bagrantham
The plot, characters and location really made me sit through the movie. The scenes of Ireland's landscape, cottages, ocean and people were depicted wonderfully. The harness of their work as a fishing town opened the movie as the minister prayed for the return of the fish. There was definitely chemistry. And guess what, though there were underlying hints of more it was never revealed and did not take away from the movie. It is a love story bundled with grief, pain, hurt, magic, betrayal and then unselfish sacrifice. It pulls at the heart strings. When I speak of magic or legend this is what makes the movie interesting as we all learn the story of how, when and consequences of returning or not...cannot give away too much. So watch the movie.
wuxmup
"The Seventh Stream" is beautifully filmed with a deeply romantic score and a story comes from the same vein of Irish folklore that inspired 1994's "Secret of Roan Inish," another good family movie but not, I think, quite as atmospheric or nearly as moving as "The Seventh Stream." Both films are based on the legend of the selkies - gray seals who sometimes take human form, come ashore and interact with humans. The production values are very superior for a made-for-cable flick.Saffron Burrows is nothing short of remarkable as the seal-woman. Viewers drugged by the over-the-top acting styles of so many movies may find her performance too subdued, too quiet, but that's their problem. Some kind of emotion is constantly flickering across her face, which is amazingly expressive. She's by turns mysterious, cold, curious, sultry, beautiful, vulnerable, weird - everything you'd expect to see in a seal-girl.In a less fascinating role, Scott Glenn too is convincing and sympathetic as the hardscrabble middle-aged fisherman to whom the selkie turns for help. There's a lot of talk about the human heart, none of it sappy. Aside from one or two minor cultural goofs that few will care about, the film depicts pretty plausibly life in an Irish fishing village a hundred years ago.There are also one or two minor directorial lapses. When fate deals unkindly with one of the characters, he cries out "Nooooooooooooooo!" in ultra slow-mo. Just like in The Simpsons and elsewhere. But the embarrassing moments take up about two minutes in total, and none is as bad as that.The rest of the film could hardly be improved on as a serious fairy tale for the whole family, unless your family is deeply into pro wrestling and stuff like that.One of the most moving fantasy films I've seen, definitely not sugary or maudlin, and not oozing with CGI. Check it out! I bet they were going to call it originally "The Seventh Seal," but found out that title was taken.
Maurice_Rodney
...On a much smaller and more manageable scale. It is so beautiful to see and hear that one can almost smell the salt air. Saffron Burrows gives a surprisingly subtle and nuanced performance, easily the equal of her more experienced cast members. The weakest offering was that on whom the entire enterprise pivots, Scott Glenn, playing Owen Quinn. Here, a range of emotion was require that he did not seem to be able to muster. But the rest of the production was so compelling as to make the whole unsinkable. As for being able to suspend disbelief well enough to entertain the essential fantasy; remember that this story takes place in the land of leprechauns before the coming of such wonders as the horseless carriage!
dinavah
Scott Glenn provides the understated sense of loss & loneliness. It's his burden in life. He covers so much with his eyes and simple movements. Saffron Burrows well conveys- pardon the pun -the fish out of water but with an awareness of the lives around her.As the summary says: It's romance, folklore and rural life with it's prejudice. It's not complicated just a well presented story with good performances all around.There's a song/story called 'Peter Kagen & the Wind.' I heard it performed by Tommy Makem and Liam Clancy in Dublin years ago. It was on the album of the concert but not on the CD. This is a version of that song.