The Nanny Express

2009 "Happiness is only one interview away"
The Nanny Express
6.5| 2h0m| en| More Info
Released: 02 January 2009 Released
Producted By: Larry Levinson Productions
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Budget: 0
Revenue: 0
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Synopsis

With their mother dead, Emily and Ben torment their nannies to quit as fast as their father hires them. Till a nanny named Kate shows up and slowly wins Ben over. That's bad enough, but when her father and Kate start to fall in love, Emily sets out to break them up and match him with her ballet teacher.

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Larry Levinson Productions

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Reviews

drpakmanrains Having read the reviews of this film here and on Amazon and Netflix, I wonder why those who don't like the Hallmark formula bother to watch. You know going in that the film will not be edgy, nor have overt violence, sex, or swearing, and will usually be predictable, prettier than life, and usually have some tearjerker sentimentality. This one does all these things, but I truly enjoyed it immensely. And by the way, I am not a conservative, as one reviewer believed anyone who likes this kind of fare must be. This film follows the "Sound of Music" plot points of a Nanny who takes on unruly children of a widower. Vanessa Marcil shines in the role, and the film also has small parts by veteran actors Stacy Keach and Dean Stockwell. Unlike the 20 or so previous nannies, this one soon wins over a young Uriah Shelton, the excellent star of the later 2011 film "Lifted", but can't make much progress with his 15 year old sister, who is still hurting over her mother's death in an accident. And while you know what will eventually happen, the performances and script are quite good overall, and this, at least for me, was one of the best Hallmark films. Have a Kleenex or two ready near the end. And if you don't like Hallmark films inherently, don't bother to watch and then knock it mercilessly.
Conor Sky Please note I lost interest in this film halfway through, so this is a slightly inaccurate review, but still display's my feeling's I felt while watching this. A typical cash-in of the ever-popular Nanny McPhee, this film boast's a typical family film character roster; bittersweet mother (or in this case, nanny), rebel teenager, deadbeat dad and a little brother who is mainly a supporting character and has little plot of his own. The film has little original content, a sick father that makes the viewer feel bad for not enjoying the film, but not much else. Humor? Nah, unless you are some 80's chap that always has their head in the past, at other family films, then yes, the whole thing is a comedy festival. There's soppy moment's and a dash of romance, nothing you haven't seen before. Unoriginal content, typical plot line and typical character development plus kids playing jokes, maturing and having boring paced character development, while the viewer has more idea what's going on moreso than the actor's make this film a real stinker.
aaakker What can I say; this is a typical Hallmark movie. It it's sugar sweet and "suitable for the whole family". However when I say it is a typical Hallmark movie, this is also the weak part of the movie. As with most Hallmark movies, people fall in love after meeting twice, the characters in the movie are almost flawless (for example: the main character: does charity work, watches after her sick father and works full time) and the range of emotions/desires is, shall we say "limited". Also being an American Hallmark film, the church is mentioned frequently and the main character is religious.In such movies, every character is a stereotype with matching state of mind (sad, angry, etc) and things/situations that would make the viewer think or truly care for the characters are not included in the movie as it is "suitable for the whole family". The movie is predictable and cliché. Not even good actors such as Vanessa Marcil or Dean Stockwell can save this movie in my view without a serious change of the script: something it will never get. Do not get me wrong: I love movies to be cliché and predictable to a certain point. At the end of the movie I want the main character to gain his or her love interest, have a bright looking future and the "bully/bad guy" to be punished or forgotten. But Hallmark takes this concept to a whole other level. It does not feature the real world but the world we would like it to be. And the way the nanny is winning over the children, just too easy to be believable. All nice, easy and neat. And that makes it impossible to relate to.If you like your movies to have a shred of realism (even the average romantic comedy has more realism than the average Hallmark movie) this film is not for you as it is not a movie for me. However, if you are a typical American conservative and like your movies to be bright and devoid of anything controversial this is a movie for you. And in that category this is one of the better ones
TxMike This is a TV movie and all the actors have experience in various TV shows. Which means the acting is good, but there is no one recognizable in this movie on a budget. I believe that worked in its favor.The man of the house is a widower with two children, a younger son and a teenage daughter. In a quick series of snippets as the movie starts, we see that the siblings have become experts at working together to drive away new nannies.Next comes pretty Vanessa Marcil (40, looks 25) as Kate, who has an ailing father and who does volunteer tutoring at the local church. She wants to be a teacher, whenever she has time to complete her education. She needs a job, and along comes the opportunity as a nanny.The siblings of course do their usual routine to driver her away but she doesn't quit. Kate knows what it is to lose a mom when you are a teenage girl, so she sticks with it as much to help the daughter as anything.Meanwhile as things begin to work out well in the new job, the dad, a successful and wealthy L.A. architect, takes a liking to Kate. But the daughter, jealous, sets out to sabotage that.There isn't anything new or Earthshaking about this movie, but the actors and the simple, sweet story make it watchable.