Leofwine_draca THE SHADOW WHIP is another Shaw Brothers vehicle for Cheng Pei-Pei, the studio's most famous female fighter and classic swordswoman actress of COME DRINK WITH ME and many others. This somewhat unfamiliar outing is one of the actress's lesser works, although it's not without interest for fans of the veteran studio. The story is a little more mystery focused rather than offering all-out action, bringing it in line with the works of Chor Yuen who would later dominate the studio in the late 1970s. The actual director is Lo Wei, well known in the west for his direction of many early Bruce Lee and Jackie Chan films, and he does a pretty good job here. As with nearly all Shaw films, THE SHADOW WHIP is a very visual experience that offers fantastic scenery and sets throughout. I did like the change of setting to a snowbound location which gives it a fine and distinctive look.There isn't a great deal of story here and that which does exist is very obvious; you'll be able to guess the ending a mile off. Still, there's plenty of action, as is usual for the genre, and some good actors playing central parts. Pei-Pei cuts a swathe through the bad guys while Ku Feng and Tien Feng add dignified support. Sammo is listed as an extra but I didn't spot him, although Lo Wei himself does appear in a cameo. Yueh Hua gets a lot of screen time playing his usual supporting stand alone fighter with mystery motives. THE SHADOW WHIP is a little inept in places, with clear joins in some of the background sky and quite laughable wire work that randomly jolts the characters up into the air rather than making them look like they're really defying gravity, but Shaw fans will enjoy it regardless.

poe426 Another feather in Lo Wei's cap, THE SHADOW WHIP boasts a bit of martial artsy-fartsy outdoor cinematography intercut fairly well with some soundstage work. In this one, everybody's out to get "Uncle Fang," the infamous Shadow Whip, whose whereabouts are accidentally divulged to Wang (Hua Yueh) by Fang's "niece," Kai Yun (Pei-Pei Cheng). The secretive Fang, who's been laying low for the past fifteen years, raised Yun after the death of her parents (for which Fang was subsequently blamed, by the actual killer). Yun tricks the killer into revealing himself in a well done (if clichéd) confrontation. The fight scenes are often marred by some rudimentary wirework (when the combatants suddenly launch themselves through the air like missiles) and at least one early morning fight is inexplicably shot in "fast motion" (the camera apparently undercranked), but the action overall is very well done- especially the whip work.

LARSONRD Entertaining martial arts film with the intoxicating Cheng Pei-Pei as a master swordfighter known for her deadly skill wielding a powerful whip. While the fights between swords and whip may seem a little far-fetched, the film wields a compelling story of vengeance and past crimes, invoking as much a mystery as an action story. Typical for Shaw Bros films, the sets are magnificent and the color photography is beautifully preserved in this pristine DVD release from Celestial, which also saves the film's original Mandarin language so we don't have to endure the embarrassingly horrible dubbing of previous American releases. The setting is snowy northern China so we have interesting scenes on horseback in the snow and ancient icycled fortresses, and Cheng is equally compelling in a white fur cap and winter outfit. The musical score, also typical of Shaw Bros films of the era, is needle-dropped from John Barry's James Bond scores, except for original opening and closing title music, attributed to Wang Fook-Ling. A very enjoyable revenge thriller/crime mystery set in ancient China with beautifully designed group fights and an interesting conception in its whip-versus-sword, despite a proclivity toward some pretty unconvincing flying/soaring through the air moments.

curtpdx ...but don't expect the level of fight choreography that you'd see from Tsui Hark or Cheh Chang. It's a great vehicle for Cheng Pei-pei (Come Drink With Me, Crouching Tiger), who wields a whip to great effect. There are many familiar faces from other Shaw Brothers films here, and it's all capably done, though with a bit too much wire-fu for my taste. One of the unusual aspects of this film is that it takes place during winter, with the outdoor action taking place in snowy fields and forests--I can't recall another martial arts film in a winter setting. This allows our heroine to go about fetchingly in fur-trimmed togs and headgear as she cracks the whip of virtue and honor.