kusaj-47895 This is a truly powerful film. Faith is not a prerequisite to having an almost religious experience in viewing it.

Horst in Translation ([email protected]) "Der neunte Tag" or "The Ninth Day" is a German movie from over 10 years ago that runs for slightly over 90 minutes and was directed by Volker Schlöndorff who is still pretty famous here in Germany for directing the Oscar-winning "Die Blechtrommel". I was very underwhelmed by this one and while I am definitely not the greatest Schlöndorff fan, I can't deny he has made a couple good films and I would include this one here also as one of these I deem superior to "The Tin Drum". The best thing about it is definitely the acting. Matthes and Diehl bring their A-Game and other actors probably could not have delivered better portrayals. Both certainly elevated the material and I think that, at least back then, both count to the best Germany had to offer in their respective age groups. Hilmar Thate played a supporting character and I felt he was very good too. Then again, I may be a bit biased here as I have always liked him.The story is about a priest who is in jail at a concentration camp during the days of Nazi Germany. A German army commander offers him a deal: If he writes a letter to the Pope and encourages the Pope to approve of German politics during that era, then he (Diehl) would let him (Matthes) free and also save many of the priest's peers from being killed at the concentration camp. Of course, the priest does not believe a bit in the Nazi's claim to being the dominant race, so it is all a decision of his conscience and there is a lot of talk about the priest acting like a Judas for the good cause and for saving people's lives. Will he finally do it? I won't tell you. You need to watch for yourself.Another aspect I believe that is interesting about the movie is the fact that the Vatican is in Rome and people who know about the Italian political position in the 1930s will know that this may have complicated things a lot. Unfortunately, the basics are a lot more interesting in this movie than the actual story. The writers certainly could have made a better job here and I cannot say I approve of the script. The story offered so much more and even if the German Film Awards apparently disagree, I have to say that they did not achieve what they could have achieved here. The only true reason for watching this film is the political context, the real story it is based on and the convincing performances from the 2 lead actors. All in all, I give "Der neunte Tag" a thumbs-up and still call it a missed opportunity. Go check it out.

Nirankush Mukherjee This movie has been unduly panned by IMDb critics as being Catholic propaganda, when there is hardly any. It's actually an exploration of questions on faith and morality, viewed from the perspective of Rev. Henri Kremer, a priest who has been "on leave" from Dachau to convince the Bishop of Luxemburg to support Nazism, who has been a silent opponent all throughout. At one point the film even mentions that the Pope however congratulated Hitler on his birthday - that clearly indicates the acquiescence of the Catholic world - to me that's quite the opposite of propaganda.**** SOME SPOILERS AHEAD **** The movie chronicles each of the 9 days that Rev. Kremer is allowed, and his conversations with Gestapo officer Gebhardt. When Kremer fails to convince the Bishop, he is persuaded to write a memo himself, given his own respectability due to his family status. In return he can have all the priests in Dachau released. Kremer at one point thinks he is being like Judas betraying the Christian cause (also to be noted that his personal cash upon release amounted to 30 marks), which Gebhardt, a former theology student himself, argues is a necessary evil, because without Judas there would be no martyrdom of Christ, and hence no Christianity. Rev. Kremer also learns that by giving Nazi policies the official blessing of Catholicism, he can be responsible for the deportation of thousands - although some 40 priests could be let go from Dachau. The resulting dilemma of Kremer dominates the movie.Ulrich Matthes is very convincing in the role of Kremer with his sunken cheeks and eyes, and watch the young actor August Diehl in the role of Untersturmfuehrer Gebhardt.

siegfried hasse Mr. Schlöndorff's "Ninth Day" is clearly in the tradition of Veit Harlan's old Terra movies. The recipe is simple: the director takes some historical events, distorts the inconvenient facts, invents some convenient facts to meet the ax he has been given to grind, and then he shoots away.In this case historical names are changed and events are invented to make the point that the Catholic Church behaved honorably during World War II. Whereas Joseph Philippe, the historical wartime bishop of Luxembourg has acquired the sobriquet "The Silent One," for refusing to speak out against the atrocities committed by the Germans, in this film he is presented as boldly resisting the Germans. With the bishop's celluloid moral credentials thus firmly established, Mr. Schlöndorff expects us to buy the defense of Pope Pius XII's silence about the Holocaust, simply because it comes from the bishop's mouth. Trouble is, the bishop's February 1942 argument rests on events in the Netherlands that haven't even taken place as yet, and were not going to take place until July 1942. What sloppiness! Pope Pius XII may be a controversial figure, and while the case for his defense is far from easy, it is certainly not helped by this kind of massive and careless falsification of history. When you falsify history, you better not land in some trivial contradictions. Much as he would have been pleased by Mr. Schlöndorff's attempt, Dr. Goebbels would not have tolerated such amateurishness. Unfortunately, artistically as well, this film does not hold a candle to its Goebbels-Harlan model.