The Sign of Four

1987
7.9| 1h43m| en| More Info
Released: 07 March 1987 Released
Producted By: Granada Television
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

Mary Morstan has received a pearl in the post every year since her father's disappearance. This leads Holmes and Watson to the truth about a secret pact between four convicts during the Indian Rebellion of 1857.

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zafrom Granada Television made a solid 1987 TV movie of Conan Doyle's justly popular adventure novel, of 4 men who believed that they were in the right place at the right time. I very much enjoyed this version, including the back-story during the last part. As other reviewers have noted, Granada did not include all of Holmes's habits, the descriptions of some foreigners, and the romance between Dr Watson and Mary.What surprised me though, because Granada's script took many sentences verbatim from the 1890 novel, were the many errors in the subtitles in the US 2003 DVD version. The actors did enunciate clearly for me, so I wonder if a machine -- or someone ignorant of various English phrases -- actually compiled the subtitles. For example the subtitles have "my besetting thing" for the actual "my besetting sin". Also: "inaudible" for "Mind there, mind there, for he bites something wicious." "Awe the energetic Jones the ubiquitous reporter" for "Ah, the energetic Jones and the ubiquitous reporter". "3 bob and a tenner" for "3 bob and a tanner". "If our man had an easy task just as ours ought to be." for "If ever a man had an easy task, this of ours ought to be." "2 stout men" for "2 staunch men". "Cease you." for "Heave to!" "you'll be court marshaled" for "you'll be court-martialed". "a nice cushy villa" for "a nice cushy billet". "I had a pretty nasty face in myself" for "I've had a pretty nasty facer myself." "pilgrims from Malay bound for Gito" for "pilgrims from Malay bound for Jiddah". And many more.Not to worry, though. If you're hard of hearing or a non-native speaker, the novel is of course readily available online. And, as both Shakespeare and Doyle noted, "The game is afoot."
Robert J. Maxwell Conan-Doyle wrote four novellas that featured Holmes and Watson. The most familiar, and by far the most often filmed, is "The Hound of the Baskervilles," and for good reasons. (1) It's long enough to be a feature film without being padded, (2) Holmes is a fully blown character, and (3) the story isn't just an intellectual challenge or adventure -- it's positively eerie, with hints of the demonic.Of the others -- "A Study in Scarlet" and "The Valley of Fear" -- it can be said of the first that when we're introduced, little by little, to the young Holmes, he's really an oddball and has mental and behavioral habits that never appear elsewhere in the canon, as Watson himself does. For instance, Holmes learns for the first time that the planets revolve around the sun and immediately tries to forget it because he doesn't want his storage capacity challenged. Watson keeps a bull pup, which is never mentioned again."The Valley of Fear", to my knowledge, hasn't ever provided the framework for a popular feature film. It appears late, and Conan-Doyle seemed to be grinding out the stories to make a living. Holmes has no quirks, no affinity for dope, shows no penetrating insight or feats of deduction, and some of his inferences are plain silly. The hero is dull.In "The Sign of Four", Holmes is fully blown, is driven by boredom to use his seven-percent solution, and rips off some apothegms from Edgar Allan Poe's August Dupin. The story is full of delightful characters too, including eccentrics from India and a murderous cannibal dwarf. The Baker Street Irregulars make a prominent appearance. The movie gets it all down, with monster hookahs being used, mounted tiger heads, and a shivery performance by Ronald Lacey as an anxiety neurotic and a frozen, smiling corpse. There's an exciting launch chase on the Thames near the end.The story has what I'd consider a weakness that it shares with "A Study in Scarlet" and "The Valley of Fear." There's a long, involved back story explaining the experiences of the villain that led to his criminal act. It's as if the author was just itching all over to put his most famous creation behind him and get on to more ambitious literary things but the poor guy was stuck with Holmes and Watson.Yet, in the long run, grinding out his detective fiction didn't do either Conan-Doyle or Holmes much good. Towards the end of the canon, in the Memoirs and the Case Book, the stories are becoming benumbed, as are the characters -- with some notable exceptions. I guess it's possible for an author to just plain write himself out.As a feature, this film is quite good. The heavy is played by John Thaw, "Inspector Morse," buried under a lot of make up and accompanied by a native of the Andaman Islands who is given a bad rap by Conan-Doyle. The Andamanese were an outlier of the British empire, flung off the Indian coast and seldom visited except by anthropologists and second-rate colonial officers. The islands were hit by the tsunami of 2004 but were so isolated that nobody knew or cared much about the damage. (The anthropologist's name was A. R. Radcliffe-Brown, if anyone wants to look it up.) I can chew over the villain's experiences in India because the rest of the story is so colorful and intrinsically interesting. It includes one of those "locked room murders" that so fascinate mystery writers.And it goes without saying that, whatever Conan-Doyle might have thought of Holmes and Watson, Jeremy Brett and Edward Hardwicke do justice to the characters.
Neil Doyle JEREMY BRETT and EDWARD HARDWICKE head the cast of an excellent version of THE SIGN OF THE FOUR, given fine support by JENNY SEAGROVE, RONALD LACEY and JOHN THAW.The intricate story begins with a young woman (Jenny Seagrove) coming to Holmes with a story involving the mysterious disappearance of her father. Several years after his death she began receiving yearly presents of priceless pearls, one by one each year. The story becomes more and more complex as more of the characters involved in her father's disappearance come to the fore. Among them, RONALD LACEY, who gives a quirky performance as twin brothers whose father wanted them to receive his inheritance. JENNY SEAGROVE and JOHN THAW are particularly interesting in well-defined supporting roles.All the Victorian atmosphere is here along with elaborate settings and fine color photography. The two hours go by swiftly, since there's so much story to tell. Well worth watching with only a few scenes toward the end that seem to go on too long.
Hitchcoc Of all the Granada Sherlock Holmes presentations, I believe this to be the best. It has an intricate plot with an amazing story behind it. It is full of unforgettable characters. It has action. It has the Baker Street Irregulars. It has a dog named Toby. Mostly, it is full of life. Jeremy Brett is never better than in this presentation. The British imperialists in India must have been an interesting lot. There's that whole thing with entitlement through domination and power. The four men who become embroiled in the plot are dedicated to each other, even unto death. The two brothers, whose father turns out to be the fly in the ointment, are incredible, both physically and in terms of character. What is the revenge about? It's betrayal, but what is it based on? Where is the treasure? What is the treasure? Where did those strange footprints come from? It all unfolds with hardly a wasted moment in the almost two hour feature. There's also the romantic intentions of Watson who marries the young woman later, if you read the books. This is the young woman he leaves behind constantly as he and Holmes run off on their adventures. If you have an opportunity, see this.