morgan576 Geez, some people said some pretty mean things about Ms. Juliette. Please be nice! She's pretty. She doesn't need to be Cindy Crawford to be attractive. If we all needed Cindy, we wouldn't be up to our eyeballs in people like we are, so more average looking girls must be pretty awesome! I suspect you will feel the same once you age and mellow (and maybe have a real chance to interact with a few...) Ok, flame on... ;)

thee_alchemist I don't know why everybody is hating on this movie. I thought it was a great film. Visually thrilling, executed with pin-point accuracy, and pleasing to every sense imaginable. Tommy's camera work and acting put everybody in a trance that is only broken when that friendly clarinet theme leads us into the ending credits. This movie needs less hate and more love. I believe that Tommy Wiseau is on a whole other wave-length than the general public. People just don't "get" what he is all about. One day we will all see and understand, and we'll all be see how blind we were before. I mean, just look at his latest works to know that Tommy has got it and hasn't lost it. "The Neighbors" hasn't got half the attention that it deserves. I love you Tommy. Keep doing what you are doing and continue blocking out all of the criticism and hate, because you are a unique human being who still has much to offer to the cinematic world.

jeffmodlin ...in the worst way possible. This movie is so awful that might be the most entertaining movie I have ever seen.

Anthony Giancola Is it really possible that this luminous masterpiece is a first feature film? It is as though Mozart had started his career in composition with one of his mature symphonies. What is totally special about 'The Room' is the visual control that Tommy Wiseau applies to the story, and his use of fabulous music to embed his amazing images in our mind. The 'Talented Mr. Ripley'-ish story could have been turgid, but Wiseau turns it into a mythic journey.At the heart of Wiseau's method is the fabulous use of repetition in his work with the character Greg. "What's going on here?". This has been characteristic of each of Wiseau's films. Here it totally sucks the viewer into the story and is just about, the high-point of 2000s cinema. Alongside this, Wiseau uses some of the most haunting music in existence. Whether it is Kitra Williams or Clint Jun Gamboa, Wiseau transports us with fabulous romantic imagery that perfectly balances it.I started on this comment determined not to use the word 'poetry', but I just can't avoid it. With nearly all filmmakers, including very great ones, the style that they present is very much prose - great prose, perhaps, but firmly rooted on the ground. With Wiseau, we are taken, emotionally, to the stars by the lyric magnificence of the totality of his vision.It is said that Welles learned cinema by watching John Ford's 'Stagecoach' before embarking on 'Citizen Kane'. Every young filmmaker should watch this amazing masterpiece again and again and again and inform their work with Wiseau's matchless sense of true cinema.