kriitikko Robert Markowitz: THE PHANTOM OF THE OPERA (1983) made for TV movie.Story is set in Budapest after the First World War. The vile opera manager doesn't get the newest soprano to his bed so he arranges a critical review of her performance. Soprano drowns herself, feeling she has betrayed her conductor husband Sandor Korvin. Korvin goes mad, kills the publisher of the review but also gets burned in the face by acid. Rat catcher hides him beneath the opera house. Four years later Maria, the exact replica of Korvin's wife, comes to sing to the opera. Both Phantom and Michael, the new director, falls in love with her.This kind of story became a great Gothic romance in Dracula (1992). Unfortunately it gets wasted here. Director seems to have no skill whatsoever. The dark opera house provides good surrounding but he doesn't use them in any part. Also cast is totally wasted. Maximilian Schell (Sandor Korvin/The Phantom) is a great actor with a deep haunting voice but he seems to be in this only for money. Jane Seymoure (Maria/Elena) I think has never had any acting talent and this isn't exception. Even Jeremy Kemp as the opera manager fails to give same kind of a slimy villain as Michael Gough in 1962 version. So it is Michael York (Michael) who steals to show and is the only enjoyable thing here.Last word: avoid at all cost! Unless you're die hard York fan.

Christopher Cook This was a horrible and disastrous version of Gaston Leroux's love story. There are now completely different characters, which means goodbye Erik Destler, goodbye Christine Daae, and goodbye Roaul de Chagny, and there is also a completely new storyline. Let me make the comparison.Gaston Leroux's Version of the Story:A hideously deformed "phantom" known as Erik Destler is born with facial deformity and distortion, which causes him to hide his face away in a mask. When he sets sights on the beautiful Christine Daae, a soprano at the Opera Populaire, he decides that he loves her and therefore teaches her to sing and gives her lessons daily. This is all well and good up until the point where Roaul de Chagny, a man who is also in love with Christine and was childhood sweethearts with her, comes into the picture. Then a love triangle forms and a war begins because of it.This Version of the Story:A man loses his wife to suicide after she receives a bad review, and as a result of his anger and frustration, he is burned in a chemical spill. The burn causes his face to appear horrifying and frightening, and he hides it away with a full face mask and returns as The Phantom of the Opera five years later to avenge his wife. He sets sights on a woman who possesses almost identical features of his wife and falls in love with her, but unfortunately, she already has a lover, which results in the final showdown. This version of the story is distorted and untrue, which brings the value of the movie down by far. It is also incredibly boring and slow-paced, and that's a lot to say coming from an obsessed freak of the story. 5/10

Matheus Marchetti Berna Petrarca de Araujo I love this movie, is very close to the original novel, and the actors, Oscar winner, Maximillian Schell (from DEEP IMPACT)Jane Seymour (from Judgment AT NUREBERG) and Michael Your (from THE HAUNTING OF HELL HOUSE) are fantastic!The set was wonderful, and the music is good to! I think, Schell makes the most darkest and original Phantom, this time named Sandor Korvin, a deformed maestro, who lives on the catacombs below the Budapest Opera House. This is the best phantom, but why do not have it Oscars? This is the only disappointment thing. But this don't stops to make this film, not only the best, but with best actors of all!I really recommend "The Phantom of the Opera" of 1983 to any, one, I am saying, really any one! And remember this is the best!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Sir_SK This film is all that I could hope for and more! I am surprised that this great film is so under-rated. The music is beautiful, as is the young Jane Seymour, and Max a million Smell makes an excellent Phantom, especially with his mysterious deep voice. He makes his first appearance in the opening scene as the conductor with bed-head. This film has an excellent atmosphere and gothic mood. There is some of the most unique and original camera work that I've ever seen in this film. The film includes the masked ball and a finale that will keep you on the edge of your seat and your heart pounding. When trying to find this film avoid the Canadian video release which mangles the movie terribly by rearranging scenes, and ultimately the film doesn't really make much sense. The film is occasionally available on eBay in a version that looks like the master has been dubbed from another, so the quality isn't very good, but it's still a really great film. I would love to see this film released on DVD.