videorama-759-859391 Whenever I watch Ben Gazzara, he always commands my interest. There's this sort of ambiguous charisma, this late great actor had, even when first seeing him do the nasty in Roadhouse. Here, in this mafioso, mostly fictive tale, drawn from real accounts (this movie which surprisingly made in 86, in contrast to the wonderful olden settings) Gazzara plays a really manipulative mafioso character, where the real true colors of his character, surface, halfway through the film (which has the exact same running time as Goodfellas) and they're ugly. Gazzara of course, stands out too, as this is a Italian production, where save for him, all the other actors are Italian. The Professor is not your average mafioso boss, he's a planner, who uses his noggen, while of course paying some hard prison time, for a domestic involving his sister, being felt up, that went inexplicably wrong. The movie really gets juicy in it's second half, as well as bloody, with Gazzara escaping from the mental sector of the prison, where freedom and fresh air, do him the world of good. He becomes head of the camorra, running protection rackets, you name it, in a shocking display of greed and power, where he becomes responsible for 100 deaths, due to late over payments, or people going up against him, where it's not a smart move. One scene has him looking into a widow and her sons eyes, then waving at the son, where the widow, then spits at him, returning a much understandable malice, a back window of bus, separating them. The film's almost like Scarface and King Of New York revisited, but this much lesser known vehicle, must be seem, by lovers of mafia type/Scorsese films, etc, especially with Gazzara. The final scene, with Gazzara back in the hole, strangely unforgettable. There are moments that are very compacted with stuff, montages, etc. much like Goodfellas and Casino, but that really doesn't count as a fault, this very well made film, hardly having any.

D_vd_B The main reasons why I bought this movie, are that it finally shows the Camorra and because of Tornatore. I read that this movie was banned in Napels, but I forgot the actual reason. Maybe it was banned because it gave politicians a bad name or because the Camorra was against it.This movie has many things that the most (Hollywood) gangster movies are missing; gritty look, realistic gore and NOT glorifying crime. The Tornatore directing is very good; it's maybe not as superb as his "Legend of 1900" or "Nuovo Cinema Paradiso" but that's okay, especially for a debut.Ben Gazzara is good enough as The Professor (Raffaele Cutolo). He appears to me as a real Camorra capo (cunning, cruel and evil) would be. The only thing that bothered me about his acting, is that it looks a little silly when he goes crazy and bangs his head to the glass, but the dubbing isn't really helping there.The supporting cast is quite good. Some of them also make their appearance in La Piovra (Nicola Di Pinto) and some even in Godfather Part 3 (The assassin from Sicily plays a magistrate here). There were no actors that bothered me or anything.The soundtrack is good. It's no Morricone, but you cannot expect that from every Italian movie.The DVD (EAN 5050232700587) is not very good. It is in English with no subtitles. The picture quality is bad, but still watchable. The sound is OK. There are no specials on the disc and for a movie of 144 minutes long, it has a very small number of scenes.If you like La Piovra, you like this. If you don't like La Piovra, you can also like this, but it's a little different than what most people are used to.

DrLenera The first feature from Cinema Paradiso man Guiseppe Tornatore,this is quite unlike his other films. It's a fairly generic but solid gangster saga along Scarface lines,and is loosely based on fact. There's little of the beauty and lyricism you would expect from Tornatore,but he proves himself perfectly adequate to the demands of the mob genre.With a very strong performance from the erratic Ben Gazzara as the anti hero of the title {especially good in the latter sections when he starts to lose his mind},it's your basic rags-to-riches-to-comeuppance story,and indeed there is much that is very familiar. Nevetheless,there are a few original touches,such as having Gazzara's character rise to the top using his brains rather than violence and do it mostly while he is stuck in prison. Having his sister co-run the business with him is also a novel touch,and politicians are shown to be as crooked as the gangsters. The surprisingly low key ending is also very well judged. Moving at quite a fast pace despite it's two and a half hour length,there are plenty of the expected brutal stabbings and shootings,well staged if a little repetitive. One very bloody murder in a shower is especially memorable,yet here as in some other scenes,we actually don't see all of the gory detail,just enough to make it effective.Il Camorrista is a little choppy and has the odd awkward edit,as if it had been cut down from a much longer film. Still,gangster movie fans will find plenty to enjoy,and the film deserves more than the current UK DVD,which has shoddy picture quality,is badly dubbed and fullscreen!

VinceInTheHutt The "camorra" is the Neapolitan equivalent to the Sicilian Mafia and this is a pretty good biopic, loosely based on the life of prominent "camorrista" Raffaele Cutolo. The film deals extensively with the strong links between organized crime and politics and makes some very badly veiled allusions to modern Italian politicians and events. From a film point of view, there's not much in the way of character development. The main character studies medicine (?) in an attempt to escape the criminal milieu he is meant for, but after being sent to jail over a crime of passion he turns into a cold, pitiless man who ruins and corrupts everyone around him. He is nothing like Brando's delicately nuanced Vito Corleone. This guy is ugly, evil and completely unredeemable.On the plus side, the film was shot by Tornatore who was responsible for the magic Cinema Paradiso. This works as a sort of "flip side" to that films rather elegiac vision of Southern Italy.Well worth watching, if only to see an "alternative" mafia film, where a nation's problems are most definitely NOT solved by a quickie car chase.