill's character. How MGM let that get by is a mystery. This film is a good example of what could be done on a limited budget.