ma-cortes Some time after their botched operation to capture a known Palestinian terrorist named Amar Kamil (Vincent Regan) , a secret team suffers events go awry . After getting away an assassination's attempt in Luxembourg , a bunch of Israeli agents starts to get killed off one by one . Their leader (Christopher Lambert) must get to the bottom of things before the murderous plan to be completed as he takes one to kill one .European co-production by UK|France|Luxembourg that contains action , intrigue , thrills , suspense ; however resulting to be some tiring and dull . It's a direct to video film made in low budget and failed at box-office . Based on the novel titled "The Heat of Ramadan" by Steven Hartov and screenplay by Ripley Highsmith , the film develops an intrigue about secret agents from Mossad and OLP . Regular performances from two main protagonists Christopher Lambert and his nemesis Vincent Regan . The best acting turns out Kerry Fox , a notorious British actress who has not achieved a great success. There appears in a pretty secondary role Maryam d'Abo who formerly was Bond-girl for John Glen in 'The Living daylights' . Functional cinematography by Alec Mills shot in Luxembourg , Israel and beach scenes in Nice, Alpes-Maritimes, France . Atmospheric musical score by Waltzing , including Arab and Israel sounds .The film was produced by the Jewish Avi Nesher , being professionally made by John Glenn . John keeps this moving, though with no much originality and with some flaws and gaps . He has directed the most number of James Bond movies , totaling five . Glenn filmed various 007 outings , previously directed 2nd unit and edition on some early Bond movies . He directed several entries such as ¨Licence to kill¨, ¨A view to kill¨ , ¨For your eyes only¨ and ¨Octopussy¨ that are incredibly fast pace . The film will appeal to Christopher Lambert enthusiasts , but good for fans only . Rating : Mediocre .

Jonathan Horner Me being a huge fan of Lamberts movies I decided to splash out and buy "The Point Men" for a mere £2.98. I wasn't expecting too much from this movie. I had a suspicion it would be just another dumb B-movie action movie...and I was correct. At times, I drifted off while watching "The Point Men". At times this movie seemed quite confusing. I also experienced deja-vu on numerous occasions during this movie, it had a "seen it all before" feel to it.But when I compare The Point Men to some of Lambert's earlier movies such as Gunmen, Road Flower, and even the dreadful Highlander II (the first Highlander is a classic)then The Point Men doesn't seem all that bad.Overall, there's nothing special about The Point Men, it's just another low budget action movie with little purpose but I have to say, it's certainly not the worst "terrorist" action movie I've seen. And whats with that ridiculous moustache Lambert wears towards the end?!?5/10

The_Wood Usually I despise these direct to video action films, but something about The Point Men struck me, and I walked away with a smile on my face. This film is much better then some recent major studio movies that dealt with terrorism; I am of course talking about the disappointing Collateral Damage and the god-awful Bad Company. The film doesn't really go for too much style, instead the action scenes are raw and bloody. I've always enjoyed Christopher Lambert, he's not a great actor but he gives it his all; like he does here. Nothing to seek out, but if you are looking for a good way to kill an evening, Point Men is a lot better then most are giving it credit for.

dima-12 Rare are the authors that are able to create a vivid movie about the clashes of Israeli hitmen and Arab terrorists. 007 - veteran John Glen joined the legion of these greats with his latest feature THE POINT MEN. "Ripley Highsmith"`s script (based on Steve Hartov`s novel THE HEAT OF RAMADAN) served as an exceptional reason for the reunion of the reliable B - cast that doesn`t even warm the bench in the mainstream cinema these days. Action fans eventually got an opportunity to enjoy a pretty smart conception of heartwarming cliches from the , allegedly dead, MOSSAD - genre that was revived by an intelligent script, above average budget and Glen`s crafty direction of gunfights and car chases where bullets really hit the flesh and real cars get smashed up. No comment belongs out of this statement. There`s just home cinema for all those action buffs who craved for a good flip of an expensive Mercedes ever since McTiernan`s DIE HARD WITH A VENGEANCE.