disinterested_spectator A woman discovers that she no longer wants to be married, let alone have a baby now that she is pregnant. So she gets in her car and takes off. After driving for a while, she picks up a hitchhiker hoping to have some uncomplicated sex with him. The mistake is not that she thought she could have sex without getting involved. Her mistake, and it is a common one, is not realizing how complicated and involved things can become even if you don't have sex at all.It turns out that the hitchhiker cannot take care of himself on account of a brain injury sustained while playing football, and he has neither friends nor family to help him. She only thought she was trapped before. But it is a whole lot easier to desert a husband and abort a fetus than it is to abandon someone who is helpless, especially when he has a kind heart.Fortunately, this is a movie, which resolves the problem by having him die in the end. Though she tried to leave him several times, she wishes he were still alive and could take care of him. But we in the audience know it was for the best. Trouble is, people get themselves in messy situations like this in real life, but there is no Hollywood ending to save them.

bobvend Shirley Knight plays a newly-pregnant suburban housewife who's slow desperate panic has driven her to flee the existence laid out ahead of her. As she takes off in a station wagon, we don't know where she's going and neither does she. She has taken no luggage on her journey but nevertheless brings with her a lot of baggage. Much of her character is revealed during sporadic calls home to her husband who is not so much distraught as he is abusive. These conversations, because of their first-rate execution, are charged with realism.She soon picks up hitch-hiker James Caan, who turns out to be a former football player who's head injury during a game has left him mentally deficient, a large child. Soon after his injury and subsequent surgery, the college he had played for stuffed 1000 dollars into his pocket and washed their hands of him, casting him adrift to fend for himself. With apparently no family to look after him, Knight's character unwittingly becomes his de facto mother.Knight is unwilling to take on motherhood in any form, and is already considering an abortion. In another sense she tries several times to "abort" Caan's character as well. She often abandons him roadside as she becomes overwhelmed by fear and desperation at the grim inescapable realization that she is his only help. And she can't even help herself. Robert Duvall rounds out the cast as an abusive hard-worn motorcycle cop who, as another reviewer has noted, represents the husband Knight has run away from. Acting is first-rate all around, as is Coppola's direction in a film that was definitely a '60's film yet far ahead of its time. Certainly the finest role for Shirley Knight, an actress who definitely proved up to be to the challenge. Anyone who has suffered through one too many Hollywood "feel-good" movies will find welcome relief in The Rain People- bleak but real and utterly fascinating.

sol1218 **SPOILERS** Simple movie about simple people who's problems are far too complex for them to handle.Natalie aka Sara Ravenna, Shirley Knight, has become overwhelmed with married life and the fact that she's now pregnant is the straw that breaks the camel's back. Taking off from her homes in Long Island New York Natalie has no idea where she's going but hopes to find peace and tranquility somewhere in the heartland of America. It's on the Pennsylvania Turnpike that Natalie picks up hitchhiker Jimmie "Killer" Kilgannon, James Cann,who seems as lost and confused as she is. As Natalie, calling herself Sara at the time, soon finds out Jimmie had suffered a serious brain concussion while playing football on his collage team and has been reduced to such a simple minded individual who's so passive that he lets everyone, including later in the movie Natalie, step all over him.Sympathetic at first Natalie becomes very annoyed at the self pitying Jimmie for not standing up for himself and letting himself be used as a doormat by everyone he comes in contact with in the movie. Not knowing what to do with the child-like Jimmie Natalie finally gets him a Job in far off Nebraska as a cleaning man at the Reptile Jungle pet market owned and run by, Mr. Alfred, Tom Aldrege. Being the both kind and simple-minded person that he is Jimmie lets all the animals out of their cages causing havoc at the pet store and has him fired by his boss Mr. Alfred.In the meantime Natalie who thought that she was finally through with Jimmie ends up back at the Reptile Jungle when she's given a speeding ticket by traffic cop Gordon, Robert Duvall. It seems that Mr. Alfred is also the acting county judge and is the person that Natalie is to pay her traffic fine to. While all this is happening Gordon-the cop- had developed a strong liking for Natalie and wants to get her in the sack, at his trailer home, the first chance he can. Gordon a widower with a uncontrollable 12 year old daughter Rosalie, Marva Zimmet, needs a mature woman-with lots of lovin'- to make him forget his many social and psychological problems and Natalie is exactly the medicine that the doctor ordered!***SPOILERS*** Wild and shocking final with Gordon going completely out of his mind and attempting to rape Natalie, who refused his drunken advances, which has Jimmie finally get out of his self-pitying stupor and came to her rescue. There's no happy ending here with Natalie saved from being both manhandled and raped by Gordon but Jimmie, who was bouncing Gordon around like a Ping-Pong ball, ending up dead for all his good and noble efforts.Jimmy by far was he most tragic and sympathetic person in the entire movie. All Jimmie wanted was a friend to talk to and spend time with and all he ended up getting was the sh*t end of the stick. By everyone even the one person who at first treated him with kindness and understanding Natalie Ravenna! In the end Jimmie even though he was treated like dirt by everyone despite his willingness not to offend even those who stepped all over him came out as the most likable kindest as at the same time heroic person in the entire film.

moonspinner55 Francis Ford Coppola wrote and directed this stunningly personal story of a married woman's flight from her husband--and the reality that perhaps the youthful glee and excitement of her younger years are behind her. We learn little about this woman's marriage except that she has been feeling her independence slipping away as of late; she's also recently learned she's pregnant, which has further complicated her heart (she doesn't want to be a complacent wifey, despite the maternal way she speaks to her husband over the phone). She meets two men on her journey: a former college football hero who--after an accident during a game--has been left with permanent brain damage, and a sexy, strutting motorcycle cop who has a great deal of trouble in his own life. The clear, clean landscapes (as photographed by the very talented Wilmer Butler) are astutely realized, as are the characters. Shirley Knight, James Caan, and Robert Duvall each deliver strong, gripping performances, most especially since these are not very likable people in conventional terms. Some scenes (such as Knight's first call home from a pay-phone, or her first night alone with Caan where they play 'Simon Says') are almost too intimate to watch. Coppola toys with reality, turning the jagged memories of his characters into scrapbooks we've been made privy to. He allows scenes to play out, yet the editing is quite nimble and the film is never allowed to get too heavy (there are at least two or three very frisky moments). It's a heady endeavor--so much so that the picture was still being shown at festivals nearly five years later. Some may shun Coppola's unapologetic twisting of events in order to underline the finale with bitter irony, however the forcefulness and drive behind the picture nearly obliterate its shortcomings. *** from ****