gavin6942
After a young boy is almost run over by a maniac on a highway, a re-encounter and confrontation by the boy's father with the driver sets off conflicts with a car full of maniacs.Okay, so the opening credits are just a tad too long. And the Netflix version is full screen, despite the fact it is known the film was shot in widescreen (like most films). But let us look past these nitpicks.What we get is a fun film with a solid cast: Christopher Lambert, Joseph Gordon-Levitt, David Arquette, Josh Brolin, Christopher McDonald. Some (like Arquette) part of the 90s zeitgeist, and some (like Brolin and Gordon-Levitt) who had yet to fully bloom. In retrospect, from 2015, this not only exemplifies the sort of videos that were fun to rent in the 90s, but provides a nice glimpse of some talented folks early in their careers.
merklekranz
From the ridiculous IMDb rating of less than 5.0, I had zero expectations for "The Road Killers". This movie is definitely one of the most underrated films I have reviewed. Craig Sheffer's psycho, Charles Manson-like performance, rivals some of the best bad guy actors out there, and instantly brings to mind several of Don Stroud's villainous characters. Christopher Lambert fans will no doubt be disappointed, as Sheffer completely dominates film. There are moments of dark humor throughout, some unexpected developments, and a bang up conclusion on the train tracks. The supporting cast is a real mixed bag, with the late Adrienne Shelly most memorable. I am definitely pounding the table for this unknown gem. - MERK
Rodrigo Amaro
I'm glad this rubbish is quite hard to find even with its good cast and plenty of reasons to be more accessible. Thankfully it's not, and if someone is hiding this mess from viewers is because this movie is THAT awful. Too bad I've found it (terrible image quality I must say). "The Road Killers" is a stupid idea designed from stupid minds who think only stupid people would watch it. The problem was that they cast interesting actors to make us hooked in it, so they end up grabbing well intentioned viewers who endure this tasteless junk. Stupid people will enjoy this big time, of course, they don't watch a movie with their brains turned on. Those will enjoy it. What's the movie's goal? To present good yet hot tempered folks who out of their stupidity decide to risk their lives for "honorable acts" like revenging the son who almost got hit by a car conducted by bunch of jerks. That's what Christopher McDonald father does when poor kid Joseph Gordon-Levitt miraculously escapes from being run over by Craig Sheffer and his crazy family formed by Adrienne Shelly, Josh Brolin and David Arquette, a sort of like Manson family of the roads. So, father goes on a pointless and dull chase against the idiots, dies in a horrible way (the turning point of the movie when you realize it's all downhill from here) and indirectly causes the kidnap of Christopher Lambert's family along with them. I won't bother going in telling you that Highlander will play the hero and try to save everybody while meeting other problems in the way such as stupid sheriff (Michael Greene) and another psycho. Oops I already did, sorry.There's no redeeming value, no entertainment value, no values at all. It's just an incoherent and violent driven flick with poor lines, bad editing, and clichéd moments. All the characters seem to have a severe case of bad memory where they repeat themselves time and time again. I won't blame much on the actors because they somehow manage to be enjoyable at times, they convince a little, but not enough to make you deeply connected. I didn't find myself thrilled by the action presented, I just felt completely terrorized into see how ridiculous this was. Best case scenario: well, it's useful to show how good folks can turn into the most idiotic when they act by impulse, trying to mess with people they don't know. That's the only worthy lesson from here, but I think you can find similar in better pictures out there.I hope that in the years to come someone from the cast apologize for being part of this. I hope they'll say: "It was a terrible movie, an even worst shooting, very problematic but I needed the money. It helped with my problems, it saved a family member from dying due to sickness. It paid all the hospital bills". Then, I might forgive just a little all the pain I went through while watching this. In the meantime, stay away from this wreck. 2/10
Bloodwank
Road Flower, Road Flower. A neat name, evocative and enigmatic, it just doesn't quite hook you in. Centred on a family travelling through the desert who p!ss off some travelling scumbags and end up in all sorts of trouble, it's a fun b grade joint with a few rewards for those with the patience for this kind of thing. And worth noting that this is one of those little seen b pictures that appear to have an eclectic cast through the passage of time, with Michelle Forbes, Josh Brolin, David Arquette and Joseph Gordon-Levitt, all of which have gone on to some kind of wider fame. Gordon-Levitt doesn't make much of an impression here, probably since he was pretty young at the time, but Brolin and Arquette both do well, with the latter being an infinity less irritating than he was in the Scream franchise despite here playing what on paper should be a very irritating character indeed, a sort of dopey idiot savant type in thrall to the main baddie, a wonderfully snarling and maniacal Craig Sheffer. Brolin is a conscience of sorts to the general villains, and pretty sympathetic too, off centre enough to be a little creepy, but with a scared likability to him. The nominal lead here is Christopher Lambert, who is pretty wooden, not especially good but has a certain presence, watchable enough. The film is at its best when dealing with its antagonists though, and the writing is often pretty entertaining, some dialogue made me chuckle out loud and I was generally smiling, there are even one or two surprises in amongst the formulaic set up too. The film moves at a smart pace, looks pretty nice and is even intermittently stylish, too many punches are pulled in terms of the violence but it still muster effective tension, it's a pretty fun ride while it lasts. Director Deran Sarafian clearly knows his way around this sort of film but the action is sometimes irritatingly edited and the film is too skewed in favour of its villains for the audience to feel much for the imperilled family. The directors dad Richard (Vanishing Point) pops up briefly and brother Tedi wrote the script, so its kind of a Sarafian family picnic. This film sure ain't a patch on Vanishing Point though. Anyhoo, this is worth a look if it turns up on late night TV or any other time where you have nothing better to do. Won't change anyones world, but it is kinda cool at times. 6/10 or something.