The Naked Civil Servant

1975 "Never keep up with the Jonses. Drag them down to your level. It's cheaper."
7.9| 1h17m| en| More Info
Released: 17 December 1975 Released
Producted By: Thames Television
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

Story of the life of Quentin Crisp, an Englishman who was brave enough to live his life according to his own style even in the hostile days of WW2.

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a_baron John Hurt is one of England's finest actors, and in his long career there are two performances that stand out: "The Elephant Man" which earned him an Oscar nomination, and "The Naked Civil Servant", which as a TV dramatisation could not. Hurt plays the enigmatic Quentin Crisp to a tee. Unlike the vast majority of today's Western homosexuals, Crisp knew what he was and made no attempt either to fit in or to embrace the so-called gay culture. He realised the futility of the effeminate homosexual's search for what he called his great dark man, and in the end abandoned it. He died at the age of 90 after being celibate for half a century.He was also a natural exhibitionist, so his accidental choice of career was fitting. It remains to be seen how much licence has been taken either by Crisp himself – whose autobiography is called "The Naked Civil Servant" - or by the film makers, but certainly being an out homosexual in London from the 1920s to the 1950s was a different proposition from today, and there is no doubt he would have been queer-bashed from time to time.Something else that has changed is the public perception of the police, a perception that on occasion finds its way to the bench. That being said, the court scene was the high point of this dramatisation.
Afzal Shaikh The Naked Civil Servant is a TV film based on famous gay wit Quentin Crisp's autobiography. John Hurt gives a characteristically committed, outstanding performance. His Crisp is both a bon vivant and a serious, determined man who, underneath his outrageously camp exterior, is anything but frivolous, flamboyantly using his wit and dress like weapons as a defence to the repressive, smug and specious attacks from the mainstream English establishment and society, which regards his sexuality as criminal and deviant.Hurt's Quentin Crisp is an unlikely crusader, made appealing not only by his inspiring moral force in facing prejudice, abuse and rejection with honesty, courage and an uproarious sense of humour, but by the fact that he never loses his belief in humanity, living his life undaunted and surrounded by friends who he treats with warmth and compassion.Jack Gold's direction is wonderfully theatrical and so suited to Crisp's eccentric world, and the dialogue is incandescent. Nevertheless, the film's narrative, as it ranges over Crisp's long life, is episodic and at times sketchy. Also unnecessarily, Quentin Crisp himself appears in a sort of preface at the beginning of the film.
VictoriousDust In 1976, at 24 I thought I knew enough about gay men, but I was not aware of flamboyant male homosexuality. It can be difficult to watch the beginning of the film if you're like I was and never saw such behavior, but if you stay with it, it pays off big in very touching ways--and not only with regard to homosexuality but to living life in general. This film teaches you about yourself as good art always does. Note: Quentin Crisp (the main character) plays the part of Queen Elizabeth I in a film called "Orlando." And another movie that might be good to introduce someone to male homosexuality is "The Sum of Us" with Russell Crowe, though that film is more lighthearted and sweet than "The Naked Civil Servant."
mermatt I had the good fortune to meet the late Quentin Crisp several times. This film is a delightful and moving story of his evolution as a human being.Like Oscar Wilde, he was the brunt of jokes and nasty stories because he dared to be himself -- and, to use his own word, a very "autre" self indeed. John Hurt does a wonderful job showing us the spirit of a man who didn't grovel to the conventions of society and dared to give the world a free spirit.The ironic conclusion of the film is an observation by Crisp himself that the "autre" which was once his alone became the commonplace of the late 1960s and early 1970s.This is an unusual film worth seeing for the performances as well as for its lessons in living. We are who we let ourselves be. We can be who we desire to be, or we can surrender to the drab molds of the society around us.