The Moonlighter

1953 "THE MOST MAN-WOMAN EXCITEMENT EVENT TO EXPLODE OFF THE SCREEN IN Natural Vision 3DIMENSION!"
The Moonlighter
5.8| 1h18m| NR| en| More Info
Released: 19 September 1953 Released
Producted By: Warner Bros. Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Wes Anderson (Fred MacMurray) is caught cattle rustling and promptly jailed. The public is outraged, but, since Wes always worked at night, they don't know what he looks like. Still, they break into the prison and lynch a hobo they think is Wes, while the actual culprit sneaks off to see his old flame, Rela (Barbara Stanwyck), who has recently taken up with his straitlaced brother, Tom (William Ching). But Tom is envious of his outlaw brother, and he decides to join Wes in a life of crime.

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Dick Yates I cringed when I watched this movie recently on TCM.Fred MacMurray, Barbara Stanwyck and Ward Bond were all fine actors, but in this turkey and with the scripts they had to work with it was downright embarrassing to see their acting performances.The movie started off promising, but within about 15 minutes it quickly deteriorated into a mishmash of puzzling dialogue between the actors and plot twists that didn't make any sense. I couldn't really understand the relationship between MacMurray and his brother, who he just kind of left out there in left field during the bank robbery.Ward Bond played an ingratiating role as a baddie. He just looked uncomfortable during his scenes. Overall a terrible waste of some fine actors talents.
Michael_Elliott The Moonlighter (1953)** 1/2 (out of 4)A rather bizarre Western starts off with a huge bang but then slowly dies into melodrama. Fred MacMurray plays a man believed dead but he shows back up at his mother's house swearing vengeance on what's happened to him. He then realizes that his former love (Barbara Stanwyck) is now seeing his younger brother (William Ching), which sets off a love triangle. THE MOONLIGHTER is an incredibly disappointing film when you consider the cast and especially after how well it got started. I'm not going to spoil the first fifteen-minutes because it delivers a few key plot points that are best if you don't know them going in. I will say that the entire sequence contains some terrific drama, great action and even a couple good laughs. The entire sequence is build around them wanting to lynch a cattle robber but there are many complications that come from this and it really leads to a terrific sequence. Sadly, after this, the film turns into a silly soap opera and the love story between MacMurray and Stanwyck is never believable. The two of them are always good together and their past films prove that but there's very little fire here between the two. I think a lot of this is due to the silly screenplay, which just goes crazy in the second half of the film and even the director makes some silly mistakes including using a score meant for a comedy during a couple critical killing scenes. The ending is without question one of the worst in film history and how characters just flop is downright silly. Even the big action climax at the end doesn't work as the director brings no suspense to it. The actors are fine and that includes Ward Bond as a bad guy but the film is just a mess. Originally this was shown in 3D but outside of the opening credits I didn't see a single thing fly to the screen so this movie's reputation of being one of the worst 3D movies is probably true.
bkoganbing One wonders why Warner Brothers chose to make The Moonlighter in 3-D and yet not bother with color. That almost to me seems self defeating if you're trying to lure people out of their homes and away from their television screens. And why do this on a minor western? Fred MacMurray and Barbara Stanwyck who made the classic Double Indemnity for Paramount almost a decade earlier set off no sparks in The Moonlighter. MacMurray is in the title role and when one is a Moonlighter one is a cattle rustler who plies his trade during the evening hours. Either way it can get you lynched as a mob from the town where MacMurray is in jail does, but to the wrong guy thinking it's him.Which allows him to take some revenge on those that wanted to do him in, like Clint Eastwood in Hang 'Em High. Still a wanted man Fred goes back to the old home town where he wants to take up bank robbery and visit his sweetheart Barbara Stanwyck. But she's now seeing his brother William Ching.Nevertheless Fred does attempt a robbery with old outlaw colleague Ward Bond. After that the plot gets so ridiculous that I almost dare you to see it.In color it would have been better, but there is a nice sequence at a waterfall involving the stars that must have been great in 3-D. But for my money it's not enough to make up for a really ridiculous plot in a film that neither star thought highly of.
Alonzo Church Fred McMurray left Barbra Stanwyck five years ago, always promising to return. But, while Babs drifts into an engagement with Fred's brother, Fred has been stealing cattle by moonlight (and barely misses getting lynched for his efforts). Will Babs find true love with THE MOONLIGHTER when he returns to town, or will the production code force Fred to pay some awful penalty before she gets the chance? Barbara Stanwyck and Fred McMurray made four movies together. Three of them are classics. This justifiably obscure western is the one that isn't. This is true, even though screenwriter Niven Busch was responsible for the great Stanwyck western -- The Furies. What goes wrong here is a mediocre and very disjointed plot that always seems to be darting off in a new, random direction, just when the old plot elements are developing some tension. There's nothing wrong with the acting. Fred and Babs play their roles well. It's just that the movie itself gives the two stars less scenes together than you would think, and cheats Babs of screen time to develop her character in the later portion of the film. Finally the film suffers from a tacked on ending that is five parts production code nonsense and five parts 3-D outdoor spectacular climax.A western disappointment. All parties involved have done better work.