trashgang Still no proper release so far for this horror made in a time when horror was a not done and was almost death. Some big names from the genre in it, David Naughton of An American Werewolf In London (1981) and Kevin McCarthy and special effects man John Carl Buechler as The Mister.It take a while before the horror comes in, Jason (Naughton) is just divorced and is searching for a new place to stay, one he finds in an abandoned train car. But from the start we know something happened with the freight train and let this be a car from that accident. Jason awakes the ghost of the landlady's husband. A thing he better did not.The first half hour we go a bit into the characters with some comedy elements, especially at school. Jason got befriended with Kim (Judie Aronson) which he falls in love with but he still has nightmares of his ex Joanna (Dani Minnick). There's a bit of nudity here and there with the typical saxophone music. Judie Aronson shows her breasts while having sex with Jason. There's a bit of red stuff and at the end we do see the real Mister but by then it's all too late. Kevin wasn't convincing at all and even looked ridiculous. This is as I said it a thousand times before a perfect example why horror was on a low base around the time being made. Gore 0/5 Nudity 1/5 Effects 2/5 Story 2,5/5 Comedy 0/5

gavin6942 Jason (David Naughton) moves into an abandoned train car where he resurrects the vicious ghost of his landlady's dead husband... The Mister (John Carl Buechler). After some near-fatal encounters with the violent specter he seeks local exorcist Vincent Tuttle (Kevin McCarthy).Another review called this film "a snooze". A snooze? With Kevin McCarthy, David Naughton and effects master John Carl Buechler? How could a film with these three horror giants be a snooze? The constant wisecracks, the older journalist returning to school... plenty of potential for a good ghost story here, with 1980s comedy thrown in.Even John Bowen, who concedes the film is charming and endearing, believes the film is greatly flawed. He says the movie is "trying way too hard to be clever", is full of continuity problems and has a premise that is "vague and arbitrary". That last concern pretty much sums up the horror genre. Bowen is especially hard on writer Greg Collins O'Neill ("Tuff Turf"), but there is always that question of how much you can blame dialogue on the writer and how much has been reworked by the director or actors.The effects are very cool, as should be expected. The Mister emerging from the walls, the use of seat springs to drill through a man... this is more than a ghost story, it is a bloody killing spree.

callanvass very cool flick is very entertaining and well made and acted although a weak finale this is still grand entertainment and good makeup effects and gore effects and overall i enjoyed it see this for sure if you can find it ***1/2 out of 5

millennia-2 ''The Sleeping Car' is by no means a good film. It's slow moving, lacks any atmosphere, and gets rather tedious at times, but it still manages to deliver the goods, or at least some of them. The production values are passable, but far from bad, and the script works to a degree, but for some reason the pieces don't fall into place as they should. The body count is only four, making it too tame to be a slasher movie (though it does hint at that, especially during the overlong climax), but too juvenile to be a psychological thriller/horror film.The acting isn't bad, but it sure isn't all that great. It seems like the actors were booked for three or four days for filming, and just wanted to get it over with, so they didn't seem to put a lot of effort into it. No one in particular stands out, and the characters don't make the movie any more interesting. On top of that, none of the characters are very well developed, with the exception of the professor, so that does little to help the cause.Still the movie does have several things working for it, not the least of which is some pretty impressive special effects for a movie of this caliber. Another is the creative and very gruesome death scenes, which may be the best part of this 'not quite there, but close' horror flick6/10