morrison-dylan-fan Originally expecting to receive a DVD solely containing writer/director Jess Franco's 1973 Obscene Mirror,I was happily caught by surprise,when I discovered that the DVD seller had kindly included a bonus title!,which led to me getting ready to uncover the Von Klaus curse.The plot:Firmly keeping his feet on the ground,police inspector Borowsky has always dismissed the folk tales from the villagers about the first ever Baron of the wealthy Von Klaus family, (after attacking a woman,the first ever Baron Von Klaus killed himself via walking into the swamp surrounding the Klaus castle.Ever since Klaus has walked into the swamp,tales have been going around the village for decades about their being a Klaus ghost that kidnaps women.)due to seeing the myths as nothing but superstitious nonsense,that the locals use to take comfort in,instead of confronting the human face of evil.Sadly for Borwsky,he soon finds his dismissal of the supernatural to get a serious test,when a series of murders begin taking place across the village,that are eerily similar to Von Klaus mysterious killings. Whilst Borowsky is catching up with this folk tale, Ludwig von Klaus sits by his mum's death bed.About to take her final breath, Elisa von Klaus decides to that this is the best time to reveal to Ludwig that the first ever Von Klaus is suspected of being a serial killer.As Ludwig tries to get a grip on these new details, Murder and Maidens newspaper reporter Karl Steiner is ordered by his editor to pay a visit to the town,thanks to the ghost of Baron Von Klaus having returned to kill again.View on the film:Filmed at a time when the German Krimi genre was beginning to gain popularity,co-writer/ (along with Pío Ballesteros, Juan Cobos and Gonzalo Sebastián de Erice)director attempts to cross the police investigating side of the Krimi with a brewing Gothic Horror atmosphere.Running at a far too long 95 minutes,the writers are sadly never able to make both sides of the movie fully balance,thanks to the Krimi side of things being delivered in a surprisingly dry manner which lacks any really sharp twists & turns,whilst the Gothic Horror vibes are only allowed to deliver a true sting during the last few minutes of the title. Filmed away from the dictator-led Spain in France,Jess Franco surprisingly keeps away from using his trademark zoom-ins,to instead reveal a sharp eye for creating an excellent Film Noir mood,with Franco covering the Von Klaus mansion in thick,dusty blacks which create a strong feeling of their being a horrific evil covering the place in shadow.Along with the Film Noir mood,Franco also catches the audience completely by surprise,by delivering an extremely ahead of its time,daring S&M sequence,which along with the slow,sensual manner that Franco shots the scene,shows that the Von Klaus myth has come back from the swamp.

christopher-underwood I'm not sure if I saw this in the distant past on some rough video or not but recalled nothing of it and decided, following Franco's recent demise, to watch my recently acquired Image release and it's a revelation. I had certainly never seen the most vigorous cellar sequence before but was most impressed with the whole film. It is a little slow but it always looks so good with the marvellous cinematography, presumably by the director himself, and most of it shot outside with great evocative locations. Howard Vernon is his usual splendid self, appearing as guilty as hell and provided you don't expect a breakneck pace this is a highly recommended watch with an absolutely stunning and ambiguously shot, aforementioned cellar scene.

gavin6942 When women are found knifed and gouged in the tiny hamlet of Holfen, everyone suspects the distantly related heir of Baron Von Klaus, a sadistic 17th century baron who cursed the village.There are some good themes here: the small village, the wealthy but evil baron, and the idea of a family curse. At one point the heir wonders if at some point he will become a killer like von Klaus was. The film does not play into the emotional or psychological very deeply, but it raises that age old question: can you escape your destiny? I would need to see this film again to give it my full attention and a more thoughtful review. I was not ready for subtitles and could not follow along the whole time. Shame on me.

bensonmum2 A series of murders of young women have the townspeople believing that a centuries old killer, Baron Von Klaus, has returned from the dead. Many of the locals claim to have seen his shadowy figure rising from the nearby swamp. Is it really the dead Baron come back to claim more victims or is it one of his descendants? The biggest reason I don't rate this movie any higher is that I found the first 3/4 of the movie to be incredibly boring. There's little suspense, little action, and little drama. I generally don't mind a slow moving movie as long as there is plenty of atmosphere and a sense of dread. But, Franco doesn't seem to be one of those directors who excels at atmosphere. Usually, he doesn't seem patient enough, but here he just seems to have no idea of how to do it.The final fourth of this movie, however, is quite well done. The ritualistic murder is both frightful and erotic at the same time. And there is some real suspense in the chase scene leading up to the murderer's capture.The more Franco movies I see, the more I'm growing to enjoy his choice of music. The snappy jazz scores are now one of the things I look forward to.