fishguy-20977 I liked this movie. It was fun to see Duvall, Williams, and Gleason on the screen together. I've been fascinated with Dan Cooper ever since my father bought me a "Greatest Mysteries" book when I was about 8. That book got me going on Oak Island, too. Anyway, this is obviously not a factual account of anything. For one, none of the money cooper stole has ever made it back into circulation. The serial numbers were all noted, and the money was never used. So, if you go into the movie with the understanding that it's fiction and not based on actual events, I think you'll enjoy yourself. I really liked seeing Gleason, too. He's not in many movies, and it was fun to see him in something besides "The Breakfast Club" and "Trading Places."

dougdoepke Plays like a backpacker's version of Midnight Run (1988), with Duvall in the de Niro role and Williams in Grodin's. Except this one substitutes mindless action for character development and rust bucket jalopies for clever dialog. The result is more tiresome than funny, despite the attractive cast. In fact, Williams plays DB Cooper's part like it's all a big joke that only he thinks is funny—I agree with the reviewer who finds him way too cutesy. In fact, that could apply to the entire movie.Worse-- any well-meaning viewer hoping for insight into the heist itself will be sorely disappointed. We see nothing of the crime except for the dramatic dive from the airliner. I suspect that's because threats to blow up the plane would have "serious-ed up" the movie. Then Williams' Cooper would no longer be humorous at all. The one worthy aspect links Cooper to army ranger training, seemingly apt preparation for such a daring wilderness crime.The movie does have two scenic attractions. There's the great snow-capped panorama of Jackson Hole that keeps the eye entertained whatever the nonsense on the ground. Second is Kathryn Harrold's Hannah. In skintight jeans she presents another kind of natural grandeur that may give backpacking a whole new look. Despite the visuals, however, the topic deserves better than the third-rate Keystone Cops treatment it gets here.

udar55 Here is a fine example of some good ol' Hollywood exploitation. They took the story of famed airplane hijacker D.B. Cooper and decided to make it into a "what if..." scenario by adapting a fictional novel called "Free Fall." Talk about a missed opportunity! Cooper (Treat Williams) lands easily in the woods of Oregon. Just as easily, insurance investigator Gruen (Robert Duvall), whose company is out the ransom money, discovers Cooper is a former charge of his from the Army and begins his pursuit. If you can distance the idea that this is about D.B. Cooper, it is a pretty entertaining chase flick in the SMOKEY AND THE BANDIT vein. I'm sure they threw the Cooper name on there to get the public interested which is a disservice to the film itself. Co-starring Kathryn Harrold, Ed Flanders, R.G. Armstrong and Paul Gleason (in a really scummy turn).

cinecarl This film was hard to get a hold of, and when I eventually saw it the disappointment was overwhelming. I mean, this is one of the great stories of the twentieth century: an unknown man takes advantage of the unsuspecting airline industry and GETS AWAY with millions in ransom without hurting anyone or bungling the attempt. With all of this built-in interest, how could anyone make such a lackluster, talk-laden flick of this true-life event. While Williams is always interesting, the screenwriters assumed that the D.B. Cooper persona was stereotypically heroic like a movie star, s what we get is a type-without any engaging details or insights into the mind of a person daring enough and clever enough to have pulled it off. Harrold practically steals the movie with her spunk and pure beauty, but the real letdown was in the handling of the plot and the lame direction. Shame on this film for even existing.