lsterk Movie barely underway complete with lingering shots of piles of corpses. But the film makers went to far with their gratuitous inclusion of a Nazi officer executing an adult male with fully depicted pistol shot to the head.I understand a film dealing with the liberation of Estonia and its people requires addressing the oppression and violence they suffered. But an opening montage including an actual execution of a real person who was an Estonian son and comrade and perhaps a brother and a father was itself ruthless. He may have been an innocent victim as the Nazis loved to intimidate through executions. He may have been a member of the Estonian resistance, caught and executed. Whichever he was, I guarantee you he did not give up his life for the sake of bringing drama to a documentary. His memory deserves a more respectful fate.

Tom H. Richardson Between Nazi occupation and decades of Soviet occupation, the Estonians had no weapons with which to resist the Soviet Army. Yet they didn't quit.Two incidents from the movie got me very emotional-- The first was when a crowd from the Russian ethnic minority (who acted like aristocrats within Soviet Estonia and the Estonians should kiss their necks) stormed a government building. This Russian mob was intent on going in and grabbing the leaders of the Estonia-Independence movement. Then an Estonian man got on the radio, throngs of Estonians came, and suddenly the Russians found themselves completely surrounded. Both sides were expecting fighting to break out, and both sides knew that the Soviet Army would use this as an excuse to attack Estonians. But then the Estonian crowd pulled apart, forming a road, and the Russians were able to leave unmolested.The second incident that moved me deeply was when Soviet troops moved into Estonia, and they were trying to attack a TV tower. Estonians showed up, linking arms, and faced the Russian tanks. The Estonians knew that if the tanks rolled, or the Russians' machine guns fired, that they would die painfully -- and yet they filled up the road to the TV tower, and stared into the faces of the Russian tankmen. That is BRAVE.This is a feel-good movie, and it's all 100 percent true. See it, and tell your friends to rent it.

Ruby Liang (ruby_fff) THE SINGING REVOLUTION has the tag line: "A single nation. A million voices. The fall of an empire." Yes, it is a historical and real life story of the Estonians, having been under the oppression of Soviet occupation since WWII, tenaciously hanging on to their hopes and dreams of one day being an independent nation on their own again with no more foreign control. In 1991, Estonia finally gained their freedom. We are privileged to witness the Estonians' amazing historical journey that filmmakers James and Maureen Castle Tusty so thoughtfully compiled and graciously shared with us. Many hours of detailed research and interviews with a lot of Estonians involved in revealing their personal stories. The documentary is a 'must-see', including the bonus 'backstory' about how this film came to be from the viewpoint of the filmmakers. Narrator is Linda Hunt ("The Year of Living Dangerously" 1982, with Mel Gibson and Sigourney Weaver). Historical truth: Chapter 2 (at 1947's song festival under Soviet rule): We see a sea of faces, mouths opened wide, singing together: "Land of my fathers! Land that I love!" Venno Laul, a conductor, talked about the music event: "(but) it was, and still is, primarily an opportunity to experience that we are Estonians. We have a strong culture. We are one nation. We are so few in number that we must emphasize that we exist."Unity in singing: Chapter 3 and Chapter 6 (the 1969's 100 anniversary of the Estonian tradition of song festivals, and repeated at the summer of 1988 at Tallinn's song festival event, still under the eyes of the Soviets): People with hands holding hands straight up in the air, swaying with the singing of the (1947) 'national Estonian anthem': "Estonian I am, and Estonian I will be, as I was meant to be." "Estonian is a proud and good thing to be. Just like my great grandfathers - free." Heinz Valk, an artist, recounting the late '80s: "I was so inspired by those nights… Until now, revolutions have been filled with destruction, burning, killing, and hate, but we started our revolution with a smile and a song. Each person could go to work the next day knowing that the Estonian spirit survives" "…the main purpose of which really was to come together as a nation, and sing this one forbidden song."Hopes and Dreams: We are taken through 'perestroika' period; the 'first' speaking out demonstration at Hirve Park; the establishment of The Heritage Society in 1987 and subsequent organized demonstrations. The gradual soaring of Estonian spirits we continue to feel for, through black and white archive footage as well as present day Estonian events in color, as they persistently discovered the fuel for change: "being together, singing together is their power."You need not worry about the amount of talking heads / interviews on screen - the well-paced 96-minute documentary film is not at all stuffy with historical discussions - yes, devastating and touching accounts we will see and hear, like the Siberian camps (Gulag), Forrest Brothers resistance defiance, yet we actually get to hear millions singing melodic songs in Estonian, with live archive footage of people/women in their Estonian national costumes, younger sets in rock and roll gears, citizens in everyday clothing, all coming together in unison singing together with immeasurable hope and strength year after year. I noticed a brief inclusion (towards the end of chapter 3: Post WWII 1945-1969) of school boys in a hall singing / practicing a song (in Estonian) a rather familiar tune, with teacher (in jeans) on stage snapping his fingers and swaying in rhythm (I did, too - humming along that catchy tune and realized moments later with a smile that it's a Cliff Richard hit in the sixties, "Lucky Lips"!) I appreciate the ending credit roll that included pictures of key persons with brief captions about each, while the Estonians' voices swelling in the background, and we are so happy for the independent nation of Estonia. See this film and visit its official Web site for more at 'singingrevolution.com'.

saareman "The Singing Revolution" (Estonian title: "Laulev revolutsioon") was screened in its Canadian Premiere as the main Gala film of the 3rd Annual estdocs Estonian Documentary Film Festival in Toronto on Sunday Oct. 21, 2007 at the Ontario Science Centre Auditorium.The evening opened with welcoming words from festival organizers Ellen Valter and Lia Hess and the introduction of film co-director Maureen Castle Tusty who explained that her husband and film co-director James Tusty was not able to make it to the Toronto screening as he was representing the film at its simultaneous Polish premiere at the Warsaw Film Festival. Maureen Castle Tusty then introduced former Estonian Prime Minister Mart Laar who was a special guest for the evening and who also played a prominent role in the events of the film during his early years in the Estonian Heritage Society.Even though the audience in the hall was a large cross-section of local Estonian-Canadians for many of whom the main events of the film were a well-known part of our recent international history, I think everyone was genuinely impressed by the high standard of care and craftsmanship that the filmmakers put on display in their film which was screened in a crystal sharp high definition image. The film delivers a lot of densely packed information on Estonia's recent history from the Communist/Nazi Molotov-Ribbentrop Pact of 1939 that effectively delivered Estonia into the repressive dictatorship of Joseph Stalin's Soviet Regime to the most recent Song Festival("Laulupidu") of 2004. More time is spent on the early years of the Russian occupation in the 1940's as it was then when the terror of the occupiers was at its fullest. The film then leaps ahead to the years of the mid to late 1980's when Mikhail Gorbachev's "perestroika" (economic restructuring) & "glasnost" (open-ness/free speech) opened the way for Estonian national movements such as the Estonian Independence Party, the Popular Front and the Estonian Heritage Society to test the limits that would be allowed before a further brutal oppressive crackdown began. Their steady probing and persistence made tiny Estonia a leading element on the way to the eventual breakdown and breakup of the Soviet empire. Along the way, the role of Estonian music in general and the ongoing National Song Festival in particular, are shown as a force that kept hope for independence alive from as early a date as 1947 when Estonian composer/conductor Gustav Ernesaks was able to sneak his song "My Fatherland is My Love" into the new Soviet Republic's first post-occupation Song Festival.Although the subject matter is overall one of a very serious nature there are still several moments of humour in the film such as one Russian babushka's complaints about how "I'm ashamed of Estonians, they are so sly. Face to face they're so nice to you, but they stab you in the back when you turn." Fans of the writers Andrus Kivirähk and Oskar Luts were also rewarded with anecdotes such as narrator Linda Hunt extolling the clever "Old Farmer of the Barn" (Estonian "Rehepapp" - also the title & subject of a recent novel by Kivirähk) as the Estonian national hero in place of conventional mythological warriors and conductor Tiia-Ester Loitme lamenting the loss of her balloon in the Song Festival Parade with the words "Minu nunnu lendas minema!" ("My precious has flown away!") (this last one evokes Luts' immortal comic play "Kapsapea" ("The Cabbage Head"). It was a pleasure as well to hear Popular Front leader (& otherwise artist/cartoonist) Heinz Valk tell the stories of how he coined the phrases "Laulev revolutsioon" (Singing Revolution) and "Ükskord me võidame niikuinii!" (One day, we will win regardless!) with which he forever afterwards had to end his speeches, to audience shouts of "Say it Heinz! Say it!!". So there were many subtle chuckles to be enjoyed from the movie also.The 475-seat hall was totally sold out for the occasion and the film was warmly received with a unanimous standing ovation at its conclusion. I'll admit to a huge personal bias here because of my Estonian heritage, but I find it hard to believe that anyone who supports movements of self-government and national independence and basic human rights in this day and age would not be moved by this wonderful film. Thanks to Maureen and James Tusty for their vision and their efforts to bring this story to the screen and to the world.Oct. 28, 2007 Update: The 3rd Annual estdocs Festival ended on Oct. 26, 2007 and it was announced that "The Singing Revolution" won both the Audience Favourite and the Jury Prize for the week-long festival.