Scott LeBrun Don Knotts gets one of his most beloved film vehicles here with this amiable remake of the Bob Hope comedy "The Paleface". That master of nervous energy plays Jesse W. Heywood, a Philadelphia dentist in the 19th century who decides that he wants to ply his trade in the Old West. Instead, he gets mixed up with a former outlaw turned government agent (striking, fiery redhead Barbara Rhoades), whose mission is to expose the men selling rifles to the Comanches."The Shakiest Gun in the West" is a cute, if not uproarious, Western comedy. It has enough laughs, production values, and spirited performances to make it a good time. The gags (some of them recycled from "The Paleface") were never quite inspired for this viewer, but they were still worthy of some chuckles. Certainly Knotts is perfectly cast as this tenderfoot who is led to believe that he's handier in a scrap than he really is. Roles like this were his stock in trade for years. Sexy Rhoades is a very fine leading lady, and the supporting cast features a reasonable amount of familiar faces: Jackie Coogan, Don 'Red' Barry, Ruth McDevitt, Frank McGrath, Terry Wilson, Carl Ballantine, Pat "Mr. Miyagi" Morita, Dub Taylor, Dick Wilson, etc.Vic Mizzy, the regular composer for these Universal / Don Knotts comedies, comes up with appropriately goofy music, and a talented crew create a great, classic Western look for the various wacky goings-on.Good fun for Don Knotts fans.Seven out of 10.

Warren O'Leary (woleary717) Don Knotts was true to form as a meek and weak man with a little gumption; his historical stereotype. Yes, this movie is a weaker version of a combined " Paleface and Son of Paleface " from earlier times. Barbara Rhodes is a very attractive woman with average acting skills. She is the best looking "cowboy" in her western duds. Her jeans look fabulous on her very shapely figure; she was poured into these pants like liquid wax into a mold. Barbara wears tall , tan ,suede cowboy boots with her jeans tucked inside with matching tan leather gun belt,; very sensual in her disguise as a male outlaw. Barbara, like Jane Russell in both Palefaces , becomes a reformed outlaw and marries the male star.By contrast, I have given " Son of Paleface " a value of 10 out of 10 for its effort in previous reviews. Jane Russell as a " cowboy outlaw "doesn't wear jeans but fancy stretch ski pants as her riding attire, over all Jane Russell is more sensual than Barbara.

Mike_Noga It's easy to overlook the societal importance of "Shakiest". Most academics consider it a vapid re-make of a "superior" Bob Hope film. However my consensus is that Hope's movie simply Overemphasized the comedic aspects of the story and downplayed the sociological importance and mythical underpinnings of it. I don't fault Hope since his comedic talents are such that only his fully grasping of the genre and paradigm in its epistemological sense would allow him the proper frame/reference to "dim" his comedic talents enough to let the nuances of the story's deeper meanings emerge. Not so with Don Knotts. His performance is neo-subtle in the sense that he draws attention to the pre-Scorsesian templates of story entwined with yet separated from, meaning, by overexagerating Hope's performance to a Vonnegutian level. Example; his performance as Painless Jesse in the film's opening sequences underscore the relationship of Man the Creator with Man the Destroyer and Man the Dentist. In Barb Rhoades we see an equal but lesser voice representing tenets of Post-modern imperialism as well as Proto-Schwarzeneggerian grandiosity. Yet, it is Knotts, initially passive who redeems himself in the end, triumphing over Rhoades and all she symbolizes as well as echoing the pan-universal theme of the hero transformed by "plumbing" his own depths. This is shown particularly in the mine scene, where we read "mine" as "Subconscious Id". Simply put, not sense "The Incredible Mr. Limpett" has Knotts blended Transformational Mythology with Wellesian Cinematography and Jerrylewisian slapstick. BRAVO!

helpless_dancer Knotts at his inept best as a bumbling dentist who is taken in at every turn by swindlers, gun runners, and a conniving lady outlaw. I liked the use of 2 regular players on "Wagon Train" as members of Knotts party. I didn't like Myron Healy being uncredited.