The Rounders

1965 "The wild west's biggest fall guys go head over heels... for a mean-eyed bronc... and some bear-backed fillies"
The Rounders
6.1| 1h25m| NR| en| More Info
Released: 05 March 1965 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.

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Spikeopath The Rounders is directed by Burt Kennedy and Kennedy adapts the screenplay from Max Evans' novel. Music is by Jeff Alexander and cinematography by Paul Vogel. It stars Glenn Ford, Henry Fonda, Sue Ane Langdon, Hope Holiday, Chill Wills and Edgar Buchanan.Two ageing bronco-busting rounders get into (mis)adventures with a crafty old equine along for the ride... It's one of those films that has amiable blood coursing through its veins. We are in very good company with Ford and Fonda, two likable and most reliable veterans of the silver screen, and crucially it looks like they are having fun - and it's infectious. Teamed up with a splendid comedy horse who gets up to mischief when ever possible, the boys also find some sexy lady love interests that puts a nice little risqué cheek on things, cheek actually being a very literal word at times.Technically it's a very good production. Filmed in Metrocolor/Panavision, the vistas are superbly photographed by Vogel, with Arizona locations including Coconino National Forest, Red Rock Crossing, San Francisco Peaks and Village of Oak Creek. The stunt work is high quality, well shot by the wily Western movie veteran Kennedy, while Alexander's musical compositions have the desired jolification. Rounding off is a splendid and comforting support cast that sees Denver Pyle joining Buchanan and Wills for further Western genre reassurance. 7/10
lancekoz It's true what most commenters here have said...this is well acted by the two leads, and the scenery is spectacular. But the sad sack situations and the outdated sexist humor wears on the viewer after a while, parts of it seeming like a slow version of Benny Hill. The art direction, casting and photography are all so realistic and good, it would have been interesting to see these qualities used on a "real" story about the misfortunes of modern ranchers. There might've been an Oscar in there somewhere if these resources were put to serve a story by one of a number of Western writers, and it would've rung true.
ccthemovieman-1 Wow, with a combination of "western" and "comedy," I expected this to be entertaining at the very least. Well, it wasn't, despite a cast that included Glenn Ford and Henry Fonda. Well, even with "big names," there is no guarantee a film will be enjoyable.The comedy was very weak and the storyline wasn't much: simply a bunch of aging cowboys ("bronco busters," to be exact) trying to tame horses, with one of the horses giving them a particularly hard time. Meanwhile, a couple of women harp on those guys to settle down. Halfway, through, I was bored silly. That's the main problem of this film: a weak story.At least there were some good visuals to enjoy, mainly the wonderful background scenery. Sue Anne Langdon ("Mary") was nice on the eyes, too.To be fair, if I could see this on 2.35:1 widecreen on DVD, I might change my opinion on the photography alone.
MartinHafer Glenn Ford and Henry Fonda star in this slowly paced but amiable picture of two modern cowboys who just drift through life. They are older but only in a chronological sense--as they drink, bust broncos and party through life. At the same time, there are a couple of women who want to get them to settle down and grow up--and this is the main theme throughout the film.What works best in the film is the dialog--particularly the repartee between the two leads. While the film itself never really seems to go anywhere, it seems enough just to sit back and watch this relationship unfold. An odd but satisfying film.