Charles McGrew Generally very good, but "kennedy-friendly", that is, JFK comes out the consumate crisis-manager, when in reality nobody was in control of events (JFK and Khrushchev truly were "sleepwalking through history").To be fair to the makers of the film, the script is based on available documents in 1974. Nowadays, we know that Kennedy explicitly traded existing US bases in Turkey for the USSR bases in Cuba -- something that was denied for years -- and that the Russians had tactical nuclear weapons in Cuba to defend against invasion; which would have immediately turned into a direct confrontation into the nuclear realm. In reality, the Cuban Missile Crisis seems to have been "won" (narrowly) by the Soviets -- although Khrushchev's career didn't survive it (but Castro's certainly did :-)Wonderful work by William Devane as JFK (Martin Sheen as RFK has a little more trouble with the accent, but the two of them portray the personalities of the two men very well), but perhaps the best portrayal of all is Howard da Silva as Nikita Khrushchev. Very nice casting choices (and performances) for pretty much every player. Long, but thorough.

dekaplan A must-see depiction of the Cuban missile crisis of 1962. Focusing mostly on the Kennedy administration, this made-for-TV movie captures all the tension and emotion occurring inside the White House. It gives a real insider's view of how the American government operates. It also takes you inside the Kremlin giving you a glimpse how both sides dealt with the crisis. William Devane and Martin Sheen give excellent performances as Jack and Bobby Kennedy. The entire cast is top-notch. Don't bother with Thirteen Days, it pales by comparison. This is the real deal.

jacksflicks Some have berated the "The Missiles of October" for being over-long. Nonsense! (One genius who complained did, however, like the performance of "Marin Short". Sounds like a 12 year-old. Hey, maybe he is!) It would have been over-long if it were a boring story with boring performances. But "The Missiles of October" is neither. The story is, of course, riveting, whether you were around during the early sixties or not. And the performances - the guy who cast the three main characters, JFK (William Devane), RFK (Martin Sheen) and Khrushchev (Howard Da Silva), should have got an Emmy. Martin Sheen may have over-done Bobby Kennedy a bit, but it should be noted, that RFK's "Kennedy accent" was much thicker than JFK's, almost to the point of self-caricature.Nor is the film "dated," as another reviewer would have it. The TV claustrophobic atmosphere is in perfect keeping with the tight, closed, suffocating tension which actually existed in the real situation. The crisis did not occur out of doors, or in halls - it occurred in a few rooms. "The Missiles of October" possesses the hallmark of classic drama: though you may know how it ends, you want to watch it again and again.

DATo-2 The Title 'The Missiles Of October' was a play on the title of the book 'The Guns Of August' by Barbara Wertheim Tuchman which deals with the precipitant events leading to World War I and the enormous tragedy resulting from the inability of the principal player's to diplomatically side-step one of history's most tragic chapters. I was a child at the time of the Cuban missile crisis but I remember clearly the dread we all felt during those tension filled days when literally the fate of the world was hanging in the balance.'The Missiles Of October' was a Hallmark Hall Of Fame special presentation and was based on Theodore Sorensen's book 'Kennedy' [the chapter entitled 'The Cuban Missile Crisis']. The TV production captured perfectly the story as told by Sorensen, who was part of Kennedy's staff at the time and was present at most of the meetings taking place prior, and subsequent to Kennedy's revelation to the world of America's knowledge of the Russian missiles in Cuba and our intent to have them removed.I HIGHLY recommend this film as one of the most riveting stories you will ever see ... fascinating, mesmerizing, haunting, and would have made great fiction if it were not ABSOLUTELY TRUE.